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mcmorgan's review
challenging
emotional
funny
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Flaws of characters a main focus? It's complicated
Content Warnings
Graphic: Death, Racism, and Colonisation
Moderate: Gun violence, Miscarriage, Violence, Police brutality, Abortion, and Pregnancy
Minor: Infidelity, Misogyny, Blood, Murder, and Alcohol
nicmgray's review against another edition
challenging
dark
emotional
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Racism, Violence, Religious bigotry, and Colonisation
Moderate: Pregnancy and War
azrah786's review against another edition
4.0
[This review can also be found on my BLOG]
CW: violence, police brutality, colonialism, war, genocide, murder, death, grief, racism, xenophobia islamophobia, hate crime, miscarriage/abortion, infidelity
--
Enter Ghost is a story about a British theatre actress with Palestinian heritage who after years spent away returns to Haifa to visit her sister as a way to get away from the end of a bad relationship. Childhood trauma as well as family issues mean Sonia feels a detachment from Haifa and Palestine as a whole but getting pulled into doing an Arabic production of Hamlet in the West Bank allows her to start renewing her relationship with her family’s homeland.
This is a multi-faceted book that not only brilliantly explores art as a form of resistance but also focuses on the casual drama that occurs within a theatre production as well as more personal relationship dynamics, both familial and romantic. This is all tied together with themes of identity, belonging and perseverance, particularly with regards to the lived experiences of Palestinians under occupation. Not only do we get perspectives from the West Bank but also that of Palestinians on the “inside” who have grown up post 1948 and currently live in those areas that were sieged during the Nakba.
There is never a preachy tone to how any of this is addressed but the underlying messages cannot be more clear-cut than when the exact events that are being immortalised via fictional text are being recorded on social media for the world to witness in real time.
Hammad’s prose is brilliant though I actually struggled with getting into the story initially as the writing is very much attuned to the personality and emotions of our protagonist. Sonia isn’t the most vibrant of characters and her mannerisms at times make her a little unlikeable. I was more drawn to her strained relationship with her family members than I was to her romantic life but it was the use and performance of Hamlet within the story which stood out most to me.
Hamlet is one of the Shakespeare plays that I didn’t study in school and never got around to reading but let me tell you when you read this book your understanding of the classic will be altered whether or not you’re familiar with the original.
The narrative does jump to a script format every now and again when the theatre group are assembled, rehearsing and speculating about the play which I feel at times worked and at others disrupted the flow of the overall story which was another minor grievance I had with the book. However, the portrayal of how culture and the arts are a source of hope in the face of repression by apartheid and occupation was beautifully done.
The place on the Women’s Prize shortlist was well-deserved. Go read it!
Final Rating – 4/5 Stars
CW: violence, police brutality, colonialism, war, genocide, murder, death, grief, racism, xenophobia islamophobia, hate crime, miscarriage/abortion, infidelity
--
Enter Ghost is a story about a British theatre actress with Palestinian heritage who after years spent away returns to Haifa to visit her sister as a way to get away from the end of a bad relationship. Childhood trauma as well as family issues mean Sonia feels a detachment from Haifa and Palestine as a whole but getting pulled into doing an Arabic production of Hamlet in the West Bank allows her to start renewing her relationship with her family’s homeland.
This is a multi-faceted book that not only brilliantly explores art as a form of resistance but also focuses on the casual drama that occurs within a theatre production as well as more personal relationship dynamics, both familial and romantic. This is all tied together with themes of identity, belonging and perseverance, particularly with regards to the lived experiences of Palestinians under occupation. Not only do we get perspectives from the West Bank but also that of Palestinians on the “inside” who have grown up post 1948 and currently live in those areas that were sieged during the Nakba.
There is never a preachy tone to how any of this is addressed but the underlying messages cannot be more clear-cut than when the exact events that are being immortalised via fictional text are being recorded on social media for the world to witness in real time.
Hammad’s prose is brilliant though I actually struggled with getting into the story initially as the writing is very much attuned to the personality and emotions of our protagonist. Sonia isn’t the most vibrant of characters and her mannerisms at times make her a little unlikeable. I was more drawn to her strained relationship with her family members than I was to her romantic life but it was the use and performance of Hamlet within the story which stood out most to me.
Hamlet is one of the Shakespeare plays that I didn’t study in school and never got around to reading but let me tell you when you read this book your understanding of the classic will be altered whether or not you’re familiar with the original.
The narrative does jump to a script format every now and again when the theatre group are assembled, rehearsing and speculating about the play which I feel at times worked and at others disrupted the flow of the overall story which was another minor grievance I had with the book. However, the portrayal of how culture and the arts are a source of hope in the face of repression by apartheid and occupation was beautifully done.
The place on the Women’s Prize shortlist was well-deserved. Go read it!
Final Rating – 4/5 Stars
Content Warnings
Graphic: Miscarriage, Racism, Xenophobia, Islamophobia, Grief, Abortion, and Pregnancy
Moderate: Death, Genocide, Hate crime, Infidelity, Violence, Police brutality, Murder, and War
dragongirl271's review against another edition
challenging
emotional
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
“'Sometimes a play is like an operation from the old days....You plan it, there's a script, but you never totally know how it's going to go. It's there. It's gone. It's like a firework.’”
I need more of Hammad's writing in my life. I need a physical copy of this book to read again, annotate, and analyze like a literary assignment from an English class. I want to reread this and also reread Hamlet along with it so I can analyze the play with the cast. I want to throw this book at others and listen to their takeaways to see what they caught that I missed. This is going to be one of those books that my future grandchildren are going to find among my things beat up and full of sticky notes and underlined passages.
In this book, we follow Sonia Nasir's summer journey from her home in London to visit her sister in Haifa. While there, she meets Mariam who convinces her to play Gertrude in an Arabic production of Hamlet in the West Bank. Like any theater production, the following weeks are full of bonding, philosophizing, drama amongst cast, and finding pieces of yourself in the characters. Sonia's return to Palestine after years away also leads to personal discovery and reconnection to her family and identity.
I loved Hammad's use of mixing 1st person POV for Sonia and using a 3rd person script layout for the rehearsal scenes. I also enjoyed how smoothly Hammad writes complex discussions between multiple characters. From the start of rehearsals, the cast discuss what message they want to convey with their production and what it even means to perform Hamlet in the West Bank. The reader feels as if they are part of the discussion and it truly feels nuanced and organic. That's not an easy feat.
The ending! Entire panel discussions could be held just on the last few chapters.
“The Play's the thing / Wherein I'll catch the conscience of the King.”
I need more of Hammad's writing in my life. I need a physical copy of this book to read again, annotate, and analyze like a literary assignment from an English class. I want to reread this and also reread Hamlet along with it so I can analyze the play with the cast. I want to throw this book at others and listen to their takeaways to see what they caught that I missed. This is going to be one of those books that my future grandchildren are going to find among my things beat up and full of sticky notes and underlined passages.
In this book, we follow Sonia Nasir's summer journey from her home in London to visit her sister in Haifa. While there, she meets Mariam who convinces her to play Gertrude in an Arabic production of Hamlet in the West Bank. Like any theater production, the following weeks are full of bonding, philosophizing, drama amongst cast, and finding pieces of yourself in the characters. Sonia's return to Palestine after years away also leads to personal discovery and reconnection to her family and identity.
I loved Hammad's use of mixing 1st person POV for Sonia and using a 3rd person script layout for the rehearsal scenes. I also enjoyed how smoothly Hammad writes complex discussions between multiple characters. From the start of rehearsals, the cast discuss what message they want to convey with their production and what it even means to perform Hamlet in the West Bank. The reader feels as if they are part of the discussion and it truly feels nuanced and organic. That's not an easy feat.
The ending! Entire panel discussions could be held just on the last few chapters.
“The Play's the thing / Wherein I'll catch the conscience of the King.”
Content Warnings
Moderate: Miscarriage, Violence, Police brutality, Pregnancy, and Colonisation
Minor: Death, Infidelity, and Torture
rorikae's review against another edition
challenging
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
'Enter Ghost' by Isabella Hammad is a contemplative novel about a woman returning home to Palestine and acting in a production of Hamlet.
While visiting her sister in Haifa, Sonia is introduced to Mariam, who is staging a production of Hamlet in the West Bank. In need of more actors, she casts Sonia as Gertrude. As rehearsals ramp up, so too do the obstacles that the production has to being put on. As Sonia reconnects with her past and works to heal from her time in England, the production of Hamlet becomes an act of resistance.
Hammad has created a deeply human story rooted in the importance of art as resistance. Sonia is a flawed, complex character, which makes her all the easier to sympathize with. Her past slowly unfolds as she reconnects with her sister and the land. This story also showcases the stark realities of occupation in Palestine, including the violence and persecution that Palestinian people are subjected to. Parts of the story were told through scripts, which was a great use of form though it didn't translate as well to audio as I think it does in print. My favorite aspect of this story is the actual production of Hamlet and how the company uses the play to speak to their current situation.
While visiting her sister in Haifa, Sonia is introduced to Mariam, who is staging a production of Hamlet in the West Bank. In need of more actors, she casts Sonia as Gertrude. As rehearsals ramp up, so too do the obstacles that the production has to being put on. As Sonia reconnects with her past and works to heal from her time in England, the production of Hamlet becomes an act of resistance.
Hammad has created a deeply human story rooted in the importance of art as resistance. Sonia is a flawed, complex character, which makes her all the easier to sympathize with. Her past slowly unfolds as she reconnects with her sister and the land. This story also showcases the stark realities of occupation in Palestine, including the violence and persecution that Palestinian people are subjected to. Parts of the story were told through scripts, which was a great use of form though it didn't translate as well to audio as I think it does in print. My favorite aspect of this story is the actual production of Hamlet and how the company uses the play to speak to their current situation.
Content Warnings
Graphic: Miscarriage, Medical content, Grief, Pregnancy, Colonisation, and War
Moderate: Islamophobia
Minor: Death and Violence
tashtasher's review against another edition
challenging
dark
emotional
informative
inspiring
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Genocide, Gun violence, Miscarriage, Racism, Violence, Police brutality, Islamophobia, Grief, Pregnancy, and Colonisation
Moderate: Death, Toxic relationship, Pregnancy, and War
Minor: Abandonment and Alcohol
mlewis's review
challenging
dark
emotional
funny
informative
inspiring
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Death, Genocide, Xenophobia, Islamophobia, Colonisation, and War
Moderate: Infertility, Miscarriage, Misogyny, and Murder
Minor: Pregnancy and Alcohol
jenmcreads's review against another edition
challenging
dark
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Content Warnings
Graphic: Miscarriage, Xenophobia, Abortion, and War
Moderate: Genocide, Hate crime, Sexism, Torture, Police brutality, Islamophobia, Medical content, Religious bigotry, Medical trauma, Suicide attempt, Pregnancy, Colonisation, and War