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iono's review against another edition
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Content Warnings
Graphic: Body horror, Torture, Injury/Injury detail, Murder, Confinement, Abandonment, Sexism, and Religious bigotry
Moderate: Classism, War, Violence, Xenophobia, Colonisation, and Genocide
Minor: Misogyny, Blood, Slavery, Child death, Death, and Gore
anelya's review against another edition
Why didn't I finish this book? I worry that a better question is, "Why did I start?" I read Warbreaker and the the first Mistborn Era Trilogy first. Already there I chafed at the sexism, the casual and implicit sexism; already in those novels the racism was uncomfortable, the ableism and treatment of neurodivergent characters brought me to frustrated tears. But I was told that these books were wonderful, so I kept trying, waiting for them to get better.
Elantris was the last straw. The sexist comments were every two pages, slowly grinding down the walls I put up against it. The internalised misogyny was so present and so unnecessary; it was repeatedly so heartbreaking to hear the few female characters in the novel tear each other down. The off-hand comments against psychologically-disabled characters made me want to rip up the E-Reader. But what really made me stop and made me finally give up was the racism and slavery.
What is it with Sanderson and slavery? Most importantly, what is it with Sanderson and entire groups of people who either choose to be enslaved or are happy to act as slaves? It already made me feel so gross in the other books, but at around page 200 in Elantris, there was a scene where a child tried to let the enslaved character free, and the character fought back and claimed it was free and just... *SIGH* Yada, yada, different very terrible arguments that don't hold up to a mite of scrutiny. Flawed arguments attempting to legitimise slavery in a novel that claims to be against it. I just couldn't handle it anymore.
I'm sick and tired of this man's writing. How many groups must he treat terribly before he's through? I am in so much disbelief that so many people support his writing and claim that his representation is even halfway decent. Either he cleared up his whole act for The Stormlight Archive, or people are making excuses for him for some reason. I tried long and hard to see what on earth is worth it in these novels to make the positive points of reading them outweigh all the bad, but it has evaded me.
I guess if you're a person who can excuse ableism, sexism, misogyny and many layers and types of racism, then this is for you.
Elantris was the last straw. The sexist comments were every two pages, slowly grinding down the walls I put up against it. The internalised misogyny was so present and so unnecessary; it was repeatedly so heartbreaking to hear the few female characters in the novel tear each other down. The off-hand comments against psychologically-disabled characters made me want to rip up the E-Reader. But what really made me stop and made me finally give up was the racism and slavery.
What is it with Sanderson and slavery? Most importantly, what is it with Sanderson and entire groups of people who either choose to be enslaved or are happy to act as slaves? It already made me feel so gross in the other books, but at around page 200 in Elantris, there was a scene where a child tried to let the enslaved character free, and the character fought back and claimed it was free and just... *SIGH* Yada, yada, different very terrible arguments that don't hold up to a mite of scrutiny. Flawed arguments attempting to legitimise slavery in a novel that claims to be against it. I just couldn't handle it anymore.
I'm sick and tired of this man's writing. How many groups must he treat terribly before he's through? I am in so much disbelief that so many people support his writing and claim that his representation is even halfway decent. Either he cleared up his whole act for The Stormlight Archive, or people are making excuses for him for some reason. I tried long and hard to see what on earth is worth it in these novels to make the positive points of reading them outweigh all the bad, but it has evaded me.
I guess if you're a person who can excuse ableism, sexism, misogyny and many layers and types of racism, then this is for you.
Content Warnings
Graphic: Suicide, Colonisation, Sexism, Misogyny, Racism, Xenophobia, Violence, Slavery, Religious bigotry, Mental illness, Fatphobia, Classism, and Chronic illness
cerilouisereads's review
adventurous
emotional
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Body horror, Blood, Chronic illness, Death, Injury/Injury detail, Murder, and Violence
Moderate: Body shaming, Fatphobia, and Religious bigotry
Minor: Forced institutionalization, Gaslighting, and Misogyny
lilifane's review
adventurous
challenging
dark
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Everyone warns people not to start reading Brandon Sanderson with this book, but I always want to experience a complex book universe in the publication order. So I started with Elantris, but told myself that it doesn't matter how much I hate it, I will definitely still read Mistborn at least.
To my biggest surprise I actually really enjoyed this book and if this is his weakest one... okay.
It certainly has its issues. Most of the characters are pretty flat and boring (although I like most of them without a doubt). I think there is only one character that is actually complex and interesting. And the whole political plot didn't interest me that much, I just didn't care for it and I think it dragged on for too long. I didn't care for the king and this baby monarchy, I didn't care for the nobility. I might have cared for the peasants, but they were basically absent from the plot, although they had so much more potential?
The rest of the book? I loved it! The world building is phenomenal, I enjoyed the magic system a lot, everything about Elantris (history, mystery, present state) is so cool and fascinating, and I flew through these chapters. The story was really well plotted in my opinion, all the small details that became important at the end and fit perfectly together. Ah, I love this. (I'm just a little sad the final Elantris mystery wasn't really explained. That scene was so confusing, and I don't know what happened there. I have a vague idea, but it's bothering me not to know the details!)
Also: Although I know, Sanderson discusses mental health in his books, I wasn't aware it was already so present in this first one. The way the suffering of Elantrians can be compared to depression really impressed me.
Content Warnings
Graphic: Body horror, Chronic illness, Confinement, Death, Genocide, Gore, Injury/Injury detail, Mental illness, Religious bigotry, Suicidal thoughts, Suicide, Torture, Violence, War, Fire/Fire injury, and Misogyny
emilyplun's review against another edition
adventurous
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
Content Warnings
Graphic: Body horror, Forced institutionalization, Misogyny, Murder, Religious bigotry, and Racism
Moderate: Genocide and Xenophobia
Minor: Suicidal thoughts and Torture
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