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teachandcreate's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Abortion
Moderate: Emotional abuse, Physical abuse, Sexual assault, and Suicide
bethanneguc's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
4.0
Graphic: Abortion
amandat's review against another edition
Graphic: Infertility, Miscarriage, and Abortion
jeebi1506's review
- Strong character development? Yes
- Loveable characters? Yes
5.0
Graphic: Miscarriage, Suicidal thoughts, Suicide, Abortion, and Pregnancy
poisonenvy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
It tells the story of three women whose stories start at different points in history, though all their stories do intersect at certain points: There's Evelyn, a young woman in the sixties who was forced to go to a home for Wayward Girls: aka, women who became pregnant outside of marriage and were forced to give up their babies. There's Nancy, a young woman in the 1980s who becomes pregnant and needs to seek out an illegal abortion, thereby stumbling on the Jane Network: an underground network that provided safe abortions for people who needed them. And then there's Angela, a woman who's undergoing treatments to become pregnant after she and her wife had struggled with fertility. The story kicks off with her discovering a letter from a mother, telling her daughter that she'd been adopted, and confessing that she discovered afterward that her birth mother had never wanted to give her up.
But more than any of these three women, the novel tells the history of abortion rights in Canada.
And I mean that literally. Unfortunately, none of the characters are especially fleshed out. They very often become mouthpieces, and seemed more like vehicles to relay the history of reproductive rights in Canada than characters that I could really bring myself to care about.
The prose was often clunky and stilted (and was in third-person present tense, which is my least favourite of all narration styles), and sometimes veered into dangerously purple territory. And, at times, the story just felt <i>contrived</i> so that we could be sure that the characters were where they needed to be. There was a surprise twist near the end that surprised me, and <i>not</i> in a good way (the surprise wasn't a bad one, it just didn't feel like it really fit and I wondered if it didn't raise some inconsistencies, though I'm unlikely to do a reread to find out if they're really there or not).
Criticisms aside though, this story is important, and tells a very important part of Canadian history. Marshall has clearly done her research, and while the story sometimes suffers so she could expound on that history/research, it was still very informative. I have no doubt that Marshall could have written a very good non-fiction book on the subject. Clunky writing aside, it's also very easy to read and digest.
And I would absolutely recommend this novel to anyone who cares to learn more about Canada's history with reproductive rights, especially if they would prefer to have that information come in the form of fiction over non-fiction.
Graphic: Infertility, Sexism, Suicidal thoughts, Suicide, Forced institutionalization, Religious bigotry, Medical trauma, Abortion, Suicide attempt, and Pregnancy
Moderate: Miscarriage, Misogyny, Rape, Sexual assault, Sexual violence, Terminal illness, and Police brutality
Minor: Infidelity, Dementia, and Death of parent
mmkiel's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Graphic: Gun violence, Suicide, and Abortion
klbreyfogle's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Child abuse, Death, Suicidal thoughts, Suicide, Forced institutionalization, Blood, Medical content, Medical trauma, Abortion, and Suicide attempt
Moderate: Rape and Grief
abbeyroad1410's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
This book is definitely slow at times, and while I appreciate the clear message that everyone deserves a choice in motherhood, sometimes it felt like it was being hammered into my head a bit too hard. Reading from the perspective of various characters across time is always very interesting (and made the ending that much better), but sometimes I wondered about the purpose of Angela in the story. She is very much a plot device (with her own, kind of incomplete motherhood story) that has many chapters dedicated to her perspective. I think it was part of what made the story slow.
The main characters all offer a dynamic perspective on the idea of motherhood and what makes someone a mother. It is understanding of the complicated relationship with adoption, abortion, and IVF. Nancy and Evelyn have very exciting stories that suck in a reader. Angela has a healthy relationship with complex issues but a lot of love and support.
Overall, I would recommend this book if you like a creative perspective that offers a political opinion.
Graphic: Suicide, Abortion, and Suicide attempt
Moderate: Miscarriage and Violence
Minor: Death of parent
breanna_gaudaur's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
3.75
Graphic: Confinement, Emotional abuse, Infertility, Miscarriage, Physical abuse, Self harm, Forced institutionalization, Abortion, Suicide attempt, and Pregnancy
cc_shelflove's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Confinement, Emotional abuse, Infertility, Miscarriage, Self harm, Suicide, Terminal illness, Forced institutionalization, Medical content, Medical trauma, Abortion, Suicide attempt, Death of parent, and Pregnancy
Moderate: Child death, Rape, and Grief
Minor: Blood