Reviews tagging 'Gaslighting'

Piranezis by Susanna Clarke

387 reviews

violerwolf's review against another edition

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adventurous emotional hopeful mysterious reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

5.0

Susanna Clarke asks the bold question: what if “The Backrooms” wasn’t a boring horror gimmick? 

Intriguing mysteries, deep symbolism and philosophical reflection, and a riveting but small cast of characters make this book impossible to put down. I can’t wait to reread it.

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circehighgarden's review against another edition

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adventurous challenging dark emotional hopeful sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

The description was too much for me. It was a short novel compared to what I am used to reading, but it really felt so long. I think it's because it was dragged with excessive descriptions of every hall, etc. Surprisingly, I still enjoyed it. Despite the verbosity, the story's underlying charm managed to captivate my interest. 

One thing I am certain is that Matthew Rose Sorensen was robbed of his life.

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flora_arns's review against another edition

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adventurous dark mysterious medium-paced
  • Plot- or character-driven? Character

4.0


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balina_elah's review against another edition

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adventurous dark emotional mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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lizpace's review against another edition

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challenging dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0


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cheriepie's review against another edition

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mysterious slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated

4.5

It was fantastic. I recommend going in blind. The story is a bit slow but the mystery of the House kept me going. Highly recommend!! 

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ssweeny's review against another edition

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adventurous mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.75


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merrynthomas's review against another edition

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adventurous challenging dark mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? No

4.75


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gopanini's review against another edition

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dark mysterious reflective relaxing sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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sunn_bleach's review against another edition

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challenging dark emotional hopeful mysterious reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

It’s a good problem to have when my biggest criticism is “I wish it were longer”. And I deeply, deeply do - not only to explore the House  that is God, but to simply have more time with Piranesi before the plot hits hard, the resolution of which never truly lived up to the conceit. Borgesian is an easy analogy; I found “Piranesi” more abjectly beautiful and celebratory in capital-m Mystery, with the caveat that the epistolary form doesn’t work as well when the action and dialogue pick up in the second half. Sad, contemplative, yet affirming. The last sentence is a gutpunch.

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