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meltotheany's review
dark
emotional
hopeful
informative
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
resilience can look so different and resistance can look so different. and this is a really powerful, and beautiful, and heartbreaking book about a woman finding the power of those two things (alongside her family and her culture) while coming back and performing hamlet in Palestine.
being born into this genocide, and knowing your parents were also born in this genocide, and your grandparents, and so on for over 100 years. all having first memories of realizing they were living under occupation. all having first moments of being a part of an uprising to protect their land. all having stories that may feel unspeakable to even pass down. and all the childhood trauma, growing up in this trauma, trauma still being inflicted in 2025, … it’s so harrowing i don't even have words for it.
but there is also such a strong message of hope, and finding art to help you, and finding power that others cannot take from you. i highly recommend this one. and please remember that Palestine should be free, and we all should be helping to contribute to that freedom, with our voices, our money, and our politicians.
trigger + content warnings: harassment with airport security, racism, xenophobia, colorism, talk of infidelity, genocide, occupation, colonization, war, murder, death, torture, starvation, gun violence, attacks, violence, talk of medication abuse for weight loss, mention of disordered eating in past, abortion in past, miscarriage in past, divorce in past, depression, grief, blood, bad medical care (unprofessional doctor giving pelvic exam care (mental / emotional abuse)
being born into this genocide, and knowing your parents were also born in this genocide, and your grandparents, and so on for over 100 years. all having first memories of realizing they were living under occupation. all having first moments of being a part of an uprising to protect their land. all having stories that may feel unspeakable to even pass down. and all the childhood trauma, growing up in this trauma, trauma still being inflicted in 2025, … it’s so harrowing i don't even have words for it.
but there is also such a strong message of hope, and finding art to help you, and finding power that others cannot take from you. i highly recommend this one. and please remember that Palestine should be free, and we all should be helping to contribute to that freedom, with our voices, our money, and our politicians.
trigger + content warnings: harassment with airport security, racism, xenophobia, colorism, talk of infidelity, genocide, occupation, colonization, war, murder, death, torture, starvation, gun violence, attacks, violence, talk of medication abuse for weight loss, mention of disordered eating in past, abortion in past, miscarriage in past, divorce in past, depression, grief, blood, bad medical care (unprofessional doctor giving pelvic exam care (mental / emotional abuse)
Content Warnings
Graphic: Death, Genocide, Mental illness, Miscarriage, Racism, Violence, Xenophobia, Grief, Colonisation, and War
risemini's review
dark
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
Content Warnings
Graphic: Miscarriage, Sexual content, Violence, Islamophobia, Grief, Abortion, Alcohol, and War
himpersonal's review against another edition
emotional
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
So many of my Goodreads friends liked this book, so I really wanted to like it too. I did not. I found myself unable to care about the characters or even to dislike them. I felt only a numb apathy. I should've DNF'd it. I admit I got lazy about finding my next read. Kind of wish I hadn't...
Content Warnings
Graphic: Bullying, Emotional abuse, Misogyny, Rape, Sexual violence, Blood, Grief, Abortion, and Injury/Injury detail
qqjj's review against another edition
challenging
dark
emotional
funny
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Confinement, Death, Emotional abuse, Genocide, Hate crime, Infertility, Miscarriage, Racism, Forced institutionalization, Police brutality, Islamophobia, Grief, Religious bigotry, Murder, and Colonisation
azrah786's review against another edition
4.0
[This review can also be found on my BLOG]
CW: violence, police brutality, colonialism, war, genocide, murder, death, grief, racism, xenophobia islamophobia, hate crime, miscarriage/abortion, infidelity
--
Enter Ghost is a story about a British theatre actress with Palestinian heritage who after years spent away returns to Haifa to visit her sister as a way to get away from the end of a bad relationship. Childhood trauma as well as family issues mean Sonia feels a detachment from Haifa and Palestine as a whole but getting pulled into doing an Arabic production of Hamlet in the West Bank allows her to start renewing her relationship with her family’s homeland.
This is a multi-faceted book that not only brilliantly explores art as a form of resistance but also focuses on the casual drama that occurs within a theatre production as well as more personal relationship dynamics, both familial and romantic. This is all tied together with themes of identity, belonging and perseverance, particularly with regards to the lived experiences of Palestinians under occupation. Not only do we get perspectives from the West Bank but also that of Palestinians on the “inside” who have grown up post 1948 and currently live in those areas that were sieged during the Nakba.
There is never a preachy tone to how any of this is addressed but the underlying messages cannot be more clear-cut than when the exact events that are being immortalised via fictional text are being recorded on social media for the world to witness in real time.
Hammad’s prose is brilliant though I actually struggled with getting into the story initially as the writing is very much attuned to the personality and emotions of our protagonist. Sonia isn’t the most vibrant of characters and her mannerisms at times make her a little unlikeable. I was more drawn to her strained relationship with her family members than I was to her romantic life but it was the use and performance of Hamlet within the story which stood out most to me.
Hamlet is one of the Shakespeare plays that I didn’t study in school and never got around to reading but let me tell you when you read this book your understanding of the classic will be altered whether or not you’re familiar with the original.
The narrative does jump to a script format every now and again when the theatre group are assembled, rehearsing and speculating about the play which I feel at times worked and at others disrupted the flow of the overall story which was another minor grievance I had with the book. However, the portrayal of how culture and the arts are a source of hope in the face of repression by apartheid and occupation was beautifully done.
The place on the Women’s Prize shortlist was well-deserved. Go read it!
Final Rating – 4/5 Stars
CW: violence, police brutality, colonialism, war, genocide, murder, death, grief, racism, xenophobia islamophobia, hate crime, miscarriage/abortion, infidelity
--
Enter Ghost is a story about a British theatre actress with Palestinian heritage who after years spent away returns to Haifa to visit her sister as a way to get away from the end of a bad relationship. Childhood trauma as well as family issues mean Sonia feels a detachment from Haifa and Palestine as a whole but getting pulled into doing an Arabic production of Hamlet in the West Bank allows her to start renewing her relationship with her family’s homeland.
This is a multi-faceted book that not only brilliantly explores art as a form of resistance but also focuses on the casual drama that occurs within a theatre production as well as more personal relationship dynamics, both familial and romantic. This is all tied together with themes of identity, belonging and perseverance, particularly with regards to the lived experiences of Palestinians under occupation. Not only do we get perspectives from the West Bank but also that of Palestinians on the “inside” who have grown up post 1948 and currently live in those areas that were sieged during the Nakba.
There is never a preachy tone to how any of this is addressed but the underlying messages cannot be more clear-cut than when the exact events that are being immortalised via fictional text are being recorded on social media for the world to witness in real time.
Hammad’s prose is brilliant though I actually struggled with getting into the story initially as the writing is very much attuned to the personality and emotions of our protagonist. Sonia isn’t the most vibrant of characters and her mannerisms at times make her a little unlikeable. I was more drawn to her strained relationship with her family members than I was to her romantic life but it was the use and performance of Hamlet within the story which stood out most to me.
Hamlet is one of the Shakespeare plays that I didn’t study in school and never got around to reading but let me tell you when you read this book your understanding of the classic will be altered whether or not you’re familiar with the original.
The narrative does jump to a script format every now and again when the theatre group are assembled, rehearsing and speculating about the play which I feel at times worked and at others disrupted the flow of the overall story which was another minor grievance I had with the book. However, the portrayal of how culture and the arts are a source of hope in the face of repression by apartheid and occupation was beautifully done.
The place on the Women’s Prize shortlist was well-deserved. Go read it!
Final Rating – 4/5 Stars
Content Warnings
Graphic: Miscarriage, Racism, Xenophobia, Islamophobia, Grief, Abortion, and Pregnancy
Moderate: Death, Genocide, Hate crime, Infidelity, Violence, Police brutality, Murder, and War
annieo15's review against another edition
informative
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
“Enter Ghost” examines what it means to be an individual haunted by the past and present of an entire nation. While this sometimes leaves the intricacies of characters unexplored, the mastery of interpersonal dynamics and larger narrative are beautifully nuanced. I learned so much from this book, about people and Palestine.
Content Warnings
Minor: Death, Eating disorder, Gun violence, Hate crime, Infertility, Miscarriage, Police brutality, and Grief
jono_lawrence's review
challenging
dark
emotional
hopeful
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Confinement, Death, Genocide, Gun violence, Hate crime, Racism, Self harm, Violence, Police brutality, Islamophobia, Grief, Colonisation, and War
cassielaj's review against another edition
challenging
emotional
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
This book offered a perspective I’ve never encountered and a great insight into a small sliver of lived experience in Palestine. I appreciated the theme of art/theatre as revolutionary and the bleeding of the play’s themes into the characters real lives.
Content Warnings
Graphic: Genocide, Gun violence, Infertility, Miscarriage, Violence, Police brutality, Grief, Abortion, Colonisation, and War
salemander's review
5.0
absolutely phenomenal. heartbreaking and poetic and truly incredible storytelling. reminded me a lot of station eleven but much more impactful and real.
Content Warnings
Graphic: Genocide, Miscarriage, Grief, Sexual harassment, Colonisation, and War
alyssabookrecs's review against another edition
emotional
informative
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
4.5 stars - I really dug this.
Enter Ghost by Isabella Hammad is a novel that perfectly encapsulates so much of what I love to read about. The book takes risks with its prose, sliding into script when you feel the main character Sonia sort of detach from her body as though she is watching a play of her onstage and offstage experiences while acting in a production of Hamlet in the West Bank. Hammad weaves together the story of the production, Sonia’s personhood and life, her family’s past, her complicated relationship with her sister Haneen, living under occupation, and so much more. Hammad thanks members of the Freedom Theatre in her acknowledgments, so I’d like to include here that the Freedom Theatre in Jenin was raided by the Israeli Occupation Forces in late 2023 and most recently the IOF also destroyed the road in between the theatre and the artistic director’s home, among other horrible things while invading Jenin. Theatre, art, and literature are ALWAYS political; targeting writers, artists, and their institutions is something the IOF continually does in a multitude of ways, explored in part by Hammad in Enter Ghost. Support Freedom Theatre in Palestine now: thefreedomtheatre.org
Enter Ghost by Isabella Hammad is a novel that perfectly encapsulates so much of what I love to read about. The book takes risks with its prose, sliding into script when you feel the main character Sonia sort of detach from her body as though she is watching a play of her onstage and offstage experiences while acting in a production of Hamlet in the West Bank. Hammad weaves together the story of the production, Sonia’s personhood and life, her family’s past, her complicated relationship with her sister Haneen, living under occupation, and so much more. Hammad thanks members of the Freedom Theatre in her acknowledgments, so I’d like to include here that the Freedom Theatre in Jenin was raided by the Israeli Occupation Forces in late 2023 and most recently the IOF also destroyed the road in between the theatre and the artistic director’s home, among other horrible things while invading Jenin. Theatre, art, and literature are ALWAYS political; targeting writers, artists, and their institutions is something the IOF continually does in a multitude of ways, explored in part by Hammad in Enter Ghost. Support Freedom Theatre in Palestine now: thefreedomtheatre.org
Content Warnings
Moderate: Racism, Xenophobia, Police brutality, Grief, Abortion, and Colonisation