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withlivjones's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Panic attacks/disorders, Child abuse, and Mental illness
Moderate: Transphobia, Gun violence, Misogyny, and Death
Minor: Death of parent
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
When Gracewood finally learns that Viola and his best friend are the same being, a new set of complications arise, as the social pressures on the lives of a duke and a lady's companion are deeply felt, and seem inescapable. As a trans person, it's tough to read what seems like transphobia coming from the love interest, even briefly, but the way it's handled and how both characters react to that moment serves to make the story stronger overall.
I like the care paid to developing Gracewood's relationship with his sister, dealing with the trouble has in relating to a teenage girl when he is a man who was raised to give orders rather than to listen. Viola and Gracewood were both changed by the war, but Gracewood's experiences left him visibly scarred and mentally shaken in ways that affect him on a daily basis. This is handled variously throughout, as Gracewood gradually becomes confident to not accept casual ableism from others, but it takes a while.
I love how Gracewood slowly notices more and more of Viola's wardrobe, appreciate that she designs and sews/embroiders it herself. It's made clear that Viola hasn't had previous sexual experiences because she would have either had to have them as a man (which she was uncomfortable doing, even before figuring out her gender), or would need a partner who was not scared off by her body after meeting her as a woman. The eventual sex scenes with Gracewood are careful and intimate, treading the line between being specific about the logistics involved involved and giving Viola space to be feminine and sexual without triggering dysphoria. More than that, with Gracewood's support as a partner she gets to feel good about her body in a sexual context, that it is a woman's body because it is hers, and not based on whether it aligns with some standard of gender presentation.
Things I love, in no particular order: Viola's sister-in-law, and her interactions with her nephew; the audiobook narrator's excellent performance; the way the b-plot gradually becomes more important as the initial tension from the social difficulties of Viola and Gracewood's relationship fade in the face of their care for each other.
A LADY FOR A DUKE is self-contained and ends very satisfactorily, but it does appear that a sequel is planned (which I will eagerly await). Everything I could want handled is covered either in detail, or implicitly by the epilogue, which is set several years after the events of the main story. It seems that future books would be unlikely to feature Viola and Gracewood as main characters, but, based on the title of the sequel I think it will involve one of their relatives (which would be great, I'd love to have them play a role again after they were so wonderful here).
Graphic: Grief and Sexual content
Moderate: Classism, Alcohol, Vomit, Kidnapping, Death, Cursing, Alcoholism, Emotional abuse, Bullying, Gun violence, Violence, Ableism, Panic attacks/disorders, and War
Minor: Child abuse, Deadnaming, Sexual harassment, Death of parent, Adult/minor relationship, and Suicidal thoughts
megj23's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.0
Graphic: Addiction and Grief
Moderate: Kidnapping, War, and Sexual content
Minor: Cursing, Alcoholism, Transphobia, and Child abuse
mrsherrera's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Addiction, Dysphoria, Deadnaming, Medical trauma, and Panic attacks/disorders
Moderate: War and Kidnapping
Minor: Adult/minor relationship and Child abuse
hey_al's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
Moderate: Drug abuse, Alcohol, Addiction, and Grief
Minor: Child abuse and Dysphoria
mobymaize's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Drug abuse, Kidnapping, Death, Drug use, Dysphoria, Suicidal thoughts, Transphobia, Violence, Vomit, Cursing, Panic attacks/disorders, Alcoholism, Blood, Bullying, Grief, Homophobia, Medical content, War, Classism, Death of parent, Outing, Sexual content, Deadnaming, Lesbophobia, Misogyny, Ableism, Body shaming, Alcohol, Addiction, Child abuse, Infidelity, Sexism, Injury/Injury detail, and Medical trauma
Moderate: Gun violence
annacs's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual content, Addiction, Drug abuse, and Ableism
Moderate: War and Kidnapping
Minor: Child abuse
gogglor's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Panic attacks/disorders, Addiction, Drug abuse, Grief, and Kidnapping
Moderate: War, Deadnaming, Suicide attempt, Injury/Injury detail, Infertility, and Vomit
Minor: Alcoholism, Child abuse, and Suicidal thoughts
The FMC being trans is handled with phenomenal aplomb, but from the nature of the story there is some non-cruelly-intended deadnaming. There’s a CW at the start of the book that discusses it. MMC does react with hurt when he finds out FMC is his trans former friend, but it’s to do with the lack of trust, not with her living as a woman. MMC has war-induced PTSD and has a flashback in the story. All in all there is a LOT of recovering from trauma and grief in this book, but it ends happily and everything seems to be handled well. I know it’s a lot of trigger warnings but I think it’s still a worthwhile read even if some of your triggers are listed.persychan's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I was giggling and reciting various dialogues aloud, so yeah, I really liked it.
Is it a realistic story about a trans woman in the Regency era? No, but no modern Regency romance is even trying to be historical so yeah, I'm here for the dramatic declaration and the longing and this book has both.
And a couple of unexpected (but well-written and meaningful for the plot) sexy moments towards the end.
Graphic: Addiction and War
Moderate: Body shaming, Sexism, Suicidal thoughts, and Infertility
Minor: Child abuse and Deadnaming
adhyphenk's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Minor: Child abuse