Reviews tagging 'Misogyny'

The Duke and I by Julia Quinn

96 reviews

dakotab219's review against another edition

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  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

1.0


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marippe's review against another edition

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2.0

I mean, it was ok-kinda bad.
Everything I liked about the show was something that the show did.
That scene felt worse in the book.
It ain't aged the best. I know the time period it's based on was very misogynistic but it didn't feel that self aware

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kayleejanes's review against another edition

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adventurous emotional funny lighthearted tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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mangoes4jace's review against another edition

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lighthearted medium-paced
  • Plot- or character-driven? N/A
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? It's complicated

1.5


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sydneyhorner14's review against another edition

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2.5


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linashnewer's review against another edition

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funny reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0


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moriahleigh's review against another edition

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emotional lighthearted medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.5


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jencolumb0's review against another edition

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emotional medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

As an enthusiastic fan of Shondaland’s Season One of Bridgerton, I am happy that I did not read this first, because I’m not sure that Regé-Jean Page could have convinced me to give a TV adaptation of that nonsense a go. Blessedly, Shondaland was only exceptionally loosely inspired by the source material and redid it in such a tremendously better way. The original work just barely squeaks into the arena of something *vaguely* tolerable, in a second-wave white-lady feminist, “look at the plucky white lady getting away with doing not thoroughly feminine things while perpetuating an exclusionary world order” kind of way, not in the (preferable) third-wave, “imagine we all learned and did better” kind of way (where the Shondaland version seems to exist).

And I will never get over Daphne
attempting to garner sympathy from herself and others after raping Simon.
That was thoroughly not okay. I get why it is a plot line that even made it into the Shondaland version but it’s gross and at least Phoebe Dynevor’s Daphne seemed to grasp more firmly that she was wrong.

Given that the Shondaland team had trouble breathing life into Anthony’s story and they improved so thoroughly on the source material, here, I’m not sure I’ll bother with reading the rest of the series. I have better things to do than spite-read until Season Three drops, like catch up on all of Alexis Hall’s releases . . . or watching Regé-Jean Page breathe life into Dungeons & Dragons. 

Suffice it to say that I am even more impressed with the Shondaland team’s ability to succeed as they have with the adaptation after reading this.

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camillarossi's review against another edition

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challenging emotional funny lighthearted medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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mhairi_reads's review against another edition

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lighthearted medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

Rating: ⭐️⭐️⭐️⭐️
Spice: 🌶️
Tropes: Fake dating
POV: Third person

Daphne Bridgerton is the oldest daughter of the Bridgerton bunch and all she wants is to find a husband who she can settle down with and have her own children. But it’s not that easy. Everybody in society loves her but in a friendly way with the only gentleman caller being someone she most definitely does not want to enter into marriage with.

Simon Basset, the Duke of Hastings and well known rake, has retuned to England. He, unlike Daphne wants nothing to do with English society. Mothers forcing their daughters on him and so on. He has vowed to never marry nor does he want children and nothing is going to change his mind. 

Or is it?

Daphne and Simon cross paths and devise a plan that suits them both. If they are seen to be a couple Daphne will become more sought after and receive more gentleman callers and Simon will be seen to be off limits to the ladies and their desperate mothers. It’s a win-win. They agree to show an interest in each other and everything starts to fall into place.

But what happens when the interest is no longer just a ploy? 

I genuinely enjoyed this book, however I watched the Netflix series first and adored it so I’m not sure if that has swayed my interest in these characters. I loved the wittiness of Daphne and Simon. The banter between the two of them had me genuinely smiling on numerous occasions.

⚠️ Content Warnings: Miscarriage, stillbirth, abandonment, child neglect, death of parent, death during childbirth, dubious consent, misogyny

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