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kaanda's review against another edition
dark
emotional
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Every character except the two main narrators are insufferable in the best way. The pettiness and drama kept me engaged throughout while the despicable treatment of certain characters made me care. A super fun, but frustrating read.
Content Warnings
Graphic: Bullying, Domestic abuse, Emotional abuse, and Grief
Moderate: Ableism, Addiction, Misogyny, Suicidal thoughts, Physical abuse, Racism, Toxic relationship, Violence, Death, Death of parent, Abandonment, and Sexism
ayphyx's review against another edition
challenging
dark
emotional
mysterious
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Everybody in this book fucking sucks and it’s great (except for you Hareton <3). This book is so much more enjoyable as a book about the cycle of abuse than a traditional romance.
Content Warnings
Graphic: Death, Domestic abuse, Physical abuse, Self harm, Toxic friendship, Violence, Abandonment, Emotional abuse, Toxic relationship, Ableism, Child abuse, and Mental illness
Moderate: Alcoholism, Death of parent, Racism, Animal cruelty, Racial slurs, and Blood
wuthrinheights's review against another edition
dark
emotional
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I first read this book a year or two ago, and I now hold two physical copies of it. This is a reread and I still harbor so much love for this story. When I was getting nearer to the ending, I was half glad, half saddened. I was excited to be finished with it so I could go on to read other books but I also didn't want to say goodbye to these characters. Seeing the story spread out for 20 years, I grew attached to them as if I was also a part of the moors.
Although I do not condone their behaviours, I was still so fascinated and amazed by the intensity of the love held between Catherine and Heathcliff. They were wild and reckless and passionate, which hurt not only each other but the people around them and others that came after them. My favourite parts of the book were their love confessions spoken to Nelly. It was so intense and agonising, it plays so vividly if I were to think back on the book.
My favourite character was Nelly. Everyone was always dramatic and taken by emotions, but Nelly was always cool and focused. Her deadpan deliveries cracked me up, which gave a lighter tone amidst the gloomy setting of the Heights. She often spoke the truth and would strive to do the right thing, even if her master(s) didn't like to hear it.
It is still so mind-blowing that despite being written hundreds of years ago, Brontë was able to pen a story that covers abuse running through generational lines, when it probably wasn't that well studied back in those days. Emily was way ahead of her time and it's a shame she never got to see how well her book was loved after the publication.
Although I do not condone their behaviours, I was still so fascinated and amazed by the intensity of the love held between Catherine and Heathcliff. They were wild and reckless and passionate, which hurt not only each other but the people around them and others that came after them. My favourite parts of the book were their love confessions spoken to Nelly. It was so intense and agonising, it plays so vividly if I were to think back on the book.
My favourite character was Nelly. Everyone was always dramatic and taken by emotions, but Nelly was always cool and focused. Her deadpan deliveries cracked me up, which gave a lighter tone amidst the gloomy setting of the Heights. She often spoke the truth and would strive to do the right thing, even if her master(s) didn't like to hear it.
It is still so mind-blowing that despite being written hundreds of years ago, Brontë was able to pen a story that covers abuse running through generational lines, when it probably wasn't that well studied back in those days. Emily was way ahead of her time and it's a shame she never got to see how well her book was loved after the publication.
Content Warnings
Minor: Ableism, Child abuse, Alcohol, Blood, Bullying, Incest, Abandonment, Schizophrenia/Psychosis , Violence, Mental illness, Physical abuse, Domestic abuse, Addiction, Grief, Racism, Alcoholism, Chronic illness, Emotional abuse, Death, Death of parent, Religious bigotry, and Toxic relationship
lee's review against another edition
challenging
dark
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
3.5 stars
First off, I have to admit that I actually finished this book a couple days ago, but had to put off writing the review not because of lack of time, but rather, I needed to work through the seriously mixed feelings I had toward this book as a whole. This was actually my first time reading Emily Brontë’s famous “story of unrequited love” and while part of me (the literary scholar side?) can see why this classic has been lauded and held in such high regard for over a century, another part of me (the rational reader side?) honestly finds it hard to understand the appeal of such a dark, depressing story where every single character is horrid and deplorable (more on this later).
Yes, the writing is absolutely brilliant — the symbolism, the masterful use of language, the wholly developed characters, the vivid imagery, the complex and nuanced themes, the creative and clever way Brontë structures the narrative, the interesting usage of narrative voice, etc. — from a literary standpoint, this novel is a “dream” to study and analyze as a great example of brilliant and mesmerizing storytelling. With that said though, when I take off my “scholar” hat and put on my “regular reader” one, the experience is very very different. I’m the type of reader who puts a lot of weight on the characters in a story and as such, in order for me to be fully invested in the story, I need to have at least one character that I feel like I can root for. Yes, I understand that every story will have its fair share of flawed and unlikable characters and that’s perfectly fine — but the problem with this story in particular is that EVERY SINGLE character is not just unlikable, but exceedingly so, to the point that not even one character is worth rooting for. Seriously, every character in here is in some way mean, spoiled, cruel, selfish, hypocritical, vindictive, violent, self-absorbed, abusive, etc. (I could go on, but you get the point) — though of course Heathcliff tops them all by being downright evil as well (it’s not a coincidence that he is compared to the Devil at various points in the story). Based on their actions and behavior. I honestly could not bring myself to care about any of the characters (not even Nelly or Lockwood, who were somewhat more tolerable in the grand scheme of things, but still…), which unfortunately made this a brutal and deeply unpleasant read for me.
Given the above, I’m actually glad that my first experience reading this was in a group setting (again for one of my literature classes), as being able to talk through the problematic elements as well as getting more background context did help to blunt some of the unpleasantness to some extent (though not completely of course). In this light, I definitely don’t recommend picking this one up individually as a “leisure” read, as it’s best read in an environment where the events that happen can be parsed and discussed within context (in my opinion at least).
Regarding the rating — to be honest, I agonized over this for quite some time. From a writing / literary scholarship perspective, this one definitely deserves 5 stars…but at the same time, from a reading experience (unpleasant) and “how did this book make me feel” (frustrated and miserable) perspective, my irritability with all the characters and not being able to stand any of them definitely give me pause. In the end, I decided to go with the “happy medium” of 3.5 stars. I’m pretty sure I won’t re-read this on my own accord like I do with Charlotte Brontë’s Jane Eyre (speaking of which, for some reason, people like to compare both novels as in a similar vein — a sentiment I vehemently disagree with, but that’s a whole other topic altogether). If circumstances require me to reference Wuthering Heights in the future, I’ll probably just skim it so I can avoid the torture of having to endure these frustrating characters again.
First off, I have to admit that I actually finished this book a couple days ago, but had to put off writing the review not because of lack of time, but rather, I needed to work through the seriously mixed feelings I had toward this book as a whole. This was actually my first time reading Emily Brontë’s famous “story of unrequited love” and while part of me (the literary scholar side?) can see why this classic has been lauded and held in such high regard for over a century, another part of me (the rational reader side?) honestly finds it hard to understand the appeal of such a dark, depressing story where every single character is horrid and deplorable (more on this later).
Yes, the writing is absolutely brilliant — the symbolism, the masterful use of language, the wholly developed characters, the vivid imagery, the complex and nuanced themes, the creative and clever way Brontë structures the narrative, the interesting usage of narrative voice, etc. — from a literary standpoint, this novel is a “dream” to study and analyze as a great example of brilliant and mesmerizing storytelling. With that said though, when I take off my “scholar” hat and put on my “regular reader” one, the experience is very very different. I’m the type of reader who puts a lot of weight on the characters in a story and as such, in order for me to be fully invested in the story, I need to have at least one character that I feel like I can root for. Yes, I understand that every story will have its fair share of flawed and unlikable characters and that’s perfectly fine — but the problem with this story in particular is that EVERY SINGLE character is not just unlikable, but exceedingly so, to the point that not even one character is worth rooting for. Seriously, every character in here is in some way mean, spoiled, cruel, selfish, hypocritical, vindictive, violent, self-absorbed, abusive, etc. (I could go on, but you get the point) — though of course Heathcliff tops them all by being downright evil as well (it’s not a coincidence that he is compared to the Devil at various points in the story). Based on their actions and behavior. I honestly could not bring myself to care about any of the characters (not even Nelly or Lockwood, who were somewhat more tolerable in the grand scheme of things, but still…), which unfortunately made this a brutal and deeply unpleasant read for me.
Given the above, I’m actually glad that my first experience reading this was in a group setting (again for one of my literature classes), as being able to talk through the problematic elements as well as getting more background context did help to blunt some of the unpleasantness to some extent (though not completely of course). In this light, I definitely don’t recommend picking this one up individually as a “leisure” read, as it’s best read in an environment where the events that happen can be parsed and discussed within context (in my opinion at least).
Regarding the rating — to be honest, I agonized over this for quite some time. From a writing / literary scholarship perspective, this one definitely deserves 5 stars…but at the same time, from a reading experience (unpleasant) and “how did this book make me feel” (frustrated and miserable) perspective, my irritability with all the characters and not being able to stand any of them definitely give me pause. In the end, I decided to go with the “happy medium” of 3.5 stars. I’m pretty sure I won’t re-read this on my own accord like I do with Charlotte Brontë’s Jane Eyre (speaking of which, for some reason, people like to compare both novels as in a similar vein — a sentiment I vehemently disagree with, but that’s a whole other topic altogether). If circumstances require me to reference Wuthering Heights in the future, I’ll probably just skim it so I can avoid the torture of having to endure these frustrating characters again.
Content Warnings
Graphic: Domestic abuse, Ableism, Violence, and Emotional abuse
Lots of abuse and violence, to animals and people (physical and emotional)erebus53's review against another edition
challenging
dark
mysterious
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
This is a book I was assigned to read in highschool.. and that, like every other read I was set, I quit at page 37. I resolved to one day pick it up and digest it in it's entirety. Verdict? Not very filling, a bit dry, not that satisfying. If I hadn't deliberately exerted myself, I wouldn't have bothered to finish it.
The setting is ostensibly spooky. It's a cold and desolate windblown house, with warped trees and harsh weather. The introduction sets the reader ill at ease with a new tenant imposing himself upon the landlord's household, only to meet with dour people and rude manners. Every attempt he makes to act toward them in a warm or overly familiar way is oh so cringeworthy, and disconcerting.
The narrative is told through word of mouth stories. The main narrator on the history of the characters is a maid servant, but yet further detail is fleshed out through recounting the content of letters and anecdotes of others... this method of telling stories inside stories I have seen before in things like Shelley's Frankenstein.
The Classism in this is predictably rampant. The use of a Yorkshire accent is disparaged and laughed at. Frustratingly for me, the narrator of the audiobook couldn't do the dialect any justice and she fumbled through all the parts that are written phonetically in rustic parlance. This took a lot more work for me to interpret than if it were read fluently. Gah! t'th divvel wet ye!
Another recurring theme is the whole cliché of dark and light. A dark haired, supposedly ill-bred orphan is taken to hearth and home, and of course fair haired, light eyed, pale skinned people are seen as morally superior. A bit of vanilla Racism to rub into the literature. Well.. the book is old.. but I don't have to like it.
Honestly confused at what a teacher would hope to gain from getting teens to vivisect a book like this.. the book is pale and dreary, a litany of ills and intergenerational abuse, of slow burning insidious revenge. I mean, I used to be a goth.. I've listened to Kate Bush.. this wasn't even romantic.
The setting is ostensibly spooky. It's a cold and desolate windblown house, with warped trees and harsh weather. The introduction sets the reader ill at ease with a new tenant imposing himself upon the landlord's household, only to meet with dour people and rude manners. Every attempt he makes to act toward them in a warm or overly familiar way is oh so cringeworthy, and disconcerting.
The narrative is told through word of mouth stories. The main narrator on the history of the characters is a maid servant, but yet further detail is fleshed out through recounting the content of letters and anecdotes of others... this method of telling stories inside stories I have seen before in things like Shelley's Frankenstein.
The Classism in this is predictably rampant. The use of a Yorkshire accent is disparaged and laughed at. Frustratingly for me, the narrator of the audiobook couldn't do the dialect any justice and she fumbled through all the parts that are written phonetically in rustic parlance. This took a lot more work for me to interpret than if it were read fluently. Gah! t'th divvel wet ye!
Another recurring theme is the whole cliché of dark and light. A dark haired, supposedly ill-bred orphan is taken to hearth and home, and of course fair haired, light eyed, pale skinned people are seen as morally superior. A bit of vanilla Racism to rub into the literature. Well.. the book is old.. but I don't have to like it.
Honestly confused at what a teacher would hope to gain from getting teens to vivisect a book like this.. the book is pale and dreary, a litany of ills and intergenerational abuse, of slow burning insidious revenge. I mean, I used to be a goth.. I've listened to Kate Bush.. this wasn't even romantic.
Content Warnings
Graphic: Kidnapping, Death of parent, Confinement, Violence, Sexism, Self harm, Racism, Misogyny, Emotional abuse, Eating disorder, Death, Blood, Suicidal thoughts, Religious bigotry, Classism, Mental illness, Grief, Ableism, Toxic relationship, Terminal illness, Chronic illness, Bullying, and Animal cruelty
Moderate: Child death, Cursing, Religious bigotry, and Alcohol
issyd23's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Holy fucking shit this nocked my socks off! The prose are phenomenal & moving. Not bad for a virgin with no friends who died at 30 from TB 5🪦
Joanne Froggatt also fucking slayed the audiobook 5🪦
NB Nelly doesn’t get paid enough to deal with all the BS from the Lintons + Earnshaws - get a better employer girl!
Joanne Froggatt also fucking slayed the audiobook 5🪦
NB Nelly doesn’t get paid enough to deal with all the BS from the Lintons + Earnshaws - get a better employer girl!
Content Warnings
Graphic: Terminal illness, Torture, Violence, Confinement, Grief, Suicidal thoughts, Body horror, Bullying, Death, Death of parent, Domestic abuse, Emotional abuse, Forced institutionalization, Toxic relationship, Rape, Sexism, Abandonment, Ableism, Suicide, Blood, Chronic illness, Incest, Murder, Panic attacks/disorders, Physical abuse, Racial slurs, Slavery, Suicide attempt, Child death, Classism, Toxic friendship, Mental illness, Misogyny, Animal cruelty, Child abuse, Cursing, Eating disorder, Gaslighting, Infidelity, Kidnapping, Pregnancy, Self harm, Sexual assault, and Sexual violence
contrapasso's review against another edition
challenging
dark
emotional
funny
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
Content Warnings
Graphic: Self harm, Incest, Racial slurs, Violence, Abandonment, Suicide, Death, Domestic abuse, Emotional abuse, Misogyny, Physical abuse, Death of parent, Suicidal thoughts, Toxic relationship, Ableism, Animal death, Child abuse, Classism, and Racism
overbooked207's review against another edition
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
📖 Wuthering Heights by Emily Brontë Book Review 📖
1st book of January 2023 and 1st of the year:
“‘May she wake in torment!' he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. ‘Why, she's a liar to the end! Where is she? Not there-not in heaven--not perished--where? Oh! You said you cared nothing for my sufferings! And I pray one prayer--I repeat it till my tongue stiffens-may you not rest as long as I am living; you said I killed you--haunt me, then! The murdered do haunt their murderers, I believe. I know that ghosts have wandered on earth. Be with me always- take any form- drive me mad! Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!” - Emily Brontë.
I read this years ago, but I think I listened to it too fast and didn’t remember much of it, so I decided to give it another try because I remember loving the quotes and the atmospheric setting, and I’m glad I did! The atmosphere and writing are rich, haunting, and poetic, and so many of the quotes, like the one above, quickly became new favorites of all time, said quotes being infinitely quotable and full of drama, passion, love(even if it’s toxic), and poetry! Almost every character is the absolute worst, but sometimes that’s exactly what I want to consume because it can be so entertaining, and I love watching/analyzing the characters’ complexities and thoughts/actions even as I’m shaking my head(tho reading about what Heathcliff does was hard). And winter is one of the perfect times to read this as you get cozy with a hot beverage and blankets. The audiobook read by Joanne Froggatt was also amazing! I enjoyed the first half of the book a lot more than the second, but the quotes made it up to me.
But please be aware of the TWs that are unfortunately prevalent in classic lit for unchecked racism, ableism, sexism, classism, incest, etc., and read/enjoy it critically and with that in mind. Other TWs include abuse(child, domestic, physical, and verbal), alcoholism, death, ghosts, grief, guns, and violence🥀🍂🪦💔
1st book of January 2023 and 1st of the year:
“‘May she wake in torment!' he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. ‘Why, she's a liar to the end! Where is she? Not there-not in heaven--not perished--where? Oh! You said you cared nothing for my sufferings! And I pray one prayer--I repeat it till my tongue stiffens-may you not rest as long as I am living; you said I killed you--haunt me, then! The murdered do haunt their murderers, I believe. I know that ghosts have wandered on earth. Be with me always- take any form- drive me mad! Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!” - Emily Brontë.
I read this years ago, but I think I listened to it too fast and didn’t remember much of it, so I decided to give it another try because I remember loving the quotes and the atmospheric setting, and I’m glad I did! The atmosphere and writing are rich, haunting, and poetic, and so many of the quotes, like the one above, quickly became new favorites of all time, said quotes being infinitely quotable and full of drama, passion, love(even if it’s toxic), and poetry! Almost every character is the absolute worst, but sometimes that’s exactly what I want to consume because it can be so entertaining, and I love watching/analyzing the characters’ complexities and thoughts/actions even as I’m shaking my head(tho reading about what Heathcliff does was hard). And winter is one of the perfect times to read this as you get cozy with a hot beverage and blankets. The audiobook read by Joanne Froggatt was also amazing! I enjoyed the first half of the book a lot more than the second, but the quotes made it up to me.
But please be aware of the TWs that are unfortunately prevalent in classic lit for unchecked racism, ableism, sexism, classism, incest, etc., and read/enjoy it critically and with that in mind. Other TWs include abuse(child, domestic, physical, and verbal), alcoholism, death, ghosts, grief, guns, and violence🥀🍂🪦💔
Content Warnings
Graphic: Child death, Emotional abuse, Grief, Incest, Mental illness, Physical abuse, Pregnancy, Racism, Alcoholism, Child abuse, Death, Misogyny, Ableism, Bullying, Confinement, Kidnapping, Murder, Death of parent, Domestic abuse, Classism, Sexism, and Toxic relationship
cultbyproxy's review against another edition
dark
emotional
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
wuthering heights by emily brontë was my first introduction into the literary world that is the brontë sisters and i could have hoped for no better meeting.
this novel is a dark illustration of the thin line between love and hate and how rage can become one’s undoing. we follow heathcliff and catherine in their life story as each inflicts unspeakable heartbreak on the other and miscommunication leads to a chess game of vengeance unleashed on their descendants.
this novel is a dark illustration of the thin line between love and hate and how rage can become one’s undoing. we follow heathcliff and catherine in their life story as each inflicts unspeakable heartbreak on the other and miscommunication leads to a chess game of vengeance unleashed on their descendants.
“… they may bury me twelve feet deep, and throw the church down over me, but i won’t rest till you are with me.”
the perfect illustration of this novel for me would be invisible string by taylor swift, the notion that heathcliff and catherine are tethered to one another by their childhood infatuation turned obsession and a “love” that is destined to be their undoing. with the world against them, and eventually them against each other, we see how misery creates company. how heathcliff’s revenge plot becomes a complex chess game that catalyses everyone’s downfall, even his own.
i have not broken your heart — you have broken it; and in breaking it, you have broken mine.
is the entire premise of their story, as each character’s actions directly lead to their own unhappiness. vengeance runs thick and cold, like a raving river, fuelled by uncontained rage and unaddressed emotion; each victim by circumstance lives long enough to become a villain by choice.
the only character that i was rooting for from the moment of their introduction to their very end was hareton, and his story i find joy in. the perfect way of changing course and allowing history to not repeat itself, to put an end to a generational tale of manipulation and i find it to be brontë’s slim offering of an apology for an entire tale of hate and agony.
“it was a strange way of killing: not by inches, but by fractions and hairbreadths,”
p.s. thank you for the birthday gift marcíano 🤍 i pray our story does not suffer the same fate as heathcliff and catherine.
Content Warnings
Graphic: Grief, Emotional abuse, Toxic relationship, Death of parent, and Incest
Moderate: Physical abuse, Bullying, Confinement, and Misogyny
Minor: Abandonment, Ableism, and Alcoholism
greatexpectations77's review against another edition
challenging
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
This book is completely wild. Maybe I needed to read it when I was younger to cut through all of the child maltreatment and threats against other people and see the supposed love story? I am. Confused. I had to SparkNotes this because I could not remember who was relaying the story. Whew - a trip, and not necessarily one that I would go on again.
Content Warnings
Graphic: Emotional abuse, Toxic relationship, Bullying, Child abuse, Classism, Death, Grief, Terminal illness, Child death, and Chronic illness
Moderate: Alcohol, Abandonment, Ableism, Domestic abuse, Animal cruelty, Confinement, and Physical abuse