Reviews with content warning for Abandonment - Confessions of the Fox

I read this for one of my classes to write my final paper, analyzing how it is a retelling of historical 18th century documents. I think it's going to be difficult.

I wanted to like this book so, so badly. It's a trans historical fiction, it's supposed to be in the style of Pale Fire, it's funny and academic, but none of these really worked in the text and, as such, didn't work for me. The main thing is that this book doesn't use theory as a way to drive a story, but a story as a way to explain theory. This could work, if the story was tight enough and enjoyable so the reader could really appreciate the theory. This is not that story — both of the stories were all over the place, and I never felt like any of the characters were very fleshed out. Jack is a trans swindler who loves having sex with childhood trauma — but what is he like? Is he funny or suave; is he challenged in any way with his worldview? Not really. Neither are any of the side characters. I wanted to like Bess so much, but she also had little outside of her backstory and relationship to Jack: no personality or character. I saw a reviewer say that the characters in this are more dolls to move around so that the plot can progress forward and then the theoretical discussions can continue, and I agree with that.

Also, the end of Dr. Voth's arc, in which he goes off into a parallel timeline-type world and is living amongst aliens is CRAZY. What are we doing here. I think just leaving him to deal with his own downward spiral and beginning to understand the collaboration of the manuscript could've been really interesting, but this "plot twist" is so strange that it threw me off immensely.

This book is also just very, very sexual. I'll admit I'm somewhat of a prude, but mentioning how good you are at having sex and how much you want to have sex every other page (not an exaggeration) is such a bore and an annoyance. The way that both Jack and Dr. Voth talked about women headed into the misogynistic, objectifying zone, and although I certainly don't think they needed anyone to finger-wag and say "This isn't good!! You need to stop this!" having both of your main characters approach women the same way without their views ever fluctuating is pretty grating.

There's also certainly something to be said about how every character of color exists only to support Jack and risk their lives for him, without any seeming reason. I think it's good that they didn't have any "oh the white character is learning to not be racist anymore :) isn't he great?" parts, but in refusing to flesh out the characters and give them personalities and deep backstories (aside from Bess), the book is still tokenizing them to an extent, at least in my opinion.

Oh, by the way — if you're squeamish around urine, do not read this book. There's a lot of discussion of urine, both sexual and medicinal.

I saw a lot of complaints about

the top surgery scene, which I do admit seems to go into the "only there to support the white protagonist" trope for Bess, but I also thought the hand-waving after was absolutely so absurd, it was hilarious. Guy is randomly like "yeah I can give you an 18th century mastectomy in this brothel," faints, and the other guy's girlfriend does it perfectly and just by reading the manual. And then he jumps up and smothers the first guy with his bleeding chest !!! WHAT!!!!!! And then he's running around perfectly fine three weeks later. I want to study this book (and I am, but unfortunately not as critically as I would like).

ALSO the end! It's a cop-out! I know that's to be expected, but I didn't care enough about the characters to groan when I read it, instead of feeling relieved.

I know throughout I kept referring to other reviews, but I basically had to make sure I wasn't the only one who was being driven absolutely crazy by this book. I think its publicity coasted a lot on "trans historical fiction! Academia and theory!" but it doesn't have much else (nor is the theory done well enough to feel like it's not a hobbling-together of different ideas).

Content Warnings

felishacb's review

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adventurous challenging emotional informative mysterious tense slow-paced

Plot- or character-driven? A mix
Diverse cast of characters? Yes

This novel is an experimental, wild ride. The story features a trans and/or intersex character and is told by a trans scholar and professor. The basis of the novel is the true legend of a historical figure, a white English man named Jack Sheppard whom I had never heard of. In CONFESSIONS, Rosenberg, a trans author, queers the story and imagines Jack as a gender-expansive thief.

Footnotes tell the story of the narrator of sorts who is translating and interpreting the tale. They are also dealing with a faceless entity who wants to control the translation and treats Jacks's transness with an otherness. These layers give Rosenberg the opportunity to comment on queerness, as well as class, colonialism, and power.

Another main character based on reality is Bess who in this book is an Asian sex worker. Bess offers a safe place for Jack and teaches him more about class revolution by sharing her own family's tragic story. Her lived experience could connect with Jack's own experience of class oppression (and queer repression) and inform him on how it intersects with racism.

Although it is fiction, this book serves as a powerful reminder that trans people (and people of color) have always been here and have always been the main characters in their stories even if their history is lost or never told.

Towards the last third of the novel, I did find myself not picking this up as much. But the authors voice and perspective kept me wanting to see how this story ended and what nuggets of truth they would share.

From the book: "All history should be the history of how we exceeded our own limits."

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