Reviews with content warning for Blood - Kaikeyi

Kaikeyi is a strong-willed protagonist, pushing the boundaries of her life to ease the way for women around her and those she'll never know. In the process of trying to eke out a place for herself as the youngest of three wives to her husband, she changes the way women are seen in her new home. She has access to the binding plane, where she can see and often influence the bonds between people. Through a mix of mundane influence, occasional manipulation, and courage in an early battle, she becomes one of her husband's most trusted advisers. At every turn she's driven to make things better for women, aware of how much their fates depend on the whims of the men in their lives.

She was concerned about getting married and it takes someone pointing out how she's isolated herself before she begins trying to build a life and connections in her new home rather than just mourning the unsupervised freedom she had as a child. Once she gets to know them, Kaikeyi loves her husband and his other two wives. Her identity as a mother is central to the second half of her story, and she loves all her sons (though she only bore one of them). The worldbuilding includes detail about Kaikeyi's clothes and surroundings every so often, such as when she chooses a particular sari for significant moments. I prefer stories which don't rely heavily on detailed descriptions of the characters' surroundings, and this was a good level for me.

Kaikeyi's narration includes periodic comments about how she didn't know certain things would make everything turn out so badly. The turn, when it happens, is so close to the end that I was starting to think her warnings would be for nothing. Most of the story is spent showing how she conducted her life and gained influence with the help of the binding plane, and the way she did her best to recover from some early mistakes when she was first learning how this power worked.

I'm not already familiar with the Indian epic this is reimagining, and I didn't need any familiarity in order for this to be a moving story with memorable characters. I enjoyed reading it, and will probably try to read the Ramayana if I can, since it's piqued my interest.

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just_one_more_paige's review against another edition

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adventurous emotional mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

I love a good retelling, so I'm here for the overall boom in feminist classic mythology retellings. The Witch's Heart and The Silence of the Girls are both great, and of course Circe is an all-time favorite of mine. So I was super excited to delve into this feminist retelling of a non-Western epic, the Ramayana.

The titular protagonist, Kaikeyi, is, in essence, Rama's (step)mother. In the original epic, the story focuses on Rama's exile to the forest at Kaikeyi's urging, and his battle with Ravana after he kidnaps Rama's wife, Sita, and his eventual crowning as king. Patel takes this original story as the scaffold, but turns the focus to Kaikeyi, building her characterization and the unfolding of events that explain why she urged Rama's exile. We follow Kaikeyi through her youth, as she realizes that, as a woman, she has nowhere near the power and position of the men in her world, and that despite all her prayers to the gods (as urged by society and tradition), they seem to have forsaken her. And yet, Kaikeyi makes a life with what she can, forging forward with a bit of magic, a bit of manipulation, a bit of secret training with her twin brother, and a whole lot of effort to create a better world for herself and the women of her nation. When the will/plan of the gods for the human world clashes with her own, threatening her family, her status, her relationships, her life's work, she must make an impossible choice between averting war (saving her homeland and her new land) or preserving the public legacy of her years of diplomacy and advocacy (and her familial ties).

Well, I loved this retelling. Kaikeyi became such a fleshed out and fully developed character in Patel's hands. I loved reading about her youth, both the difficult parts of finding her own ways without a mother or the gods to guide and help her, and the sweet and fun parts, like her relationships with her brothers, especially her twin. This is one of the only books I have read that goes into the art of charioteering (the Nevernight trilogy is the only other one I can think of), and I was fascinated reading about it. Plus, I am a sucker for a lady in battle, historically (I was weirdly obsessed with Joan of Arc as a kid, and loved Tamora Pierce's Alanna series), so the entire "Kaikeyi winning over Dasharath and Ayodhya through her horse/weapons prowess" really hit the spot for me. As Kaikeyi got older, I really enjoyed reading about her mind-opening about how she could help the women of her nation. There was some great insight into how being raised in one way (within a powerful family/court life) can limit one in the ways a person thinks about potential for change or how to make it happen, but with a little looking outside oneself, there are many creative and roundabout ways to affect change. As for her role as a mother, it was well-written, but not as much the highlight for me personally. I was much more into the ways she found to influence and act as a diplomat and use her small magic to create connections. And finally, I was so here for the ace spectrum coding on Kaikeyi’s character; it was smooth and natural and just....felt so right.

The writing itself was perfect for the genre, that sort of the folklore-y narrative voice that feels like classic fairy-tale story-telling. It's narrated by Kaikeyi herself, sort of looking back on everything after it all played out, so there is some fairly heavy-handed foreshadowing, with (short) reflections on what decisions could have been different or moments might have been altered to change the way things happened (just as a heads up, in case you, like myself, are not the biggest fan of that stylistic device). There were a couple other common plot devices that were recognizable, but well used, like the dangers of open-ended promises/boons as repayment/gift/in recognition. Also, and you can see it coming from a mile away but can't look away from it, the inevitable finale due to Kaikeyi keeping secrets (because she is a woman and grew up with little power/support/trust) leading to making decisions for the best possible outcome...but the lack of confiding in others about her knowledge plays a major part in her downfall of status/trust with those closest to her (because they didn’t understand her reasoning for having to make the decisions in the first place and felt taken advantage of and strong armed). That was a long description, but I was trying to convey the vibe while staying vague. The point is, it's a pattern I've definitely read before, but the confluence of situations/events built to Kaikeyi's tragedy in a wonderful way. Finally, I want to mention that the magic/gods aspects were in great balance to the rest of the novel (plot and character development - which were well-balanced and paced in their own right - and feminist themes); present, but never overpowering.

This was a cinematic, adventurous and spectacular retelling. The female gaze and centering was spot on and, as it always is, so refreshing. I always go into these retellings hoping for a happier story, even though I know that the women in these classics are tragic characters, the ones that suffered. So though these retellings are their perspectives, they are not happier for it, just given their own voice to tell it. Regardless, the forceful (though subtle within the plot itself, as necessary) feminism of historical, "powerful" women, was reminscient of Signe Pike's Langoureth (The Lost Queen and The Forgotten Kingdom) in all the best ways (I personally love that vibe/style). All in all, I just really enjoyed this reading experience and definitely recommend this book.

“I could not stop thinking about Ahalya, doomed to remain a stone statue in a forest, slowly eroding while her husband continued to wander the world. If a woman crafted by the gods themselves could be consigned to this fate, what hope was there for a woman born of a woman?”

“I had long thought of Ahalya as the foremost example of how a man might devastate a woman, but as I saw more of the world, I was realizing there were many ways to ruin a person's life. Most women were not cursed by their husbands, but they suffered all the same.”

“In helping another woman, I had in fact helped myself.” (love love love)

“I did not wish to bring a daughter into this world of men, into a world that would silence her thoughts before she could even speak them. I wondered how many women had felt this same fear, deep in their bones. [...] I had to build a world where [...] her opinion could be valued…”

“If the gods had already ordained my evil deeds, then I had nothing to lose by defying them now. So, I would defy them.”

“It is not weak to avoid war [...] It is the strongest thing you could do, to avoid unnecessary bloodshed.”

“'Then why do I feel wicked?' / 'Because those who are good question themselves. Because those who are good always wonder if there was a better way, a way that could have helped more and hurt less. That feeling is why you are good.'”

“Before this story was Rama’s, it was mine.”

Content Warnings

bluejayreads's review against another edition

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emotional sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

I have to start out by saying that I have not read the Ramayana, although it is on my list of things to read eventually. So I had zero context going into this. But I do know I love reading books in interesting settings (ancient India certainly fits that bill) and usually enjoy vilified characters getting to tell their side of the story, especially when said character is a warrior queen fighting against society and the gods themselves to make her mark. I didn’t know if I was going to get an anti-hero or a heroine whose story got told only by her enemies, but I was excited to find out.

Kaikeyi herself was a fantastic character. As a woman, her purpose in life was to be married off; as a princess, she learned a lot about politics and diplomacy; as a stubborn sister, she convinced her brother to teach her to fight and drive a war chariot. She is also on-page aro-ace, making the eventual marriage an even worse prospect. And she also has a magic that lets her influence others’ thoughts and feelings, which adds an extra dimension to the politics. She wants equality for herself and other women, and she will use all the tools available to fight for it.

There is a lot of politics and diplomacy in this book. Normally that’s something I don’t enjoy, but Kaikeyi’s magic and its uses in getting her way made it tolerable and sometimes even enjoyable. I also love reading about characters who are good at what they do, and Kaikeyi is very, very good at what she does. I’m sure some of it is the magic, but she’s also had a lot of practice and is determined to make life better and more equal for women. Somehow even the fully political parts never crossed the line into dull.

I very nearly did not finish this book, and that is not at all the book’s fault. I’ve been under a lot of stress related to an unnecessarily complicated and frustrating move, and apparently my emotions are a little raw. As the book moved towards the end and things kept getting worse and worse as the climax approached, I nearly stopped – not because I didn’t want to see how it ended, but because I couldn’t handle the emotional intensity. I assumed it would have a sad, tragic, likely violent ending (again, have not read the Ramayana, but “vilified queens” rarely have happy endings in any mythology) and I liked Kaikeyi too much to want to watch that happen.

But I pushed through and I survived (and the ending wasn’t nearly as tragic as I expected). And I am very glad I stuck it out. Even without the context of knowing the Ramayana, Kaikeyi is a great book. I suspect that it would be even more interesting and engaging to someone who knows the original myths of the queen who is reimagined in these pages.

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random19379's review against another edition

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adventurous emotional hopeful inspiring reflective relaxing slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

ending is rushed

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caseythereader's review against another edition

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adventurous dark emotional funny reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

- If you love retellings like CIRCE or THE WITCH'S HEART, you must pick up KAIKEYI, a reimagining of the Ramayana from the point of view of the queen who banished Rama.
- It's not only a beautifully told page-turner, but an indictment of the patriarchy and the story of a woman lifting up marginalized people and holding her head high when punished for it.
- Plus, Kaikeyi is explicitly asexual and aromantic, and it was a joy to watch her grow close to her husband while never feeling a need to try to change herself.

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maya_reads_books's review against another edition

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adventurous challenging dark emotional mysterious sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

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alexiab's review against another edition

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adventurous challenging emotional tense slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

GOOD HEAVENS GIVE THIS BOOK ALL THE STARS. ALL OF THEM. I AM OVERWHELMED.

WOW what an incredible book. I absolutely love mythology that expects its reader to know the ending and still manages to pull every dang emotion out of the reader on the way there. I wasn't overly familiar with the Ramayana, but I could see where the story was leading and the narrative voice for Kaikeyi - who tells the story like she is reflecting on her life - was absolutely perfect to tell this kind of story.

The prose is beautiful, the characters were exceptional, I was so emotionally invested that I felt my dang heart breaking every time Kaikeyi suffered. I love a feminist retelling of a blatantly patriarchal story, particularly in such a religious setting, and I can't imagine any myth retellings get better than this.

Content Warnings

kathleencoughlin's review against another edition

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adventurous challenging emotional tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Flaws of characters a main focus? No

4.0

I'm less familiar with the Ramayana than with the origins of other retellings of mythology that I've read, and I decided not to review beforehand so I could discover the story as it unfolded. Regardless, Patel was able to invoke the same sort of sinking dread of dramatic irony as the story draws closer and closer to the ending set out in the source material. What I think was particularly successful about Kaikeyi was the clear parallel between that feeling in the reader and Kaikeyi's warring feelings of hope and futility at altering the narrative that the gods had preordained for her and her children.

Women's perspectives are often left out of the stories of "great men" or are used to propel them towards their destinies. However, as stated in the author's note, the goal of this book was to "give voice not just to its titular character but to the many women who populate the world of the Ramayana and have rich and worthy lives if their own." I think the book overall, but particularly the ending, achieved this goal. The story did not end with Kaikeyi "fulfilling her purpose" in Rama's story and losing most of the life she built. Instead we return back to the market with Manthara. Since her first visit all those years ago and throughout her time as radnyi, Kaikeyi worked hard to build opportunity and dignity for women. It seems really fitting then in the closing of the narrative that we would return back to them so she/we could see her lasting impact on the women of Kosala and ultimately conclude on a fairly positive note. While Kaikeyi seemed to take loss after loss in the latter half of the book, many of the changes she pushed for did win out despite the narrative that had been spun about her and was solidified into legend.

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