Reviews with content warning for Kidnapping - 10 Minutes 38 Seconds in this Strange World

This is the story of Leila, a sex worker who has just been killed in Istanbul, and the memories she recalls in her last 10 minutes and 38 seconds of life. It's also the story of the friends she's made, and how desperately we can care for the people we love.

I used to think that I didn't like historical fiction. It seemed boring and stuffy to me, and I could never really get into it.

I mostly still feel the same, but a series of non-Western modern history books have been slowly warming me to it. The Seven Moons of Mali Almeida and Mexican Gothic are two other recent reads I have loved.

This book is mostly about Leila and her friends, but it's also about Istanbul. It's about communism, and Islam, and sex work, while also not really being about any of those things. Read it.

Content Warnings

ruthmoog's review against another edition

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adventurous challenging dark emotional funny hopeful inspiring lighthearted reflective sad fast-paced

4.75

This has some very challenging topics but nonetheless I really enjoyed it. I will surely reread this, it's a brilliant idea to recount Leila's life you could say flashing Infront of her eyes. It's funny and approachable. Set in the drama of Istanbul and even, of course, a cat.

Content Warnings

roseraindrops's review against another edition

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challenging dark reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.75

Moderate Spoilers ahead :) ...
This book was very different from anything I have ever decided to read before, and although at points I felt deep hatred and disgust for some of the characters and a bleak sense of sadness and helplessness, I think this book is actually very important and delves into so many important, contemporary issues through Leila, and her perhaps unlikely, ragtag group of friends. I mean, just from the content warnings alone you can see that this is not for someone looking for a lighthearted read, but although uncomfortable at times, Shafak beautifully tells the stories of the lives of the outcasts in Istanbul:

'Tequila' Leila - the main character who is a dead sex worker reflecting on her life, she has self-harmed, been sexually abused, has had her brother die due to his severe Down's syndrome and has a mother who suffers from extreme mental health issues, partly due to multiple stillbirths. She is hopeful, adventurous and kind, and makes an assortment of friends to build up her own 'found family':

D/Ali - an artist and 'revolutionary' male university student
Zaynab122 - a highly religious Muslim woman, originally from Lebanon, has dwarfism and works as a cleaner in Leila's brothel

"Religion for her had always been a source of hope, resilience and love - a lift that carried her up from the basement of darkness into a spiritual light. It pained her that the same lift could just as easily take others all the way down. The teachings that warmed her heart and brought her closer to all humanity, regardless of creed, colour or nationality, could be interpreted in such a way that they divided, confused and seperated human beings, sowing seeds of emnity and bloodshed." (272)

This quote has definitely stuck with me.

Jameelah - a woman who was trafficked for sexual exploitation from Somalia, has an eating disorder
'Sabotage' Sinan - a son of a single mother and childhood friend to Leila, debatably the only 'respectable' member of the group as a well established, married man with children and a good, well-paying job. However, has a disconnection from his double life with his outcast friends compared to his family.
Hollywood Humeyra - a woman who escaped an abusive marriage to become a singer/dancer in Istanbul, suffers from many health issues
Nostalgia Nalan - a dyslexic, atheist trans-woman working in the streets as a sex worker/in clubs

"Nalan thought that one of the endless tragedies of human history was that pessimists were better at surviving than optimists, which meant that, logically speaking, humanity carried the genes of people who did not believe in humanity" (306)

Sorry, I know that was just a huge list, and I don't want to pigeonhole or define the characters by particular characteristics or experiences that have happened to them but I just wanted to show the huge diversity, representation and different perspectives/experiences I am talking about within this book!!! It covers such a wide range of topics, mainly focusing on the realities for immigrants and women (particularly sex workers) in Turkey.

This book has 3 main parts, all stylistically very different:
Part 1 - The Mind: this is the longest section all bought together through the use of the clock, like a countdown in which Leila relives her memories, starting from her birth right up to her murder. I listened to an interview with Shafak, and she bases this clock literary technique on recent scientific research into how long the brain stays active after death.
Part 2 - The Body: here we follow Leila's friends as they try to properly put her body to rest as she would have wanted - the style dramatically changes here to become an odd blend of grief and humour with drunken car chases and digging up and falling into graves. I found this section a bit bizarre to be honest but it still had some really interesting concepts based on real-life events/places in Istanbul eg. the cemetery of the companionless
Part 3 - The Soul: this is only a few pages but a good ending - I wouldn't say it's hopeful enough to counter the despair and tragedy throughout the book but Leila finds peace.

"Her mind had fully shut down, her body was already decomposing and her soul was chasing a betta fish" (304)

I enjoyed the descriptive writing style throughout - it wasn't over the top but especially in section 1, everything flowed beautifully. With recalling previously hidden memories, Shafak focuses on tiny details/imagery and especially smells to focus on and start every different recollection with, creating a distinct tone for each memory. The city of Istanbul is also described in such detail, it almost plays a role as a character in the novel - it has a distinct personality as a place of such stark contrasts and oppositions.

"Sometimes where you feel most safe is where you least belong" (20)

I must admit that although I understand the purpose of the nicknames and a way for them to reclaim their identities etc. I found it was sometimes overused unnecessarily and a bit cringy in the very reflective and meaningful scenes.

This point is completely my bad but I did not realise there was a glossary at the back! In retaining some of the authentic dialogue, occasionally there is a word or phrase from the original language that has been used so a pro tip from me - definitely use the back instead of looking it up lol. 😂😅

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