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aurora_noriealis's review against another edition
adventurous
hopeful
inspiring
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
the book epitomizes le guins' anarchist ideas toward states and solidarity and freedom in a loving way. it toys with trust and relationship building, and plays heavily with Themes (recognizing trust, building trusting and supportive relationships). I love it for this.
the pacing varies quite a bit throughout.
that said, some of the depictions of cultures and gender are dated, discomforting at times. noting this less as a deterrent and more to bear in mind going into reading.
as someone who doesn't typically read fiction, I greatly enjoyed it.
the pacing varies quite a bit throughout.
that said, some of the depictions of cultures and gender are dated, discomforting at times. noting this less as a deterrent and more to bear in mind going into reading.
as someone who doesn't typically read fiction, I greatly enjoyed it.
Content Warnings
Graphic: Death, Abandonment, and Forced institutionalization
Moderate: Confinement, Forced institutionalization, and Sexual content
Minor: War
much of the imagery parallels pieces of the cold war - era states. collectivization, imprisonment, and exile are presented in ways reminiscent of Stalinist and McCarthyist states.coolfijiwater's review against another edition
adventurous
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Death, Confinement, and Torture
Moderate: Suicide, Misogyny, and Incest
tigger89's review against another edition
adventurous
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
I'm ashamed to say that it took me many years and two false starts to get around to reading this. I knew it was going to be good, but it was very much a case of "right book, wrong time" for me. I very nearly had to return the copy unread this time as well, but decided I could marathon it over the weekend instead. I'm glad I did, because this book is a classic for a reason.
What everyone knows about this story is that it's the one where the aliens are gender-neutral, except for once a month when they become either male or female — varying from month to month — in order to engage in sexual intercourse. Frankly, in 2023, that's not the most interesting part of this story. I don't know if it's because Seinfeld is Unfunny(tvtropes) or because of our conversations around and understanding of gender evolving, but it doesn't feel terribly groundbreaking. At times, the binary themes even felt regressive, though I understand that they had a different cultural significance in 1969. Rather, what I found to be far more timeless were the cultural misunderstandings and Genly's struggle, first to salvage his mission and then to survive.
Le Guin's descriptions of the various landscapes were incredible. Let me tell you, I felt the wind on that glacier! And her explorations of the cultural institutions — such as Shifgrethor, Kemmer, and the Foretellers — were SF/F at its best. I'd never heard this book praised for its world before and that's a shame, because those who read to experience fantastical lands and cultures unlike our own(hi!) will find plenty to dig into here.
Something that I really struggled with was the extensive use of male-as-neuter language throughout the text. I found it very difficult to remember that the characters were meant to be androgynous when all the pronouns were he/him. Yes, I know the language is a 1969 thing(see also: "bisexual society", which is way less of a party than it sounds). But that doesn't make it any easier on the reader. The edition I read had an afterword by Charlie Jane Anders, in which she proposed the idea that Genly himself is an unreliable narrator of sorts, expressing his own misogyny through his use of male pronouns for the Gethenians. I really liked that idea, and have adopted it as my own headcanon.
What everyone knows about this story is that it's the one where the aliens are gender-neutral, except for once a month when they become either male or female — varying from month to month — in order to engage in sexual intercourse. Frankly, in 2023, that's not the most interesting part of this story. I don't know if it's because Seinfeld is Unfunny(tvtropes) or because of our conversations around and understanding of gender evolving, but it doesn't feel terribly groundbreaking. At times, the binary themes even felt regressive, though I understand that they had a different cultural significance in 1969. Rather, what I found to be far more timeless were the cultural misunderstandings and Genly's struggle, first to salvage his mission and then to survive.
Le Guin's descriptions of the various landscapes were incredible. Let me tell you, I felt the wind on that glacier! And her explorations of the cultural institutions — such as Shifgrethor, Kemmer, and the Foretellers — were SF/F at its best. I'd never heard this book praised for its world before and that's a shame, because those who read to experience fantastical lands and cultures unlike our own(hi!) will find plenty to dig into here.
Something that I really struggled with was the extensive use of male-as-neuter language throughout the text. I found it very difficult to remember that the characters were meant to be androgynous when all the pronouns were he/him. Yes, I know the language is a 1969 thing(see also: "bisexual society", which is way less of a party than it sounds). But that doesn't make it any easier on the reader. The edition I read had an afterword by Charlie Jane Anders, in which she proposed the idea that Genly himself is an unreliable narrator of sorts, expressing his own misogyny through his use of male pronouns for the Gethenians. I really liked that idea, and have adopted it as my own headcanon.
Content Warnings
Moderate: Alcohol, Confinement, Death, Incest, Misogyny, Suicide, and Gun violence
Minor: Pregnancy, Xenophobia, Fire/Fire injury, and Mental illness
imrereads's review against another edition
adventurous
reflective
4.0
Usually I try to not think about which books I "should" read, but sometimes it pays off. This book is an example of that. It was written in 1969, and is considered to kickstart the feminist sci-fi genre. It took me a hot minute to get into this book, but once I did I found not only a good story, but also a very interesting conversation of the effect sex and gender has on culture and society. The setting of the story if the planet of Gethen, were people don't have a fixed sex, and our narrator is from a different planet where they do, so it's very much an outsiders perspective which brings up a lot of interesting conversations.
There are certain things I wish were done differently, particularly the use of he/him pronouns on the Getheran people, and I've since read that Le Guin regretted that decision herself. I think a neutral pronoun would have been a better decision, but I will admit that he/him does tell us something about our narrator and it does make some sense.
All in all I'm very glad I read this book. Not only does it give me some insight into the history of the genre, but it was also a genuinely good reading experience.
There are certain things I wish were done differently, particularly the use of he/him pronouns on the Getheran people, and I've since read that Le Guin regretted that decision herself. I think a neutral pronoun would have been a better decision, but I will admit that he/him does tell us something about our narrator and it does make some sense.
All in all I'm very glad I read this book. Not only does it give me some insight into the history of the genre, but it was also a genuinely good reading experience.
Content Warnings
Graphic: Confinement, Grief, Incest, Blood, and Death
sara_n's review against another edition
adventurous
challenging
mysterious
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Content Warnings
Graphic: Physical abuse, Death, Deportation, and Violence
thecriticalreader's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
4.5
Blurb:
Genly Ai is a human envoy from an interstellar organization called Ekumen that coordinates communication, trade, transportation, and cultural exchange between anthropoid planets sent to the planet of Gethen to convince the planet’s government to join Ekumen. Gethen is an extremely cold planet with near-constant wintery weather. Another notable aspect of the planet is that its inhabitants belong to a singular, fluid sex. Their physiology is androgynous and asexual except for when they find themselves in heat, at which point they couple with another person in heat. When coupling, one person’s anatomy and hormones closely resemble that of a human male; the other, that of a human female. Genly Ai struggles as he fights to accomplish his goal on a planet that he finds strange, confusing, and inhospitable.
Review:
The Left Hand of Darkness is a science fiction novel that is often spoken about for its exploration of gender and sex, but it would be unfair to limit one’s assessment of the novel here, because The Left Hand of Darkness also delves into themes of patriotism, war, human nature, and cultural anthropology. The book’s main strengths lie in world-building, philosophical thought, and thematic explorations: since it reads like a cultural anthropology report, Le Guin’s highly imaginative world stands out but remains rather remote from the adventure, unique characterizations, and gripping plots that some expect from the science fiction genre. Nevertheless, she expertly evokes an icy atmosphere, both in terms of Gethen’s physical conditions and in the bewildering incomprehensibility its society presents for Genly Ai. The language and descriptions are so vivid, in fact, that I felt distinctly chilly every time I picked up the book. Although the plot moves slowly and takes place on another world, the story at the book’s center is a very human one.
The book’s imaginative worldbuilding and profound philosophical discussions make it a worthwhile and enjoyable read, but it would be incorrect to call The Left Hand of Darkness a ‘timeless classic,’ as several aspects of its thematic exploration betray it as a product of its time. For one, the book’s concern with the nature of patriotism and war reflects anxieties over America’s division over the Vietnam War, although these discussions still hold relevance today. On the other hand, its central optimism, rather unquestioning faith in institutions of open trade and cultural exchange, and lack of concern surrounding ecological destruction seem rather naïve to a twenty-first-century reader. Similarly, Le Guin’s narrative brushes against but never fully embraces the idea of gender and sex as social constructions, ultimately unable to fully escape a bio-essentialist understanding of gender. Her exclusive use of he/him pronouns to describe the ambisexual Getherians—despite their nonbinary conception of gender—particularly undercuts the impact of her commentary. The Left Hand of Darkness would have certainly been radical in the middle of the second wave of feminism, but now appears rather outdated in the face of subsequent scholarship in the field of gender and sexuality studies.
The Run-Down:
You will probably like The Left Hand of Darkness if:
· You enjoy cerebral, philosophical science fiction in the vein of Star Trek
· You are a fan of cultural anthropologys
You might not like The Left Hand of Darkness if:
· You are looking for an action-packed, adventurous story with fascinating characters
Content Warnings
Graphic: Forced institutionalization
Moderate: Sexism, Death, and Incest
Minor: Pregnancy, Sexual assault, Sexual content, Violence, War, and Miscarriage
sylvester749's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
extremely dense, very interesting and well read, found it a little difficult to get into. didn't feel as groundbreaking to me as i thought it would going into it, but that very may be because i read it 54 years after its publication. still, what a galaxy brain and very well explored premise.
Content Warnings
Moderate: Kidnapping and Police brutality
Minor: War, Deportation, Miscarriage, Suicide, Death, and Incest
smolren's review against another edition
adventurous
challenging
emotional
hopeful
inspiring
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I didn't expect this. I started reading it and thought it was going to be a lot of hard work for little reward, but I was wrong. I'm so grateful to have read about the beautiful friendship at the core of this book.
Content Warnings
Graphic: Forced institutionalization, Injury/Injury detail, and Death
Moderate: Blood, Confinement, and Grief
Minor: Drug abuse, Animal death, Vomit, Incest, Suicide, Misogyny, and Sexual content
erebus53's review against another edition
adventurous
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The premise of this book is that a man comes from outer-space, to a world different to ours, on a peaceful mission of communication; as is often the case when worlds collide, it's more about the journey than the destination.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
Content Warnings
Graphic: Gun violence, Death, Confinement, Deportation, Forced institutionalization, Grief, Ableism, Sexism, and Transphobia
Minor: Vomit, Pregnancy, Racism, Incest, Suicide, and Physical abuse
dhiyanah's review against another edition
adventurous
challenging
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? It's complicated
4.0
I tried reading this a few years ago, excited by the hype of it, a gender-smashing sci-fi adventure promised by the synopsis. I didn't get past the first few chapters that time. Picked it back up this year out of a nostalgia for classic sci-fi, more readily aware of the slow pace and dense narration that comes with the territory.
I appreciate Ursula's treatment of imaginative concepts, how easily she weaves a story that serves as a potent reflection for real-life considerations. The frustrations and complications of gender showcased through this slow interplanetary adventure is both intriguing and irritating. I enjoyed the melding-together of landscape, political science, and character growth in this story.
I appreciate Ursula's treatment of imaginative concepts, how easily she weaves a story that serves as a potent reflection for real-life considerations. The frustrations and complications of gender showcased through this slow interplanetary adventure is both intriguing and irritating. I enjoyed the melding-together of landscape, political science, and character growth in this story.
Content Warnings
Graphic: Sexism and Forced institutionalization
Moderate: Torture, Suicide, and Body horror
Minor: Death and Violence