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celtic67's review against another edition
4.0
This was a brilliant read. Number 5 in the Narey/Winter series.
Though Number 5 in the series and there is some backstory it can be easily read as a stand alone.
it concerns a group of people called urbexers (urban explorers)
One is Remy Feeks who when exploring an under ground stream makes a gruesome discovery.
A body that he reports to the police via an anonymous phone call. Then he takes a step back and leaves it to the authorities; and this is where the story takes off.
Craig's writing is such that he makes it easy to follow a story, which at times is twisted and complicated, with ease.
He is comfortable in the area about which he writes and his descriptions of Glasgow and the places the story is set is spot on.
Don't let this put you off. Though appealing to a Glasgow boy like me it could easily be set in any major city with abandoned buildings and people willing to enter them to stir up the past.
A book that draws the reader in with superb writing and descriptive powers that conjure up the area
in which it is set.
A book full of ghosts of past lives and places; also ever present greed and man's inhumanity to man.
A book I have read and chosen to review. I enjoyed it and would recommend to all who like a gritty story.
Though Number 5 in the series and there is some backstory it can be easily read as a stand alone.
it concerns a group of people called urbexers (urban explorers)
One is Remy Feeks who when exploring an under ground stream makes a gruesome discovery.
A body that he reports to the police via an anonymous phone call. Then he takes a step back and leaves it to the authorities; and this is where the story takes off.
Craig's writing is such that he makes it easy to follow a story, which at times is twisted and complicated, with ease.
He is comfortable in the area about which he writes and his descriptions of Glasgow and the places the story is set is spot on.
Don't let this put you off. Though appealing to a Glasgow boy like me it could easily be set in any major city with abandoned buildings and people willing to enter them to stir up the past.
A book that draws the reader in with superb writing and descriptive powers that conjure up the area
in which it is set.
A book full of ghosts of past lives and places; also ever present greed and man's inhumanity to man.
A book I have read and chosen to review. I enjoyed it and would recommend to all who like a gritty story.
missbb2015's review against another edition
challenging
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
emimclarty's review
adventurous
dark
emotional
funny
informative
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
raven88's review
5.0
Despite a brief hiatus in this series, Robertson now takes us back to his exceptional police procedural series, featuring police photographer Tony Winter, and DI Rachel Narey. It is a testament to the strength of the series to date, that I was very quickly inveigled back into the sphere of their professional and personal lives, and In Place of Death, has gained the honour of being my favourite book in the series so far…
With a positively claustrophobic and spine chilling opening, with the discovery of a body in the most inhospitable of locations, Robertson takes us on a weird and wonderful journey into the world of urbexing- the exploration and charting of abandoned, and by extension, dangerous run down buildings, not only in their physicality but by the ne-er-do-wells who can lurk within them! To get another sense of the locations that Robertson draws on throughout the book, I would recommend an investigation of two brilliant photography books, Beauty In Decay and Abandoned Places which give you a further real sense of the beautifully sinister air of neglected buildings and structures and the shadowy essence of life gone by they hold within them. Robertson depicts each location absolutely perfectly as the investigation proceeds, and brings a visual photographic quality alongside the feel and sensory perceptions that each location generates in the reader. As a reflection of the strong sense of location used in the book, the tone of the book is dark and haunting, giving Robertson the opportunity to explore the twisted psyche of a killer to great effect. It’s always gratifying to read a crime novel that goes beyond superficial themes and under-developed sense of place, and with the atmosphere and portrayal of the urbexer’s experiences and brushes with danger, Robertson has achieved this in spades.
Another feather in Robertson’s cap is the strength of his characterisation, not only in his depiction of Tony Winter, a scene of crime photographer who possesses a unique eye, and at times a slightly disturbing type of empathy with the victims that he photographs, and DI Rachel Narey, a headstrong and dedicated police officer whose sense of justice sometimes puts her at odds with her immediate superior officers. Both characters are entirely credible and the reader forms a genuine attachment to them, both in the trials of their working lives, with Winter’s job in the balance, and the potential stumbling blocks of their personal involvement. Equally, Robertson infuses a sense of pathos, through Winter’s unique sensitivity to the victims he photographs, and in this book, with the character of Remy Feeks, who discovers the first victim, leading him on a dangerous path and putting him in the sight of a killer. Usually, there is a cut out and paste depiction of some poor soul (usually walking their dog) stumbling on a corpse, so I liked the way that Robertson made Feeks so integral to the narrative as a whole, and the sympathy his character elicits in us as we become more familiar with his personal life.
Once again, Robertson has produced an entirely satisfying crime read, undercut with darkness, and suffused with a unique sense of place and atmosphere, with a stalwart and credible cast of characters. Still one of my favourites, and eagerly awaiting the next.
With a positively claustrophobic and spine chilling opening, with the discovery of a body in the most inhospitable of locations, Robertson takes us on a weird and wonderful journey into the world of urbexing- the exploration and charting of abandoned, and by extension, dangerous run down buildings, not only in their physicality but by the ne-er-do-wells who can lurk within them! To get another sense of the locations that Robertson draws on throughout the book, I would recommend an investigation of two brilliant photography books, Beauty In Decay and Abandoned Places which give you a further real sense of the beautifully sinister air of neglected buildings and structures and the shadowy essence of life gone by they hold within them. Robertson depicts each location absolutely perfectly as the investigation proceeds, and brings a visual photographic quality alongside the feel and sensory perceptions that each location generates in the reader. As a reflection of the strong sense of location used in the book, the tone of the book is dark and haunting, giving Robertson the opportunity to explore the twisted psyche of a killer to great effect. It’s always gratifying to read a crime novel that goes beyond superficial themes and under-developed sense of place, and with the atmosphere and portrayal of the urbexer’s experiences and brushes with danger, Robertson has achieved this in spades.
Another feather in Robertson’s cap is the strength of his characterisation, not only in his depiction of Tony Winter, a scene of crime photographer who possesses a unique eye, and at times a slightly disturbing type of empathy with the victims that he photographs, and DI Rachel Narey, a headstrong and dedicated police officer whose sense of justice sometimes puts her at odds with her immediate superior officers. Both characters are entirely credible and the reader forms a genuine attachment to them, both in the trials of their working lives, with Winter’s job in the balance, and the potential stumbling blocks of their personal involvement. Equally, Robertson infuses a sense of pathos, through Winter’s unique sensitivity to the victims he photographs, and in this book, with the character of Remy Feeks, who discovers the first victim, leading him on a dangerous path and putting him in the sight of a killer. Usually, there is a cut out and paste depiction of some poor soul (usually walking their dog) stumbling on a corpse, so I liked the way that Robertson made Feeks so integral to the narrative as a whole, and the sympathy his character elicits in us as we become more familiar with his personal life.
Once again, Robertson has produced an entirely satisfying crime read, undercut with darkness, and suffused with a unique sense of place and atmosphere, with a stalwart and credible cast of characters. Still one of my favourites, and eagerly awaiting the next.
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