Reviews tagging 'Sexism'

El ferrocarril subterráneo by Colson Whitehead

10 reviews

parenthesis_enjoyer's review against another edition

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dark emotional hopeful reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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tigerkind's review against another edition

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challenging dark emotional hopeful inspiring reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

„A plantation was a plantation; one might think one’s misfortunes distinct, but the true horror lay in their universality.“

A capitivating read, especially interesting if you’re familiar with other (neo) slave narratives. Focusing purely on the reading experience I found the book a bit predictable and the style alienating from the character’s emotions and suffering - but I think it fits the narrative. The story is not indulgent in recounting the emotional and physical horrors of slavery (though they’re there, no doubt about it) but focuses more on perseverance and persistence.

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gilroi's review against another edition

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adventurous challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

I don't go for most media about slavery, for the same reason I don't touch the Holocaust. When I was little, as one of the only Jewish children in my elementary and middle school, atrocity was shoved down my throat. I was expected to be okay with it. It was my history, after all. When I watched narratives about slavery (inevitably written and directed by white people), I saw the same lurid fascination with martyrdom and pain that I saw in Holocaust movies, in Holocaust books. Atrocity was entertainment for people, and I didn't want to see its implications: that to be as good and worthy as WASPs, people had to come from a legacy of torture. The torture needed to be replayed endlessly. See the bad go down again.

This book dispenses with those themes quickly and easily. People are not 'good' for their suffering. There is horror, and that is never shied away from. But its depiction is not the point. What cruelty does to someone, how it twists them inside, that's far more important. Cora is not a smiling martyr, she does not exist to make us all feel better about the present moment. She has her moments of selfishness, of unsmiling wrath, of twisted bitterness and uncharitableness. And who could blame her? Certainly not me. 

This book asks: Who built America? We know who stole it, but who built it? Who put their labor into it? We know who stole the labor, but <i>who made America</i>? 

People like Cora, who were never perfect, who never had any responsibility to serve as a model, whose existence is not to educate. She-- and by extension, this book-- is not here to make anyone feel better about themselves. And for that, the book made me feel, just slightly, at peace with history. Pain is not a model, so we should not rely on it to teach. 

Finally among other free blacks, Cora learns to enjoy living, to fight against fear. Pain taught her nothing.
Cora's kindness is not for the benefit of white people, so they can be forgiven by the dead. Her kindness is hard-won, something she fought for, something she had to make room for within herself. Her kindness for herself.

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dianaschmidty's review against another edition

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adventurous challenging dark emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5


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itsbumley's review against another edition

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challenging emotional reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0


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gailsage_thomps's review against another edition

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dark emotional informative reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5


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sprucy2427's review against another edition

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challenging dark reflective tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.75


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lectrixnoctis's review against another edition

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adventurous challenging dark emotional informative reflective sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.0

Arch Colson Chipp Whitehead is an American author. He is the author of eight novels, including his 1999 debut work, "The Intuitionist", and "The Underground Railroad",  for which he acquired the 2016 National Book Award for Fiction and the 2017 Pulitzer Prize for Fiction; he won the Pulitzer Prize for Fiction again in 2020 for "The Nickel Boys". He has further published two works of non-fiction. In 2002, he won a MacArthur Genius Grant.

"The Underground Railroad" starts on an evil Georgia plantation, where all anyone wants to do is escape. "Every slave reasons about it, in the morning tide and the afternoon and the nighttime. Dreaming of it. Each dreams a dream of freedom, yet when it didn't look like it." We meet Ajarry, stolen from her West African village and across the ocean on a slave boat. Her daughter, Mabel, flees the plantation and its disgusting owner, Randall, prompting a wild and empty search, and Cora, Mabel's daughter, our protagonist.
Cora and another slave Caesar are led down to a platform where rails extend into darkness and the North.

The novel is written in the third person singular and the past. The story is set during the 19th century.

The central theme of the book is slavery, and it affects people, predominantly black and natives. Although it was fascinating to read about it, it would have been better to read it in the first person since sometimes it felt a bit too objective and even a bit dry to read about the Experience of the people. 

Freedom is another motive of the book. It is explained by which I live version of the railroad; however, since this is the only fantasy element in this book, it was pretty tricky sometimes to grasp everything else could've happened in real life then.

It is hard to rate this book. However, I did not feel connected with the characters at all and even felt like they didn't have any human features of the world as a personality; however, I do have to say that this book is insane research, and I would still recommend reading it just because of that however I do think if you want to learn about American history, it is better to read a novel written by people who have left during bedtime or even hysterical non-fiction books. Overall the story felt a bit lacklustre, And I would have wished to like this book more, but sadly I cannot.

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goodoldfashionedidiot's review against another edition

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adventurous dark emotional inspiring sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5

I did like the book, but the writing was somewhat confusing and I think on some parts it was written to fast and then again to slow. I never could completely fall into the storys, which is probably a good thing considering the topics. 

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ehmannky's review against another edition

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challenging dark reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

This book is excellent, but it's not a particularly easy or pleasant read. It's an unrelenting look at the myriad and downright creative ways that white Americans caused violent trauma towards Black people. Turning the Underground Railroad into a literal railroad was a creative masterstroke, though I wish more had been done with the setting in the actual story). I also feel like it's important that this book is set decades before the Civil War, because it emphasizes that yes freedom came eventually, but for many people like Cora's mother and so many of the Black people she meets along her journey, that freedom never comes and they die at the hands of white people and their system of pain and suffering. Although
Cora does makes it out to freedom in the fabled North
, this isn't a particularly hopeful novel and the ending is about as downer as I can imagine. I feel like this book is going to get embedded in the literature as a Classic, and rightly so.

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