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laurenw's review against another edition
adventurous
emotional
funny
fast-paced
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
This book started off as a fun romp, and then slowly drew me deeper into its world and characters. Vivian is such a human character, wonderfully scuplted, and her life's story provided much entertainment. Reading this was like making a new friend.
Content Warnings
Graphic: Alcohol, Alcoholism, Grief, Misogyny, Sexual content, Toxic friendship, Infidelity, Mental illness, Panic attacks/disorders, and War
Moderate: Death of parent, Antisemitism, Classism, Pregnancy, Sexual assault, Xenophobia, and Death
Minor: Abortion, Fire/Fire injury, and Terminal illness
witmol's review
funny
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Vivian receives news from a friend's daughter, Angela. Angela's mother has passed and Angela now wants to know: "who were you to my father?". The framing story means this novel is ostensibly a long letter in response that works as part-'How I met your father' and part-memoir. On one hand this device feels gimmicky, but on the other, it's a great way to focus the parts of the story that will lead to both the identity of Angela's father and the salient parts of Viv's life that intersects with his.
The first two-thirds of the book therefore feel over-indulgent as Viv reminisces about her youth. Gilbert makes certain that all the threads of this pre-WWII segment do actually connect with the character in question, entertainingly so, but in some regards it's easy to lose the facade of a letter in its lengthy diversions. This is not to say the novel lags. It canters along with Gilbert delivering vivid prose, and a distinct sense of place. While we don't get to 'see' much of New York through descriptions, we 'feel' it through a young Vivian instead.
When we do get to Viv meeting Angela's father, by comparison it feels anti-climactic. Viv has already described other characters in such great detail and with some effervescence that this character, while well drawn, feels distant and ancillary rather than central to her life. In short, the narrative here feels as if Viv is trying to convince us (and Angela) that her father was one of the most important figures in her life. It's the 'trying to convince' part that grates especially, particularly as the denouement does have a deep and abiding message about the nature of friendship and the value of being with someone and accepting the truth of each other without judgement.
Gilbert's expert handling of plot and pace, together with her witty writing, however, do make this a worthwhile read, and I'm more than pleased that she continues to write interesting female characters who do not need a partner to make them interesting.
The first two-thirds of the book therefore feel over-indulgent as Viv reminisces about her youth. Gilbert makes certain that all the threads of this pre-WWII segment do actually connect with the character in question, entertainingly so, but in some regards it's easy to lose the facade of a letter in its lengthy diversions. This is not to say the novel lags. It canters along with Gilbert delivering vivid prose, and a distinct sense of place. While we don't get to 'see' much of New York through descriptions, we 'feel' it through a young Vivian instead.
When we do get to Viv meeting Angela's father, by comparison it feels anti-climactic. Viv has already described other characters in such great detail and with some effervescence that this character, while well drawn, feels distant and ancillary rather than central to her life. In short, the narrative here feels as if Viv is trying to convince us (and Angela) that her father was one of the most important figures in her life. It's the 'trying to convince' part that grates especially, particularly as the denouement does have a deep and abiding message about the nature of friendship and the value of being with someone and accepting the truth of each other without judgement.
Gilbert's expert handling of plot and pace, together with her witty writing, however, do make this a worthwhile read, and I'm more than pleased that she continues to write interesting female characters who do not need a partner to make them interesting.
Content Warnings
Minor: Abortion, Addiction, Alcoholism, Antisemitism, Death, Death of parent, Fire/Fire injury, Infidelity, Sexual content, War, and Alcohol
linesiunderline's review
adventurous
emotional
funny
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
City of Girls is one of those books that manages to feel like a whole world. If you are looking for an immersive reading experience where it’s all about getting inside the head and life of the narrator, this is a great book to pick up. By the time you’re finished, Vivian feels as alive and complicated as any person you might know in real life. She really is the heart and point of the story, and she is imperfectly glorious.
Speaking of imperfection, one of the thematic aspects of this book that I loved most is the notion that we are all messy, flawed beings, who make mistakes, and we deserve love in spite of it all.
I listened to this one and the narration was wonderful. Vivian is a character who will stay with me.
Speaking of imperfection, one of the thematic aspects of this book that I loved most is the notion that we are all messy, flawed beings, who make mistakes, and we deserve love in spite of it all.
I listened to this one and the narration was wonderful. Vivian is a character who will stay with me.
Content Warnings
Moderate: Alcohol, Death, Grief, Misogyny, Pregnancy, Sexism, Sexual assault, and Sexual content
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