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stacialithub's review
3.0
Apparently this book (from 2014) remains banned in China for its "taboo allusions to the Tiananmen Square massacre".
It explores the dangers of a totalitarian state as well as the insidious dangers of a seemingly utopian state which, while seemingly more pleasant on the surface, is as restrictive & controlling as a totalitarian state. The struggle to survive with your art & humanity intact (or sometimes just your life) under either system are central topics, as is the importance of art & future generations using art & protest to continue to bring light to the darkness & danger under such systems. The danger of turning a blind eye or forgetting is all too real. Part of this, to my understanding, is aimed at the generation who were children during Tiananmen Square, so not immediately familiar with it but growing up in the shadow of the reverberations from it. (As such, it made me think of [b:The Sound of Things Falling|16171259|The Sound of Things Falling|Juan Gabriel Vásquez|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1356199047l/16171259._SX50_.jpg|16294155] by [a:Juan Gabriel Vásquez|73034|Juan Gabriel Vásquez|https://images.gr-assets.com/authors/1307116082p2/73034.jpg] which explores the generation growing up in the shadow & violence of the Colombian drug cartels. The two stories are not the same yet both address the generational trauma that youth face.)
This was especially interesting in light of the many pro-democracy demonstrations that have taken place worldwide during 2020 & 2021. It's also eerily prescient with the impact of a plague. As you would imagine, there are some uncomfortable topics & situations in this book. (Trigger warnings for infanticide, among various other -cides too.)
Liked is not the correct word, nor can I say that I fully appreciated the book as I feel like I probably missed many cultural allusions & often felt out-of-synch with the cadence of the storytelling. I felt ambivalent about the beginning, pushed through the long middle section (which seemed to drag, imo), & was later rewarded with the closing 100 or so pages where I felt the book really focused its message & impact. I think there's a storytelling & poetic tradition in China with which I'm not familiar enough to have felt comfortable with the flow of the story (often leaving me wishing it had been heavily edited). It was not an easy read but I found it, ultimately, worthwhile.
It explores the dangers of a totalitarian state as well as the insidious dangers of a seemingly utopian state which, while seemingly more pleasant on the surface, is as restrictive & controlling as a totalitarian state. The struggle to survive with your art & humanity intact (or sometimes just your life) under either system are central topics, as is the importance of art & future generations using art & protest to continue to bring light to the darkness & danger under such systems. The danger of turning a blind eye or forgetting is all too real. Part of this, to my understanding, is aimed at the generation who were children during Tiananmen Square, so not immediately familiar with it but growing up in the shadow of the reverberations from it. (As such, it made me think of [b:The Sound of Things Falling|16171259|The Sound of Things Falling|Juan Gabriel Vásquez|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1356199047l/16171259._SX50_.jpg|16294155] by [a:Juan Gabriel Vásquez|73034|Juan Gabriel Vásquez|https://images.gr-assets.com/authors/1307116082p2/73034.jpg] which explores the generation growing up in the shadow & violence of the Colombian drug cartels. The two stories are not the same yet both address the generational trauma that youth face.)
This was especially interesting in light of the many pro-democracy demonstrations that have taken place worldwide during 2020 & 2021. It's also eerily prescient with the impact of a plague. As you would imagine, there are some uncomfortable topics & situations in this book. (Trigger warnings for infanticide, among various other -cides too.)
Liked is not the correct word, nor can I say that I fully appreciated the book as I feel like I probably missed many cultural allusions & often felt out-of-synch with the cadence of the storytelling. I felt ambivalent about the beginning, pushed through the long middle section (which seemed to drag, imo), & was later rewarded with the closing 100 or so pages where I felt the book really focused its message & impact. I think there's a storytelling & poetic tradition in China with which I'm not familiar enough to have felt comfortable with the flow of the story (often leaving me wishing it had been heavily edited). It was not an easy read but I found it, ultimately, worthwhile.
linguisticali's review
challenging
dark
slow-paced
3.5
I didn't fully understand the allegory here, but this was intriguing, especially towards the end. Very dreamlike and unsettling.
Right near the end there's what seems to be some brief and baffling racism where a character with "skin and hair as dark as a gorilla's" appears and is described as an ape and a monkey repeatedly over the next few pages. It really pulled me out of the story just as it was at its most interesting.
Right near the end there's what seems to be some brief and baffling racism where a character with "skin and hair as dark as a gorilla's" appears and is described as an ape and a monkey repeatedly over the next few pages. It really pulled me out of the story just as it was at its most interesting.
Content Warnings
Graphic: Death, Child death, Racism, Pregnancy, Abortion, and Medical trauma
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