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fayesavanne's review
adventurous
emotional
funny
hopeful
inspiring
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Love how books were such a big part, reminds me of howl's moving castle and loved the romance
Content Warnings
Graphic: Death of parent, Forced institutionalization, Kidnapping, Blood, Sexism, Panic attacks/disorders, Confinement, Violence, Murder, Death, and Child death
Minor: Vomit, Child abuse, and Sexual harassment
bexi's review against another edition
adventurous
dark
emotional
funny
hopeful
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
I have a few minor gripes with the writing but I simply love the story, the world, and the characters too much to give this anything other than 5 stars.
I was excited to read it every night. I didn't want it to end and I'm low-key sad that I finished it. There's a companion novella and yes, I am going out to the nearest bookstore tonight to purchase it.
Shoutout to booktubers for putting this book on my radar. And for comparing it to Howl's Moving Castle - that was the selling point for me. If you enjoyed HMC (book or movie), pick this up because I agree with the comparison.
Now somebody please adapt this into a miniseries for television because I wants ittt ðŸ˜
I was excited to read it every night. I didn't want it to end and I'm low-key sad that I finished it. There's a companion novella and yes, I am going out to the nearest bookstore tonight to purchase it.
Shoutout to booktubers for putting this book on my radar. And for comparing it to Howl's Moving Castle - that was the selling point for me. If you enjoyed HMC (book or movie), pick this up because I agree with the comparison.
Now somebody please adapt this into a miniseries for television because I wants ittt ðŸ˜
Content Warnings
Graphic: Injury/Injury detail, Blood, Violence, and Sexual harassment
Moderate: Death of parent, Murder, Confinement, Death, Fire/Fire injury, and Grief
Minor: Forced institutionalization, Misogyny, Child abuse, Child death, Gaslighting, and Panic attacks/disorders
booksthatburn's review against another edition
adventurous
challenging
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I like how much of the early worldbuilding revolves around the grimoires and the propaganda Elisabeth was taught about sorcerers. The way Nathaniel leans into her negative assumptions without actually doing anything to hurt Elisabeth or anyone else means that she learns a lot about the kind of person he is by how he reacts to being misunderstood. It's a wonderful bit of worldbuilding-as-characterization and I love how it works out. He lets her think awful things without trying to defend himself, then when she realizes those assumptions don't match how he's actually behaving it gives her an opportunity to realize she was wrong about him. It's a dynamic that repeats itself throughout the book, gradually receding as they learn to trust each other and communicate more forthrightly. One of my other favorite things in the worldbuilding is how the narration assumes the reader has a starting point in that world, specifically of a person growing up in one of the Great Libraries. Once she leaves, Elisabeth learns some of the outside world's differences in a way that enhances the worldbuilding and teaches about her as a character. If she's startled that the world was one way then it implies that her experience of the Library was different in a specific manner. Immersive worldbuilding is a favorite of mine, and this perfectly fit the kind I like.
Silas is enjoyable as a character whose present form is unassuming but could absolutely fuck someone up if a different version of himself is let loose (Think Mogget from The Old Kingdom books by Garth Nix, but if he liked working).
I thought the first half was just fine (except for the worldbuilding, which was excellent) and then I loved the ending. I didn't enjoy the matrons speculating about Nathaniel's sexuality, and while the resolution of his identity came though his own telling, it felt a bit off.Nathaniel doesn't want to be treated as a stud for his bloodline (completely understandable) so he turns away hordes of eligible women. Their mothers are upset and speculate that he might be gay (because obviously it must be he doesn't want a woman at all, not that he doesn't want any of their daughters). It made the reveal that he likes men and women feel a bit like Elisabeth is the exception that proves the rule. On the one hand, I'm excited for a bi character getting a m/f relationship because his queerness isn't dependent on his partner's identity. On the other hand, it made it feel like he's bi so that the narrative can tease his dynamic with Silas. There's no jealousy from Elisabeth on their intimacy, which I appreciated, but altogether it left me unable to enjoy Elisabeth and Nathaniel as much as I wanted.
The audiobook performance (particularly for Silas) perfectly fits each character and really enhanced the story. The plot noticeably had distinct stages (not in a bad way). It's a long enough book to have several points of tension and rest, with the danger escalating in a way that felt appropriate to the world and to what the characters had already faced. There were a couple of points in the latter half where things had been so dramatic that I thought maybe it was about to pull a cliffhanger, but the ending is very satisfying and comes at an appropriate point in the pacing.
I enjoyed this and am very excited for a sequel if one materializes. It's listed as a series so I'm hopeful.
Silas is enjoyable as a character whose present form is unassuming but could absolutely fuck someone up if a different version of himself is let loose (Think Mogget from The Old Kingdom books by Garth Nix, but if he liked working).
I thought the first half was just fine (except for the worldbuilding, which was excellent) and then I loved the ending. I didn't enjoy the matrons speculating about Nathaniel's sexuality, and while the resolution of his identity came though his own telling, it felt a bit off.
The audiobook performance (particularly for Silas) perfectly fits each character and really enhanced the story. The plot noticeably had distinct stages (not in a bad way). It's a long enough book to have several points of tension and rest, with the danger escalating in a way that felt appropriate to the world and to what the characters had already faced. There were a couple of points in the latter half where things had been so dramatic that I thought maybe it was about to pull a cliffhanger, but the ending is very satisfying and comes at an appropriate point in the pacing.
I enjoyed this and am very excited for a sequel if one materializes. It's listed as a series so I'm hopeful.
Content Warnings
Graphic: Confinement, Blood, Misogyny, and Sexism
Moderate: Fire/Fire injury, Murder, Gaslighting, Violence, Sexual content, Sexual harassment, Child abuse, Gore, Ableism, Injury/Injury detail, Self harm, Panic attacks/disorders, Forced institutionalization, and Death
Minor: Mental illness
theespressoedition's review
adventurous
challenging
dark
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Sorcery of Thorns took me by surprise in the best way possible. I went into it knowing very little: there was a magical library and it's set during autumn. That's it! I think that might have made it stand out all the more.
The story is very quick to suck you in. It's not necessarily fast-paced so much as it's just not slow. There's always something happening to further the plot and I'm grateful that I read a physical copy rather than listening to it, only because I think I would've missed important elements if I had utilized an audiobook. The chapters are a bit longer than is my typical taste, but truthfully, I didn't realize how long they were because I often forgot that I was even reading! It's definitely an atmospheric escape book.
There's not a particularly large cast of characters. Only four are of utmost importance with a handful of secondary characters that provide excellent support to the main cast and help to further the story. While some may categorize this novel as "enemies-to-lovers," I wouldn't be so quick to slap that label on it. The protagonists may not mesh well at the beginning, but they aren't truly enemies. They're more like misunderstood colleagues. This will make much more sense if you read the book!
I'm sure I'm not the first to state that Silas is the stand-out character in this book. He's absolutely fascinating and I would absolutely love an entire book (or spin-off series) just about his story. I'm hoping that the sequel will include a lot more information about him and how the demon-and-sorcerer relationships came to be.
There are a lot of really beautiful quotes throughout this action-packed book. Two that stood out to me were:
The story is very quick to suck you in. It's not necessarily fast-paced so much as it's just not slow. There's always something happening to further the plot and I'm grateful that I read a physical copy rather than listening to it, only because I think I would've missed important elements if I had utilized an audiobook. The chapters are a bit longer than is my typical taste, but truthfully, I didn't realize how long they were because I often forgot that I was even reading! It's definitely an atmospheric escape book.
There's not a particularly large cast of characters. Only four are of utmost importance with a handful of secondary characters that provide excellent support to the main cast and help to further the story. While some may categorize this novel as "enemies-to-lovers," I wouldn't be so quick to slap that label on it. The protagonists may not mesh well at the beginning, but they aren't truly enemies. They're more like misunderstood colleagues. This will make much more sense if you read the book!
I'm sure I'm not the first to state that Silas is the stand-out character in this book. He's absolutely fascinating and I would absolutely love an entire book (or spin-off series) just about his story. I'm hoping that the sequel will include a lot more information about him and how the demon-and-sorcerer relationships came to be.
There are a lot of really beautiful quotes throughout this action-packed book. Two that stood out to me were:
You belonged in the library, as much as any book.
and also..
I think--I think I was a bit dead already, before you came along... You've reminded me to live. That's worth having something to lose.
Really, Sorcery of Thorns is a beautiful book with so much great adventure, fantastic characters, and a story that will keep you hooked from beginning to end. It is absolutely winding up on my favorites list for 2022!
Content Warnings
Graphic: Blood, Death, Death of parent, Torture, and Violence
Moderate: Forced institutionalization, Misogyny, Child abuse, and Sexism
hazelsnoot's review
adventurous
challenging
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? N/A
4.0
Content Warnings
Graphic: Blood and Violence
Moderate: Child death, Child abuse, Confinement, Death, Death of parent, Emotional abuse, Gore, and Grief
Minor: Child abuse, Child death, Forced institutionalization, and Self harm
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