Reviews with content warning for Gun violence - The Secret History

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The Secret History by Donna Tartt

537 reviews

deathmetalheron's review against another edition

challenging dark mysterious reflective sad slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.25

This is one of those books that comes with a lot of hype, a lot of culture surrounding it, and if you even dip your toes in it's hard to sort of step back and give an honest rating. I had never heard of it til this year so it makes sense that it's a "modern" classic, but it's important to sit back and give it a sober impression.
First off, there is so much good in this book--in spite of being slow-paced, it's an incredibly gripping read. Richard + crew are exactly what you want out of morally compromised protagonists, they are flawed and overall bad people but they are compelling enough to read about. The references and the overlying theme of Greek tragedy playing out slowing in postmodern Vermont is really a stroke of genius. You can get little treats if you go back and read the parts in ancient languages again, learning new aspects about the characters and early foreshadowing in some cases.
The strongest aspect of this book is its condemnation, or rather strong criticism of elite academia and university. While there is no "hammer to anvil" moment where Richard goes on a diatribe about why college/"university" is dumb (and the text is all the better for it), the overlying theme of this permeates the vast majority of the text and creates the relationship dynamic with Richard and thew crew. By the end Richard has his realization that while college was somewhere he wanted to go and where he felt he had to, to the other Classics (particularly Henry) life is nothing more than an extremely extended stint in college, due to their wealth. Julian (arguably the true antagonist and representation of the entirety of academic excess) is basically the end-goal for Henry.
The other factor that shines is how even though everyone is unlikable to some extent, Bunny, who features some of the more obvious detestable traits like elitism, bigotry, and begging for money, it is

still remarkably sad that his murder is what the story is framed around, and by the end when Henry and the rest are revealing their true characters you come to realize that in his soul Bunny was no worse than any of them. In that sense his death feels extremely tragic.

Now, where do I find critique with this text? For one, the obsession with the aesthetic of this damn book leaves a sour taste in my mouth--this is certainly one of those books where it's easy to get lost in "no, you don't get it, this is the real point" I do feel that moping around smoking cigarettes and wearing New England prep fashion is not exactly the takeaway you want from this book. I have the benefit of reading this in my 30s, and I knew people like the Classics when I was in college. The Magicians is much more hokey and goofy but it gets away with making fun of dark academia without making it feel sexy. The reaction to that makes me wonder if the themes of anti-elitism should have been more prominent and we didn't need to spend as much time going over the times Richard walks around drunk or how many Bloody Marys Charles orders and how fast he drinks them. At around 400 pages the prose begins to dip and we get extended, plodding sections that really betray the pace.
It's a phenomenal book, and I have so much good to say about it. But at the risk of falling into the milieu of takes on this book, there is a very clear set of themes to me, and yes, you can miss it if you get too lost in the aesthetic.

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loveat1stwrite's review against another edition

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slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.5

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komiification's review against another edition

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adventurous challenging dark emotional mysterious reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

One of the greatest pieces of literary fiction I've ever read. Unsurprising that this created an entire subculture.

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avrilamber's review against another edition

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dark mysterious sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

For a book whose length overwhelmed me at first (cannot remember the last time I read anything over 300 pages), I found this to be a really easy and enjoyable one to get through.

The books plot is actually very minimal, so it’s a wonder how it manages to span 600 odd pages. But I adore Donna Tartt’s prose, I think it’s gorgeous. Some of the most mundane and ordinary plot points are written so descriptively, it really helped carry me through the book without me wanting to put it down.

I think a lot of the references to the classics were lost on me, but I don’t think I missed out on anything by not knowing the references either.

A great piece of modern literature, that really gives off the dark academia vibes.

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