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orangewitchling's review against another edition
emotional
inspiring
lighthearted
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
I really enjoyed the trans perspective on the Victorian romance setting. I think because the Victorian romance plot is so predictable, it was easier to focus on the characters point of view since it was all from a non-heteronormative perspective. Even though, I empathize with the LGBTQ community, I don’t have a grasp on all their struggles, so it was very refreshing to get the trans perspective in a relatable way. on a different note, it was a slow book because and there was a lot of angst at the beginning with plenty of feeling exploration. However, I think that it worked in favor of the character growth and the story.
Content Warnings
Graphic: Body shaming, Alcoholism, Drug abuse, Grief, Classism, Death, and Drug use
madamenovelist's review against another edition
adventurous
challenging
dark
emotional
funny
informative
inspiring
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Dysphoria, War, Death, Death of parent, Suicidal thoughts, Violence, Grief, Misogyny, Blood, Gore, Injury/Injury detail, Medical trauma, Ableism, Gun violence, and Kidnapping
Moderate: Deadnaming
Minor: Transphobia
While this book is about a trans heroine, the only time the heroine is deadnamed/misgendered Is when someone who knew her previously recognizes her. Once this person is told how to address her name/pronouns, they do so. The heroine is never outed, either.melist6's review against another edition
emotional
funny
lighthearted
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
Content Warnings
Graphic: Panic attacks/disorders and Sexual content
Moderate: Grief, Alcoholism, Dysphoria, and Injury/Injury detail
Minor: Kidnapping, War, and Deadnaming
madlysoph's review against another edition
hopeful
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.5
Overall a good, well-written book with very lovely prose and tender love confessions. This was a bit too slow paced for me, the pacing makes sense for the necessary exposition, but again, didn’t work for me. The secondary characters are amazing, Lady Marleigh is hysterical and Miranda is a delight. Honorable mention to little Bartholomew, a darling and hilarious child. Gracewood and Viola are a charming couple who balance one another perfectly. This unique take on friends to lovers was wonderfully done. I am cis so I cannot say how good the trans representation is, but it felt like it was done respectfully and realistically. There is no explicit transphobia, the only negative reaction to her coming out was because of completely separate reasons, not because Viola was trans. My favorite parts were the multiple love confessions and the absolutely darling epilogue. I would genuinely read a novella of them living out their happy ending. Wasn’t bad, just didn’t totally work for me.
Content Warnings
Graphic: Sexual content, Violence, War, Grief, Deadnaming, and Alcohol
jackiepreston's review against another edition
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Ableism, Grief, Deadnaming, Kidnapping, and Sexual content
booksthatburn's review against another edition
emotional
funny
hopeful
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
In the two years since Normandy, Viola's best friend, Gracewood, has thought she was dead. In reality, Viola was figuring out how to be herself rather than the boy she was raised to be, and assumed that her best friend would move on with his life when she was no longer in it. Instead, she discovered that in his grief he had turned to drink and laudanum, terrifying his sister and staff with the depths of his despair.
When Gracewood finally learns that Viola and his best friend are the same being, a new set of complications arise, as the social pressures on the lives of a duke and a lady's companion are deeply felt, and seem inescapable. As a trans person, it's tough to read what seems like transphobia coming from the love interest, even briefly, but the way it's handled and how both characters react to that moment serves to make the story stronger overall.
I like the care paid to developing Gracewood's relationship with his sister, dealing with the trouble has in relating to a teenage girl when he is a man who was raised to give orders rather than to listen. Viola and Gracewood were both changed by the war, but Gracewood's experiences left him visibly scarred and mentally shaken in ways that affect him on a daily basis. This is handled variously throughout, as Gracewood gradually becomes confident to not accept casual ableism from others, but it takes a while.
I love how Gracewood slowly notices more and more of Viola's wardrobe, appreciate that she designs and sews/embroiders it herself. It's made clear that Viola hasn't had previous sexual experiences because she would have either had to have them as a man (which she was uncomfortable doing, even before figuring out her gender), or would need a partner who was not scared off by her body after meeting her as a woman. The eventual sex scenes with Gracewood are careful and intimate, treading the line between being specific about the logistics involved involved and giving Viola space to be feminine and sexual without triggering dysphoria. More than that, with Gracewood's support as a partner she gets to feel good about her body in a sexual context, that it is a woman's body because it is hers, and not based on whether it aligns with some standard of gender presentation.
Things I love, in no particular order: Viola's sister-in-law, and her interactions with her nephew; the audiobook narrator's excellent performance; the way the b-plot gradually becomes more important as the initial tension from the social difficulties of Viola and Gracewood's relationship fade in the face of their care for each other.
A LADY FOR A DUKE is self-contained and ends very satisfactorily, but it does appear that a sequel is planned (which I will eagerly await). Everything I could want handled is covered either in detail, or implicitly by the epilogue, which is set several years after the events of the main story. It seems that future books would be unlikely to feature Viola and Gracewood as main characters, but, based on the title of the sequel I think it will involve one of their relatives (which would be great, I'd love to have them play a role again after they were so wonderful here).
When Gracewood finally learns that Viola and his best friend are the same being, a new set of complications arise, as the social pressures on the lives of a duke and a lady's companion are deeply felt, and seem inescapable. As a trans person, it's tough to read what seems like transphobia coming from the love interest, even briefly, but the way it's handled and how both characters react to that moment serves to make the story stronger overall.
I like the care paid to developing Gracewood's relationship with his sister, dealing with the trouble has in relating to a teenage girl when he is a man who was raised to give orders rather than to listen. Viola and Gracewood were both changed by the war, but Gracewood's experiences left him visibly scarred and mentally shaken in ways that affect him on a daily basis. This is handled variously throughout, as Gracewood gradually becomes confident to not accept casual ableism from others, but it takes a while.
I love how Gracewood slowly notices more and more of Viola's wardrobe, appreciate that she designs and sews/embroiders it herself. It's made clear that Viola hasn't had previous sexual experiences because she would have either had to have them as a man (which she was uncomfortable doing, even before figuring out her gender), or would need a partner who was not scared off by her body after meeting her as a woman. The eventual sex scenes with Gracewood are careful and intimate, treading the line between being specific about the logistics involved involved and giving Viola space to be feminine and sexual without triggering dysphoria. More than that, with Gracewood's support as a partner she gets to feel good about her body in a sexual context, that it is a woman's body because it is hers, and not based on whether it aligns with some standard of gender presentation.
Things I love, in no particular order: Viola's sister-in-law, and her interactions with her nephew; the audiobook narrator's excellent performance; the way the b-plot gradually becomes more important as the initial tension from the social difficulties of Viola and Gracewood's relationship fade in the face of their care for each other.
A LADY FOR A DUKE is self-contained and ends very satisfactorily, but it does appear that a sequel is planned (which I will eagerly await). Everything I could want handled is covered either in detail, or implicitly by the epilogue, which is set several years after the events of the main story. It seems that future books would be unlikely to feature Viola and Gracewood as main characters, but, based on the title of the sequel I think it will involve one of their relatives (which would be great, I'd love to have them play a role again after they were so wonderful here).
Content Warnings
Graphic: Grief and Sexual content
Moderate: Classism, Alcohol, Vomit, Kidnapping, Death, Cursing, Alcoholism, Emotional abuse, Bullying, Gun violence, Violence, Ableism, Panic attacks/disorders, and War
Minor: Child abuse, Deadnaming, Sexual harassment, Death of parent, Adult/minor relationship, and Suicidal thoughts
shinypurplepants's review against another edition
emotional
lighthearted
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Lovely mix of yearning and romance 🥰
Content Warnings
Moderate: Addiction, Cursing, War, Classism, Deadnaming, Ableism, Mental illness, Alcoholism, Body shaming, Drug use, Alcohol, Panic attacks/disorders, Drug abuse, Grief, Misogyny, and Suicidal thoughts
Minor: Transphobia
megj23's review against another edition
emotional
hopeful
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.0
Content Warnings
Graphic: Addiction and Grief
Moderate: Kidnapping, War, and Sexual content
Minor: Cursing, Alcoholism, Transphobia, and Child abuse
hey_al's review against another edition
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
Content Warnings
Moderate: Drug abuse, Alcohol, Addiction, and Grief
Minor: Child abuse and Dysphoria
jei_reads_sometimes's review against another edition
emotional
hopeful
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Suicidal thoughts, Panic attacks/disorders, Addiction, Grief, and Dysphoria
Moderate: Kidnapping, Ableism, Alcoholism, Drug abuse, and Sexual content