Reviews tagging 'Bullying'

The Goldfinch by Donna Tartt

49 reviews

oyasum1's review

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emotional hopeful inspiring lighthearted reflective relaxing sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.75


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jazhandz's review against another edition

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DNF at 74%. Ordinarily that's so close to the end that I'd push through, but realizing that I still had 200 pages left, and that not that much had actually happened, and that I didn't really care about what had happened, and that whole pages would be filled with cultural references that felt too rich and bougie for me - I just couldn't hack it. I saw the movie a couple years ago and truly thank god I did because otherwise the writing style is so bloated that I wouldn't have been able to follow any of it. I know this book is probably someone's favorite, and I'm so happy for that person. I wanted to be that person. But if you don't like elaborate, flowery description, and deeply specific art references, then you might not like this book.

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nabila99's review against another edition

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challenging dark emotional reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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holliesatchell's review

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challenging dark emotional hopeful reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0


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exactlyem's review

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dark emotional mysterious reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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rachelditty's review against another edition

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emotional hopeful reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

Picked this up after watching the movie with a friend. I downloaded the audiobook to listen to while I moved into my new apartment. Ended up listening to the last 9 hours in one sitting, and I was completely transfixed by the last two hours. Theo's address to the reader at the end really got to me, and I think this was a good story for me to read at this transitional stage in my early twenties. I definitely want to get a physical copy to put flags in. What a wonderful read.

Some quotes:
"Cool, quiet rooms, where old things slept."

"It occurred to me, that if I didn't already know how my mother had died, no power on Earth could have convinced me they hadn't murdered her."

"...standing up and stretching so that a band of stomach showed between his fatigues and ragged shirt, concave, dead white, like a starved saint's."

"More than anything, I was relieved that in my unfamiliar, babbling and wanting to talk state, I'd stopped myself from blurting the thing on the edge of my tongue, the thig I'd never said, even though it was something we both knew well enough without me saying it out loud to him in the street, which was, of course, I love you."

"My heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong."

"Well, let's put it another way. Who was it said that coincidence was just God's way of remaining anonymous?"

"To try to make some meaning out of this seems unbelievably quaint. Maybe I only see a pattern because I've been staring too long. But then again, to paraphrase, Boris, maybe I see a pattern because it's there."

"And who knows? But maybe that's what's waiting for us at the end of the journey. A majesty unimaginable until the very moment we find ourselves walking through the doors of it, what we find ourselves gazing at in astonishment when God finally takes his hands off our eyes, and says, 'look!'"

"Whatever teaches us to talk to ourselves is important; whatever teaches us to sing ourselves out of despair."

"And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them, while passing them along literally from hand to hand, singing out brilliantly from the end of time to the next generation of lovers, and the next."

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rebeccaquinton's review

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dark emotional funny hopeful inspiring reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0


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glutenfreemaggie's review

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dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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flysick's review against another edition

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challenging dark emotional informative sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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loribeth1961's review against another edition

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challenging dark emotional mysterious reflective sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

Back in the early 1990s, I read an amazing debut novel (that I keep meaning to re-read someday) called "The Secret History" by a talented young writer named Donna Tartt. Tartt went on to win the Pulitzer Prize in 2014 for her third novel, "The Goldfinch." I bought a thick paperback copy that languished on the shelf, eventually to be replaced by an e-copy -- which I still hadn't gotten around to reading, until it was chosen by one of my online book clubs as our next read, covering both March & April (because of its 700+ page length -- my e-book copy, when set at a comfortable-for-my-eyes typesize & line spacing, was 1,400+!). (I still haven't read Tartt's second book, "The Little Friend.")

As the book begins, our protagonist/narrator, Theo Decker, is holed up in a hotel in Amsterdam, thinking back to the fateful day 14 years earlier when, as a 13-year-old in New York City, he and his mother decided to pop into the Metropolitan Museum of Art to kill some time before heading to an appointment -- at the same time that a massive explosion occurs -- a deadly terrorist attack.

Amid the chaos, Theo comforts a dying elderly gentleman, who gives him a ring and directs him to take one of the paintings (which happens to be his mother's favourite) -- a small, exquisite picture of a goldfinch, chained to its perch, by Dutch master Carol Fabritius (and it is an actual painting). Wrapped in newspapers and an old pillowcase, the priceless masterpiece -- the one thing he has left that connects him to his mother -- accompanies Theo over the next 14 years, as he moves from his mother's apartment and in with a friend's wealthy family on Park Avenue -- then to the completely alien environment of Las Vegas with his previously estranged father and his girlfriend -- then back to New York again (Greenwich Village).

First -- what I didn't enjoy: the book is very (VERY!) LONG, and very leisurely paced. Maybe it's a sign of our shrinking attention spans in the age of instant gratification, but it did feel like a bit of a slog at times. (At 700+ pages, shouldn't I be able to count it as two books read on Goodreads??)

(As an aside: Scanning the reviews of both the book and the movie version online, the word "Dickensian" kept popping up. There are some parallels in the sprawling, meandering, twisting plot, and large cast of colourful characters -- and one of the characters references Dickens, drawing a parallel between another character and the Artful Dodger from "Oliver Twist" -- but most especially the length!)

It's all well written, but some of the material felt extraneous -- there's a lot that probably could have been cut or condensed. Also, there are lots of foreign words & phrases throughout, which was slightly annoying, because I felt like I either had to stop reading and start typing into Google Translate, or keep reading but possibly miss out on a key piece of information, or at least some little nugget that would add to my understanding &/or enjoyment of the novel.

Still. Just when I felt like things were going nowhere, they would pick up again -- and I'd keep on reading.

What I enjoyed about this book: Tartt really is an amazing writer. The characters are all vividly drawn. As I said, I kept reading -- because I wanted to know what happened to Theo, and his best friend -- the charismatic rogue Boris (who -- timely footnote -- is Ukrainian); and to Hobie, the kindly craftsman and expert restorer of antique furniture, who gives Theo a home and a future; and Pippa, a fellow survivor of the terrorist attack, and Theo's dream girl; and the Barbour family, and more. (Apparently Luke Wilson plays Theo's dad in the movie version -- and I can see that -- but really, the only person I could envision as I read the book was a young Michael Douglas. ;) ) The descriptions of New York City and Las Vegas were cinematic. And Tartt's descriptions of the lingering effects of grief and loss, trauma/PTSD, guilt and anxiety, all of which hang over and colour the entire book, are BANG ON. There are several coincidences and plot twists that, while somewhat improbable, also keep things interesting.

So -- not 5 stars. There were parts of the book where I was thinking 3.5, but I wound up bestowing a solid 4. I will look forward to our upcoming discussion.

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