Reviews tagging 'Violence'

The Goldfinch by Donna Tartt

148 reviews

vaguely_pink's review against another edition

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challenging dark emotional sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

I think this one just wasn’t for me. Tartt is undeniably an incredibly gifted writer. Her characters leap off the page. The Goldfinch reads like a memoir and I often found myself wondering how it’s possible that someone could pull such real characters out of their head. The audiobook narrator is also masterful in his performance of each one. But part of why I continued to ask myself this was because their lives, and consequently this book, are just so oppressively bleak. Like, I’m a proud Sad Girl™, but this felt like too much sometimes. 

There were also numerous times where I felt like we were gearing up for an ending only to check the audiobook and realize that somehow I still had 13 hours left. As I got to the end, I started to have my usual audiobook thoughts of “maybe I’d like this more if I read with my eyes,” especially with the discussions about the importance of art to the human experience. But I’m not sure I would’ve had the endurance for this book in print. And when it does finally end, it feels very
Boris
ex machina and entirely too quick and easy. I don’t know, man. Maybe all the new adult fantasy I’ve been reading lately is finally rotting my brain. 

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jelliestars's review

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dark mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75


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pupaebug's review

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adventurous challenging dark emotional hopeful inspiring reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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freakysappho's review against another edition

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adventurous challenging dark funny reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.75

i was all set to be The Goldfinch's biggest fan bc i am a donna tartt megahead and i've been looking forward to this one for a LONGGG time. But. Well. a few notes:

the first part was. SO. Good. like amazing. following theo through the horrifying whirlwind of a thirteen year old's kid turned upside down; the apathy, the emptiness, the grief.. it was amazing. the city, vegas, back to the city; tartt's character work with hobie and boris especially i loveeeeed <3 basically every part up to when theo turns 26 years old. womp, womp

nice prose; although, perhaps blinded to it, i did notice that tartt used a lot of emdashes-- you know, like so-- and sentences run on, and on, and on like this; many semicolons; I do not recall this little, or perhaps massive and thus emphasized by this book's length, writing quirk in TSH, although i feel-- ha!-- terribly for her editor.

um. okay now the things i didn't like which were a lot. the entire second half of this book was lowkey a chore, moseying and meandering through theo's philosophical pinings. every single time theo pined for pippa was agonizing to read. pippa pippa pippa. Bitch you've seen her three times what's her favorite color. What's her favorite season? if there's one thing donna tartt cannot write it is a romance. like she cannot convince me a main character is in love or even unreasonably obsessed which i guess is what we were supposed to take away from that whole painful agonizing ordeal. this was the case in the secret history too. why i cannot say. 

the ending reminded me of an essay i'd write for my art history class i took my freshman year where my professor would start her comments by saying Rory, I think this could use some work.. but it had a "happier" ending than TSH, i guess, so if you're in the market for that.. look here. i guess i just kind of hate "diary-style" endings to books but this book is middlemarch-ian in absolute length (though not in time covered) and i guess it had to end somewhere

yawn. snore. 

i honestly don't think the length of this book was an issue but the post-childhood theo parts could have been sawed down Immensely. like there is no growth there and. he was so whiny and pathetic that i could not believe he was like, a successful salesman in any capacity, and i guess that's where i get finicky about the length. and i fuckig love a pathetic human being but he was just boring to read about, so realistic that i can see him sitting across from me in a diner. and it's like. whatever give me back henry from tsh.

but whatever i liked it enough. and i get that theo is not a perfect person but i really just disliked him as a human being . Anyway i could say a lot about this book but i'll end it here. long book gets long thoughts. Overall rating: meh

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bingled's review

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challenging reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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chelseyanderson's review

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reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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glasshalffull713's review

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adventurous dark emotional reflective sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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cangell's review

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adventurous challenging dark emotional inspiring mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

There are books that entertaining and then there are books that you know will stay with you for the rest of your life. This is one of those. I’ve meant to read this for years and once I got started, I couldn’t put it down. I was so engrossed in the story and the characters that I was disoriented when I reached the final page and realized it was over

The book is set in the modern era, but it feels timeless, like the sweeping classics it draws inspiration from. From the endearing Russian/Slavic characters (Boris is such a treasure) to all the musings on fate, the timelessness of art, and the nature of good and evil, the book is filled with homages to the Russian greats like Dostoyevsky. The characters are so deeply complex and alive that I had genuine anxiety over their fates. 

Like most great stories, this is not a feel-good read. Theo’s grief and nihilism and appetite for self-destruction resonated deeply with me, but are almost overwhelming at times. I can see why people who prefer more lighthearted, less challenging fare would struggle with this one. Yet at the same time, the ending is uplifting in a genuine way, not in a shallow “all’s well that ends well” way, despite how much we might crave that kind of neat conclusion for both the characters and our own lives. This is a book for the ages.

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arramachandran's review

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challenging dark reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

3.5, the last 20 pages of this book basically saved it for me. However, I think there is something to be said, or rather many things to be said about the portrayal of POC in this book. Every single non-white character is in a service position (doormen, cooks, cleaners, drivers, and social workers), and Tartt builds the characters off of stereotypical fantasies, specifically the deeply offensive “Sikh taxi driver” caricature that made me angry when I read it. Even Boris, Gyuri, and all the other Eastern European characters fulfill every vodka-soaked stereotype of that region. 

Side note: why did she make Boris say the n-word multiple times? They were throwaway phrases in parentheses that added nothing to the story, and it made my jaw drop when I read it. It really seems like she wrote it in because she wanted to, and I’d like to meet the editor that let that pass through.

Anyways, although Tartt’s prose is beautiful and quite profound as always, remembering the shameful writing of POC characters brought down my experience of reading the book.

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ewwniamh's review against another edition

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challenging dark emotional mysterious reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

it took me almost a year to finish this book and although i have some problems with it, i do really have a strong attachment to it and it's characters. 
whether that be because of how long it took me to read it or because i actually enjoyed it as much as the secret history, I'm not sure but that last chapter was absolutely incredible so donna tart has got me in a chokehold again for a second time I guess

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