Reviews tagging 'Bullying'

Imaginary Friend by Stephen Chbosky

37 reviews

mattlefevers's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

2.0

It's been a long time since I was legitimately so mixed on a book.

On paper, "the author of YA sensation Perks of Being A Wallflower attempts a riff on the classic Stephen King format of 'small town gradually destroys itself'" sounds like exactly my jam. And that's definitely the pattern Chbosky is following here — think Needful Things, Under the Dome, and the like. Many characters, lots of hopping between viewpoints, and this idyllic small town slowly coming unraveled. It seems like it'd be amazing.

But somehow this book felt long in a way that those comparable King books don't, to me. The prose is readable, I wasn't usually having too bad of a time while I had it open, but every time I closed it I'd look to see how much progress I'd made and the Kindle readout would be 1% further along. It's so long and I'm not sure the book makes the best use of all that space.

Part of what makes a The Stand or something work is diving deep into the psyches of that sprawling cast of characters, really making each one a fully fleshed out human being. Chbosky apes that format here but each of the characters in the town has precisely one (1) character trait, and repeats it indefinitely. This woman is a drunk, and one hundred percent of her viewpoint chapters are about wanting alcohol. This other character was abused, and every line of her inner monologue is her thinking about that. All of the characters are sketched so thinly that there wound up only being about two or three that I cared about in the whole town. It's telling that two of the primary protagonists of the entire novel are referred to as "Christopher's mom" and "the sheriff", even in their own viewpoint chapters.

Similarly, it's hard to tell what (if any) agency any of these characters are supposed to have. Without divulging too much about the plot (there are some terrific twists I'd rather leave unspoiled) the back half of the novel has things descending into chaos, but it's never even remotely clear whether characters are possessed (and have no free will at all), or whether they're being tempted by their own secret desires and fears (but are giving in to that temptation as conscious agents?) or if they're essentially just zombies from a low rent horror film. I don't know what the point is of introducing dozens of friends and bullies and classmates and neighbors and lovers and coworkers only to have all of them end up in basically the same position regardless of their interior life.

Really in all respects the stakes here are baffling. For a story that starts out as a pretty grounded slow burn, the latter half of the book is surreal and hard to track. People are escaping from places, then going back into those places, then escaping again; people unlock amazing powers and then six sentences later they're powerless to defend themselves; the villain's plan is thwarted two thirds of the way through but nothing changes and eventually they have to be thwarted again; sometimes things are happening in a dream and sometimes they aren't but seem like they are. I never have any idea what anybody is trying to accomplish or how. It's truly a story of people running back and forth across town while things happen to them.

The language is repetitious to a fault — I did a Kindle search for the words "baby teeth" (21), "cool side of the pillow" (13), and "floods" (55), which are only a handful of the mantras the author keeps returning to in a Groundhog Day style loop. (He also gets a lot of mileage out of the word 'son' sounding like the word 'sun'.)

So why did I read all seven hundred something pages of a book that annoyed me this much? Partly because I've only ever not finished about five books in my life and I owe Chbosky enough loyalty to not add his sophomore novel to that pile. But there are also things here that do work. I felt a lot of love for Kate (sorry, 'Christopher's mother') as a character, and for the journey of faith that Mary Katherine undergoes in the novel. There were moments that startled me, or moved me, or spread a savage grin across my face. And some of the twists... there's a reason I'm talking around the actual plot of this book. There are surprises and reveals and reversals in here that legitimately delighted me. Every time I was this close to putting it down and never coming back, I'd hit a chapter that turned everything upside down and made me excited about it again.

So... I don't know. It's very hard for me to recommend a book that feels this long and has this many flaws, but. If you were already planning to read it, I hope you enjoy it. There are things here to like. 

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mykieangelno's review

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adventurous dark emotional mysterious reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

incredible horror novel with an intriguing slightly uplifting ending, had some cheesy lines and motifs that made me cringe a little

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nrogers_1030's review

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adventurous challenging dark emotional hopeful mysterious sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes

3.5


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theimposter's review

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dark emotional mysterious sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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rcd229's review

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challenging dark emotional mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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directorpurry's review against another edition

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adventurous dark reflective slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

1.0


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alisonfaith426's review against another edition

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adventurous mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No

3.5


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linneak's review against another edition

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challenging dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.75


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soyboi's review

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dark mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

1.5

This book is one big Jesus allegory and it sucks. It’s not subtle. I never read Perks of Being a Wallflower, but I guess I expected more from the author. Not one big Sunday school version of his personal heroic fantasies. “The Hissing Lady” aka Satan, but let’s make her a woman because women are the root of all evil I guess. “Don’t go off the street, or they’ll get you.” aka the Xtian path. The main character’s name is literally CHRISTopher. 
Also, it bugged me that all these other characters, like Brody and Jenny and the librarian, are the Hissing Lady’s henchmen toward the end because they’re LITERALLY BEING ABUSED. Like, Jenny is being molested by her brother and when she’s under the Hissing Lady’s power, she wants to punish the brother. But imo, the little fucker SHOULD be punished. Why are we making that Satanic? Sounds like justice to me. Anyway, I’m not a fan of being beaten over the head with bible stories. Gag me. 
This book was LONG AS HELL. So much of it us extraneous details and the same words and sentiments repeated over and over. 
The half star is for the narrator of the audiobook, who has a great voice and was able to give each character a little something different. Props to her.

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reclusivebookslug's review against another edition

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dark emotional fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

3.25

I'm so conflicted about this one. This is so far removed from what I would normally read, but I love TPOBAW so I simply had to. The beginning was really the highlight for me. That was the height of the mystery and horror elements. The unknown possibilities were more interesting than how it was actually written. I'm glad I read it and maybe I'll even read it again sometime to give it another chance, but right now I have very mixed feelings.

On one hand, this book has an incredible ability to suck you in and keep you reading. Given the length of the book, I thought it might be more slow-paced or take its time on the exposition, but I was pleasantly surprised at how instantly gripping it was. It was very emotionally engaging and affected how I felt even when I was not actively reading it. At turns, it is scary, disturbing, sad, funny, and endearing. I was interested in the themes of generational trauma, cycles of abuse, and society's complicity in the evil of a few that allows suffering to spread.

On the other hand, I didn't enjoy the religious overtones of the latter part of the book and the reveal was something of a disappointment. It was grand in scale but not in emotional resonance for me. Sometimes plots of such cosmically huge proportions lose their impactfulness for me because they feel less personal. The very ending, in particular, I don't like.

The depictions of mental illness aren't the best. This is in line with part of a larger issue with the horror genre using mental illness as a plot device. There's also a very positive and uncritical depiction of a sheriff, which seems out of touch with the reality of the role of law enforcement.

Maybe it would have benefited from some subtlety. Metaphorical gods and devils are often interesting to me, but a war between the literal biblical God and the devil is sort of boring to me. Maybe if I believed in God or the afterlife this would have meant something to me, but as is it just doesn't and I almost feel it takes away from the theming that I do enjoy.

The subplot of Mary Katherine's virgin pregnancy is annoying. The book ending with the implication that the baby will grow up to be the next pawn in the nice man's plan to escape Hell is such a disappointment. Despite the huge scale of the conflict, the resolution doesn't seem to reach that level of importance. Sure they escaped disaster, but it is only a temporary solution to a problem with no end in sight. I didn't expect them to kill the devil and rid the world of all evil or anything, but they didn't do anything to stop or change the cycle, they just created a slightly happier ending to this one circuit.

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