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madamenovelist's review against another edition
adventurous
challenging
dark
emotional
funny
informative
inspiring
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Dysphoria, War, Death, Death of parent, Suicidal thoughts, Violence, Grief, Misogyny, Blood, Gore, Injury/Injury detail, Medical trauma, Ableism, Gun violence, and Kidnapping
Moderate: Deadnaming
Minor: Transphobia
While this book is about a trans heroine, the only time the heroine is deadnamed/misgendered Is when someone who knew her previously recognizes her. Once this person is told how to address her name/pronouns, they do so. The heroine is never outed, either.withlivjones's review against another edition
emotional
funny
lighthearted
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.25
This was such a sweet and heartfelt read, from the constant tenderness and yearning between the two main characters (some of their moments had me kicking my feet and giggling fr), to the depictions of PTSD, to the colourful side characters (Miranda absolutely stole the show for me). Even the spicy scenes felt tender and surprisingly didn’t make me cringe. And no third act breakup!! Hooray!! I love how Hall’s writing feels like it belongs in a classic novel without it being overly dense and clunky, especially the dialogue which is quick and witty. I kind of wish we had a little more time with Amberglass before the end of the book to really set him up as the villain, but I understand the sequel will focus on him a fair amount which will give his character the chance to be explored in a lot of depth.
Content Warnings
Graphic: Panic attacks/disorders, Child abuse, and Mental illness
Moderate: Transphobia, Gun violence, Misogyny, and Death
Minor: Death of parent
booksthatburn's review against another edition
emotional
funny
hopeful
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
In the two years since Normandy, Viola's best friend, Gracewood, has thought she was dead. In reality, Viola was figuring out how to be herself rather than the boy she was raised to be, and assumed that her best friend would move on with his life when she was no longer in it. Instead, she discovered that in his grief he had turned to drink and laudanum, terrifying his sister and staff with the depths of his despair.
When Gracewood finally learns that Viola and his best friend are the same being, a new set of complications arise, as the social pressures on the lives of a duke and a lady's companion are deeply felt, and seem inescapable. As a trans person, it's tough to read what seems like transphobia coming from the love interest, even briefly, but the way it's handled and how both characters react to that moment serves to make the story stronger overall.
I like the care paid to developing Gracewood's relationship with his sister, dealing with the trouble has in relating to a teenage girl when he is a man who was raised to give orders rather than to listen. Viola and Gracewood were both changed by the war, but Gracewood's experiences left him visibly scarred and mentally shaken in ways that affect him on a daily basis. This is handled variously throughout, as Gracewood gradually becomes confident to not accept casual ableism from others, but it takes a while.
I love how Gracewood slowly notices more and more of Viola's wardrobe, appreciate that she designs and sews/embroiders it herself. It's made clear that Viola hasn't had previous sexual experiences because she would have either had to have them as a man (which she was uncomfortable doing, even before figuring out her gender), or would need a partner who was not scared off by her body after meeting her as a woman. The eventual sex scenes with Gracewood are careful and intimate, treading the line between being specific about the logistics involved involved and giving Viola space to be feminine and sexual without triggering dysphoria. More than that, with Gracewood's support as a partner she gets to feel good about her body in a sexual context, that it is a woman's body because it is hers, and not based on whether it aligns with some standard of gender presentation.
Things I love, in no particular order: Viola's sister-in-law, and her interactions with her nephew; the audiobook narrator's excellent performance; the way the b-plot gradually becomes more important as the initial tension from the social difficulties of Viola and Gracewood's relationship fade in the face of their care for each other.
A LADY FOR A DUKE is self-contained and ends very satisfactorily, but it does appear that a sequel is planned (which I will eagerly await). Everything I could want handled is covered either in detail, or implicitly by the epilogue, which is set several years after the events of the main story. It seems that future books would be unlikely to feature Viola and Gracewood as main characters, but, based on the title of the sequel I think it will involve one of their relatives (which would be great, I'd love to have them play a role again after they were so wonderful here).
When Gracewood finally learns that Viola and his best friend are the same being, a new set of complications arise, as the social pressures on the lives of a duke and a lady's companion are deeply felt, and seem inescapable. As a trans person, it's tough to read what seems like transphobia coming from the love interest, even briefly, but the way it's handled and how both characters react to that moment serves to make the story stronger overall.
I like the care paid to developing Gracewood's relationship with his sister, dealing with the trouble has in relating to a teenage girl when he is a man who was raised to give orders rather than to listen. Viola and Gracewood were both changed by the war, but Gracewood's experiences left him visibly scarred and mentally shaken in ways that affect him on a daily basis. This is handled variously throughout, as Gracewood gradually becomes confident to not accept casual ableism from others, but it takes a while.
I love how Gracewood slowly notices more and more of Viola's wardrobe, appreciate that she designs and sews/embroiders it herself. It's made clear that Viola hasn't had previous sexual experiences because she would have either had to have them as a man (which she was uncomfortable doing, even before figuring out her gender), or would need a partner who was not scared off by her body after meeting her as a woman. The eventual sex scenes with Gracewood are careful and intimate, treading the line between being specific about the logistics involved involved and giving Viola space to be feminine and sexual without triggering dysphoria. More than that, with Gracewood's support as a partner she gets to feel good about her body in a sexual context, that it is a woman's body because it is hers, and not based on whether it aligns with some standard of gender presentation.
Things I love, in no particular order: Viola's sister-in-law, and her interactions with her nephew; the audiobook narrator's excellent performance; the way the b-plot gradually becomes more important as the initial tension from the social difficulties of Viola and Gracewood's relationship fade in the face of their care for each other.
A LADY FOR A DUKE is self-contained and ends very satisfactorily, but it does appear that a sequel is planned (which I will eagerly await). Everything I could want handled is covered either in detail, or implicitly by the epilogue, which is set several years after the events of the main story. It seems that future books would be unlikely to feature Viola and Gracewood as main characters, but, based on the title of the sequel I think it will involve one of their relatives (which would be great, I'd love to have them play a role again after they were so wonderful here).
Content Warnings
Graphic: Grief and Sexual content
Moderate: Classism, Alcohol, Vomit, Kidnapping, Death, Cursing, Alcoholism, Emotional abuse, Bullying, Gun violence, Violence, Ableism, Panic attacks/disorders, and War
Minor: Child abuse, Deadnaming, Sexual harassment, Death of parent, Adult/minor relationship, and Suicidal thoughts
lira_the_recluse's review against another edition
adventurous
challenging
dark
emotional
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Great characters and not too many anachronisms.
Content Warnings
Graphic: Violence and Sexual content
Minor: Death of parent
mobymaize's review against another edition
adventurous
challenging
emotional
funny
hopeful
inspiring
lighthearted
relaxing
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
It was really nice to read a regency era romance novel, a genre I don’t typically consume, with a trans woman protagonist, a person just like me :)
ALSO HOLY FUCK THERE IS SOMETHING INCREDIBLE & HOT ABOUT FALLING IN LOVE WITH EACH OTHERS WORDS. also HOLY SHIT THE SEX SCENE!!!!!!!!!! absolutely magnificent.
Content Warnings
Graphic: Drug abuse, Kidnapping, Death, Drug use, Dysphoria, Suicidal thoughts, Transphobia, Violence, Vomit, Cursing, Panic attacks/disorders, Alcoholism, Blood, Bullying, Grief, Homophobia, Medical content, War, Classism, Death of parent, Outing, Sexual content, Deadnaming, Lesbophobia, Misogyny, Ableism, Body shaming, Alcohol, Addiction, Child abuse, Infidelity, Sexism, Injury/Injury detail, and Medical trauma
Moderate: Gun violence
fran's review against another edition
adventurous
emotional
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
3.75
Content Warnings
Graphic: War, Vomit, Death of parent, Drug abuse, and Suicidal thoughts
Moderate: Transphobia, Homophobia, and Sexual assault
lisacanteven's review against another edition
emotional
funny
hopeful
informative
inspiring
lighthearted
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This is really more of a 3.5 read without rounding up, but I think because of the wonderful representation in a genre like this it deserves rounding up to a 4.
Here's where it didn't work for me: Almost 400 pages were telling a beautiful story with lovely writing and great character development. Then it took a hard left turn somewhere just south of page 400, and we were taken on a totally different ride on a trip I did not sign up for. It wasn't a bad trip, but it wasn't the one I wanted to be on. Maybe another time I would have enjoyed the trip, but I was ready for the trip I already had to be finished. Ya getting me?
Then for a few pages just north of page 400 the story got a little patriarchal outta nowhere. I didn't really expect that one person to just excuse the other person's behavior like they used the wrong fork at fancy dinner. If you read it, think about it. How did they just get away with it, but that is kinda how it usually happens because patriarchy.
Just as I was building my case against the villain's terrible redemption arc, the ending came together in a way that did satisfy me. I mean no one took down patriarchy in this book, but maybe that wasn't the point.
Here's what did work for me: The trans representation was really nice and sweet. I thought it was the perfect blend of trans joy and trans realness. You do have to suspend your disbelief and let yourself enjoy the relationship, but experiencing the trans joy through the story is worth it. For that alone this book was worth the read despite its flaws.
TL;DR- The first 400 pages will seem very laborious, but the last 50 pages will flash before your eyes like you're fast forwarding a movie. Both these parts of the story are enjoyable in their own right, but when put together they make a confusing tale. The queer, specifically trans, representation only gave the story more depth and attachment. For that achievement this story has earned its place among must-read romance books.
Here's where it didn't work for me: Almost 400 pages were telling a beautiful story with lovely writing and great character development. Then it took a hard left turn somewhere just south of page 400, and we were taken on a totally different ride on a trip I did not sign up for. It wasn't a bad trip, but it wasn't the one I wanted to be on. Maybe another time I would have enjoyed the trip, but I was ready for the trip I already had to be finished. Ya getting me?
Then for a few pages just north of page 400 the story got a little patriarchal outta nowhere. I didn't really expect that one person to just excuse the other person's behavior like they used the wrong fork at fancy dinner. If you read it, think about it. How did they just get away with it, but that is kinda how it usually happens because patriarchy.
Just as I was building my case against the villain's terrible redemption arc, the ending came together in a way that did satisfy me. I mean no one took down patriarchy in this book, but maybe that wasn't the point.
Here's what did work for me: The trans representation was really nice and sweet. I thought it was the perfect blend of trans joy and trans realness. You do have to suspend your disbelief and let yourself enjoy the relationship, but experiencing the trans joy through the story is worth it. For that alone this book was worth the read despite its flaws.
TL;DR- The first 400 pages will seem very laborious, but the last 50 pages will flash before your eyes like you're fast forwarding a movie. Both these parts of the story are enjoyable in their own right, but when put together they make a confusing tale. The queer, specifically trans, representation only gave the story more depth and attachment. For that achievement this story has earned its place among must-read romance books.
Content Warnings
Graphic: Addiction, Alcoholism, Death of parent, Drug use, Grief, Ableism, Drug abuse, Mental illness, and Misogyny
Minor: Body shaming, Abandonment, Deadnaming, Homophobia, Injury/Injury detail, Sexism, and War
smuttymcbookface's review against another edition
challenging
emotional
hopeful
slow-paced
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Drug use, Panic attacks/disorders, Sexual content, Gore, Addiction, and Drug abuse
Moderate: War, Injury/Injury detail, Kidnapping, Blood, and Classism
Minor: Deadnaming, Suicidal thoughts, Death of parent, Ableism, and Vomit
miraileah's review against another edition
emotional
funny
inspiring
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
4.75. This was adorable and I loved it. The writing was very well done, and there are several sections that I absolutely loved. The book was quite long, but honestly I wasn’t bored at any point, so I wasn’t terribly mad about it. It did feel like their relationship progressed rather fast, especially from Viola’s perspective. But there were a few short time jumps and I did read the second half quickly, so that could be in my head. One thing I will say, I was truly thrilled that there was no third act breakup!! The issues in their relationship were at no point miscommunication, issues with Viola being trans, or Gracewood’s disability. Thank god for that. It honestly felt like a really safe book to read as an LGBTQIA person, all of the triggering content happened prior to the start of the book, so nobody was getting actively traumatized (except maybe Mira at the end?) The principal characters were all generally very good to one another, which made it feel much more like them all making it through traumas and troubles together, rather than in spite of one another. That being said though, there is a ton of potentially triggering content in regards to drug abuse and PTSD, so be careful of that. All in all, a very enjoyable read.
Content Warnings
Graphic: Panic attacks/disorders, Kidnapping, War, Sexual content, Drug abuse, and Drug use
Moderate: Violence and Suicidal thoughts
Minor: Death of parent
pkc's review
emotional
funny
hopeful
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Alexis Hall’s prose shines once again in this regency romance with a difference. I absolutely adored the main characters of Viola and Gracewood and I was fully engaged and rooting for them throughout. I appreciated how this was book was about two lost souls finding their new beginnings with each other, but wrapped in all the lace and crinoline that the ton permits. The queer rep was glorious and I loved the subversion of the power trope. Alexis Hall always writes such amazing romantic leads who, despite their flaws, I wind up rooting for. I only deducted a star because the pacing at the front was strange with an early revelation and it knocked me off kilter slightly. But apart from that, for the language and the romance, this was a slam dunk.
Content Warnings
Graphic: Deadnaming, Grief, Death of parent, Drug use, Drug abuse, and Panic attacks/disorders
Moderate: Kidnapping