Reviews tagging 'Fatphobia'

Cleopatra and Frankenstein by Coco Mellors

31 reviews

solspringsreads's review against another edition

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dark emotional hopeful reflective fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.0

I enjoyed this book, but I definitely wish I’d known about several big trigger warnings that were complete shocks to me (including multiple graphic animal deaths and transphobia that results in violence—I had no clue that this book involved animals OR queer people before reading). These missing warnings didn’t negatively impact my reading of the book, but they feel symptomatic of what is maybe a larger issue I had with the book: there were a lot of scenes that felt maybe gratuitously violent/detailed in a way that was almost unnecessary for the actual plot.

Cleopatra and Frankenstein is pretty much what it says on the tin (and the plot summary): a book about a couple with a large age gap who are both deeply flawed individuals, and the ways their relationship affects the people in their lives as well as how their lives are affected in turn. I didn’t expect this book to have shifting perspectives in each chapter and to focus so heavily on characters aside from the two titular protagonists, but I actually found myself preferring the chapters that gave us insight into the larger context of Cleo and Frank’s relationship. Although I wish I could get more context for certain characters and the changes in their lives, it almost felt true to life: sometimes the people you care about extremely deeply will have major life changes that you know almost nothing about, and you don’t get closure. This also felt like it was reflective of how self-absorbed Cleo and Frank were, in that their friends like Quentin and Zoe were going through some significant life changes and crises of their own, but by the end of the book we get little to no information on the outcomes of these events. From a realism standpoint, this was amazing… but from a reader’s standpoint, I definitely felt sad that the most of an ending I could get for my favorite characters was “They hopefully aren’t dead in a ditch.” On the other hand, during each characters’ respective chapter, we got a significant amount of insight into their personal lives with only limited references to the titular characters in a way that felt kind of unnecessary to the plot; sure, I get that pointing out the irony of an overweight culinary master who’s on a pretty strict diet is Fun Social Commentary™ and the fact that Cleo and Frank barely know about this characters’ struggle or reference it during their chapters is reflective of their self-involvement, but like… again, as a reader, part of me feels like these scenes are such unnecessary tangents to the protagonists’ actual character arcs. Most of the changes and “growth” that Cleo and Frank have and go through feel random and unearned, like the novel has to explicitly tell us that they’ve changed because we spent so much time focusing on Anders’s strained relationship with his son.

Relatedly, the dialogue in this book gets kinda silly. I listened to the audiobook so my impressions of certain scenes might be very different than those of a reader of a physical copy, but there were several bits of dialogue that had me rolling my eyes. Chapter 13 is one particularly example of this issue: somehow, the dialogue between Cleo and Frank felt simultaneously too realistic and too forced, like the author couldn’t decide if she wanted to capture what arguments were actually like (including the awkward pauses, the ways people cut each other off) or what arguments felt like (focusing on the inner turmoil of each character between the lines or the minute cues of body language to show how they feel). The characters constantly talked around their issues, which is again, true to life, but unfortunately the nothing-dialogue can lead to some pretty lackluster “big fight” scenes.

There are lots of stereotypes abound in a way that is almost maybe social commentary until you look up the author and see that she is a conventionally attractive cis blonde woman and suddenly you go, “Wow, this is a book that has a lot of transphobia during the narration from a character who is heavily implied if not outright stated to be a trans woman, and while it’s positioned in a way that feels like it’s supposed to be representative of internalized transphobia, this does maybe feel weird in the broader context of this being a book about the relationship between two flawed mostly-heterosexual cisgender people!” Likewise, LOTS of really random comments about race and ethnic stereotypes that feel like they should maybe be satire except that they’re completely unchallenged… or challenged in a way that the book immediately mocks. Maybe there’s an argument that the book as a whole is satirical, and while it does have moments where that feels clear, it often clumsily treads the fine line between making fun of stereotypes and perpetuating those same stereotypes.

Despite everything, though, I was totally wrapped up in this book. I binged the whole audiobook during a knitting-induced frenzy (which resulted in an all-nighter) and still felt so awed by how beautiful certain parts of the prose sounded, especially during Santiago and Eleanor’s chapters, and the philosophical ideas explored during Zoe’s chapters. I became emotionally invested in these somewhat stereotypical characters for an evening, and I truly do feel like there are moments and scenes from this book that will stay with me even now that I’ve finished it.

Overall, this was a pretty standard entry in the subcategory of litfic about beautiful yet waifish blondes who do a lot of drugs in New York and feel miserable about the older men and so-called friends with which they surround themselves. Somehow, the hype is completely understandable and yet overdone in a way that’s to be expected for this type of novel. (There’s always hype around books about sad beautiful women with addictions living in big cities, even if those books are mostly the same.) Despite my many criticisms and the fact that this book isn’t particularly unique in its plot or commentary, I still mostly enjoyed this and would (VERY VERY tentatively and with many caveats and warnings) recommend this  to others, if only to discuss some of the things I might take issue with in the book.

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jj_xx's review against another edition

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challenging dark emotional sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5


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laurafrances's review against another edition

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dark emotional funny hopeful reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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remuslibrary's review against another edition

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dark emotional sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25


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mpeach's review against another edition

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challenging emotional funny hopeful reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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addie's review against another edition

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dark emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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mayaanning's review against another edition

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medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.0


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sarasreading's review against another edition

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challenging dark reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.25

 This book is mostly all vibes no plot, but the vibes were not great for me. It’s that kind of contemporary book where most of the characters are a combination of too cool, too pretty, too rich, too traumatized, and/or too dependent on substances to feel like real people to me. They are most definitely made up to be in a book exactly like this. Except for Eleanor. 
 
Around a third of the way into this book is when I started considering DNF-ing, but then Eleanor showed up and I was back in the game! But then she disappeared again, and so did my interest. And then Anders had that moment in that public bathroom and I thought about not picking it up again. That entire scene was a big weird no thank you. There are also a lot of other uncomfortable to read explicit sexual scenes, which is also apparently a staple of this particular kind of contemporary novel. 
 
I stuck with it and my final thoughts are these: The prose is incredible. I loved the descriptions and turns of phrase. I should have written them down to save and savor later. Eleanor’s story arc is the best one in the book by far, and she saved this book for me. I’m not sure that was enough for it to be a five-star read though. In a cast of characters whose sole purpose seems to be, to be interesting, the most interesting character is Eleanor, who isn’t trying to be interesting at all. Was that the author’s purpose? It worked if so, but also, it meant that the majority of the time I did not care about anyone I was reading about. So it also didn’t work for me, in the end. 
 
Although I did like the end actually. It made sense and was satisfying. It could have been a four-star read for me, except for so much explicit, and sometimes disturbingly violent scenes. 

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savannah_faith's review against another edition

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funny reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.25

THIS IS JUST MY OPINION, NO HATE TO THE AUTHOR OR ANYONE WHO LOVES THIS BOOK! WE ARE ALL ALLOWED TO HAVE INDIVIDUAL IDEAS AND THOUGHT! Thank you, I love you, and lmk what you think 🫶!   

P.S. THIS CONTAINS MILD SPOILERS 😅

Cleopatra and Frankenstine by CoCo Mellors

I started this book blindly, I had seen the cover on Lemon8 and loved it. Obviously I added it to my tbr and then soon after bought it on my kindle and omg do I wish this book was free on KIndle Unlimited because I’m kind of annoyed that I paid for it LOL (just me being dramatic about liking some parts but not the book as a whole). Now see I completely understand why Elenor was so crucial to Franks story but we did not need to know that much about her life. She’s boring, her dad died, she’s the reason Frank wanted to be better, all of the important things about her that make Frank fall for her could have easily fit into one maybe two chapters if you’re pushing it. But I didn’t need so many pages about her. Another thing is this book needs a small self harming warning ⚠️ fr, I mean the scene isn’t too graphic but the way Frank describes his experience and emotions with Cleo’s incident definitely hit the heart strings if you or anyone you know has been in a self harming situation. AND the way Cleo “processes” her mental situation with an installation for her art show for everyone to see and relive disgusted me and I completely understand the constant shift in Franks words with and about her. Other than that I hope Santiago and Dominique live the happiest and most fulfilled life together 🫶. 

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justemmaagain's review against another edition

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challenging dark reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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