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fandomsandfiction's review against another edition
dark
emotional
informative
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I could write 100 essays on this book. I could write A BOOK on this book. All to say, it's phenomenal! And the more you dissect and analyse it, the more brilliant it becomes. Amazing.
Content Warnings
Graphic: Child death and Genocide
qqjj's review
challenging
dark
emotional
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Confinement, Death, Emotional abuse, Genocide, Hate crime, Infertility, Miscarriage, Racism, Forced institutionalization, Police brutality, Islamophobia, Grief, Religious bigotry, Murder, and Colonisation
azrah786's review against another edition
4.0
[This review can also be found on my BLOG]
CW: violence, police brutality, colonialism, war, genocide, murder, death, grief, racism, xenophobia islamophobia, hate crime, miscarriage/abortion, infidelity
--
Enter Ghost is a story about a British theatre actress with Palestinian heritage who after years spent away returns to Haifa to visit her sister as a way to get away from the end of a bad relationship. Childhood trauma as well as family issues mean Sonia feels a detachment from Haifa and Palestine as a whole but getting pulled into doing an Arabic production of Hamlet in the West Bank allows her to start renewing her relationship with her family’s homeland.
This is a multi-faceted book that not only brilliantly explores art as a form of resistance but also focuses on the casual drama that occurs within a theatre production as well as more personal relationship dynamics, both familial and romantic. This is all tied together with themes of identity, belonging and perseverance, particularly with regards to the lived experiences of Palestinians under occupation. Not only do we get perspectives from the West Bank but also that of Palestinians on the “inside” who have grown up post 1948 and currently live in those areas that were sieged during the Nakba.
There is never a preachy tone to how any of this is addressed but the underlying messages cannot be more clear-cut than when the exact events that are being immortalised via fictional text are being recorded on social media for the world to witness in real time.
Hammad’s prose is brilliant though I actually struggled with getting into the story initially as the writing is very much attuned to the personality and emotions of our protagonist. Sonia isn’t the most vibrant of characters and her mannerisms at times make her a little unlikeable. I was more drawn to her strained relationship with her family members than I was to her romantic life but it was the use and performance of Hamlet within the story which stood out most to me.
Hamlet is one of the Shakespeare plays that I didn’t study in school and never got around to reading but let me tell you when you read this book your understanding of the classic will be altered whether or not you’re familiar with the original.
The narrative does jump to a script format every now and again when the theatre group are assembled, rehearsing and speculating about the play which I feel at times worked and at others disrupted the flow of the overall story which was another minor grievance I had with the book. However, the portrayal of how culture and the arts are a source of hope in the face of repression by apartheid and occupation was beautifully done.
The place on the Women’s Prize shortlist was well-deserved. Go read it!
Final Rating – 4/5 Stars
CW: violence, police brutality, colonialism, war, genocide, murder, death, grief, racism, xenophobia islamophobia, hate crime, miscarriage/abortion, infidelity
--
Enter Ghost is a story about a British theatre actress with Palestinian heritage who after years spent away returns to Haifa to visit her sister as a way to get away from the end of a bad relationship. Childhood trauma as well as family issues mean Sonia feels a detachment from Haifa and Palestine as a whole but getting pulled into doing an Arabic production of Hamlet in the West Bank allows her to start renewing her relationship with her family’s homeland.
This is a multi-faceted book that not only brilliantly explores art as a form of resistance but also focuses on the casual drama that occurs within a theatre production as well as more personal relationship dynamics, both familial and romantic. This is all tied together with themes of identity, belonging and perseverance, particularly with regards to the lived experiences of Palestinians under occupation. Not only do we get perspectives from the West Bank but also that of Palestinians on the “inside” who have grown up post 1948 and currently live in those areas that were sieged during the Nakba.
There is never a preachy tone to how any of this is addressed but the underlying messages cannot be more clear-cut than when the exact events that are being immortalised via fictional text are being recorded on social media for the world to witness in real time.
Hammad’s prose is brilliant though I actually struggled with getting into the story initially as the writing is very much attuned to the personality and emotions of our protagonist. Sonia isn’t the most vibrant of characters and her mannerisms at times make her a little unlikeable. I was more drawn to her strained relationship with her family members than I was to her romantic life but it was the use and performance of Hamlet within the story which stood out most to me.
Hamlet is one of the Shakespeare plays that I didn’t study in school and never got around to reading but let me tell you when you read this book your understanding of the classic will be altered whether or not you’re familiar with the original.
The narrative does jump to a script format every now and again when the theatre group are assembled, rehearsing and speculating about the play which I feel at times worked and at others disrupted the flow of the overall story which was another minor grievance I had with the book. However, the portrayal of how culture and the arts are a source of hope in the face of repression by apartheid and occupation was beautifully done.
The place on the Women’s Prize shortlist was well-deserved. Go read it!
Final Rating – 4/5 Stars
Content Warnings
Graphic: Miscarriage, Racism, Xenophobia, Islamophobia, Grief, Abortion, and Pregnancy
Moderate: Death, Genocide, Hate crime, Infidelity, Violence, Police brutality, Murder, and War
maziodynes's review against another edition
challenging
emotional
informative
inspiring
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Racism and Xenophobia
Moderate: Genocide and War
bethanwx's review against another edition
challenging
dark
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
A stark tale of a woman living in dangerous circumstances. Exploring strained sisterhood ghosts (in all their forms), family and the past, Enter Ghost grows in intensity.
Content Warnings
Graphic: Genocide, Gun violence, Hate crime, Blood, and Police brutality
amyjo25's review against another edition
adventurous
challenging
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Moderate: Genocide and Gun violence
jono_lawrence's review
challenging
dark
emotional
hopeful
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Confinement, Death, Genocide, Gun violence, Hate crime, Racism, Self harm, Violence, Police brutality, Islamophobia, Grief, Colonisation, and War
liesthemoontells's review
emotional
informative
reflective
relaxing
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I read this book for a book club. It is not something I would normally have read, and I'm very glad I did.
Not a lot happens in this novel. Instead, it follows a small group of people, creating art and pushing back against the injustices and everyday indignities inflicted upon them by a colonising force.
While doom and oppression are constantly looming in the background of this book, it is somehow a gentle read as the main character Sonia is extremely reflective, spending as much time analysing the small behaviours of the people around her as she does the wider political situation she has entered into.
I love that the book ends where many authors would have begun it, just as the calamity occurs. Instead, refreshingly, Isabella Hammad gives her reader space to bask in the small, day to day intricacies of her characters and their lives, instead of forcing us to witness them in extreme stress.
Not a lot happens in this novel. Instead, it follows a small group of people, creating art and pushing back against the injustices and everyday indignities inflicted upon them by a colonising force.
While doom and oppression are constantly looming in the background of this book, it is somehow a gentle read as the main character Sonia is extremely reflective, spending as much time analysing the small behaviours of the people around her as she does the wider political situation she has entered into.
Content Warnings
Graphic: Confinement, Hate crime, Xenophobia, Police brutality, Islamophobia, Religious bigotry, Colonisation, and Classism
Moderate: Genocide and Miscarriage
anditsreal's review
challenging
emotional
hopeful
inspiring
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I read fiction to understand the world. This book reminded me how powerful the creative act can be.
Content Warnings
Moderate: Confinement, Death, Genocide, Gun violence, Hate crime, and Police brutality
cassielaj's review against another edition
challenging
emotional
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
This book offered a perspective I’ve never encountered and a great insight into a small sliver of lived experience in Palestine. I appreciated the theme of art/theatre as revolutionary and the bleeding of the play’s themes into the characters real lives.
Content Warnings
Graphic: Genocide, Gun violence, Infertility, Miscarriage, Violence, Police brutality, Grief, Abortion, Colonisation, and War