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nzmerchant's review
emotional
hopeful
inspiring
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
I enjoyed the recipes and the self development aspects of this book. It was an extremely easy read with a lovely ensemble cast. Also made me hungry and crave for Chinese food lol. Love to see some Asian representation in the publishing world!
Although I was a bit disappointed in the lapses of cultural understanding? Based on my own experiences with the Chinese culture in Singapore, chrysanthemums are only given at funerals and it’s in bad faith to give someone a bouquet of chrysanthemums. So I’m not sure why Natalie was receiving them as a congratulatory kinda thing? Also I admittedly sped read this a little towards the end. Her dad’s identity was a huge reveal though!
Although I was a bit disappointed in the lapses of cultural understanding? Based on my own experiences with the Chinese culture in Singapore, chrysanthemums are only given at funerals and it’s in bad faith to give someone a bouquet of chrysanthemums. So I’m not sure why Natalie was receiving them as a congratulatory kinda thing? Also I admittedly sped read this a little towards the end. Her dad’s identity was a huge reveal though!
Content Warnings
Graphic: Death of parent, Fire/Fire injury, and Grief
raaahella's review against another edition
emotional
hopeful
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Interesting and sad to read. The story was a bit annoying at times, but had a good wholesome finish.
Content Warnings
Moderate: Death, Fire/Fire injury, Injury/Injury detail, Death of parent, and Pregnancy
radhikag's review against another edition
adventurous
emotional
hopeful
inspiring
lighthearted
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
I love Roselle Lim! And her debut is no different :’) I’ll admit, it took me a chapter or two to really get into the flow but once I did, I was invested! Let me start by saying I do NOT think this is the authors strongest work *AND* it’s still very good + in my mind speaks to her talent in that she’s only ever improved from her debut.
I found Natalie to be quite relatable in her stubbornness, I appreciated the magical realism that seems to be present in many of Lim’s stories, and I loved the details about food and the inclusion of each recipe. The neighbours are charming and make the story fun and it feels a bit like going to actual Chinatown.
For what I didn’t love — I do feel some of the prose around her grief got repetitive, the language of tiny crystals came up a lot and while that may have been a magical realism thing, I do wish there was just a bit more variety I guess? It just felt like I’d read it before in this book not too long before it came up again. I don’t think that the storyline with Daniel, her romantic interest, was unnecessary but the end did feel a bit fast — I would have liked it to be an opening or beginning of something rather than how it seemed to end but it wasn’t a huge bother. I do appreciate honestly that the love story was NOT a major focus because I think her story with her mother and grandmother and neighbours is far more compelling. I loved the backstory about her parents and that reveal felt sweet and well done!
I really enjoyed this story and want more Roselle Lim books! I would definitely give this one a chance and just let yourself be swept up in the story. And then check out Vanessa Yu & Sophie Go’s respective stories also by Roselle Lim!
I found Natalie to be quite relatable in her stubbornness, I appreciated the magical realism that seems to be present in many of Lim’s stories, and I loved the details about food and the inclusion of each recipe. The neighbours are charming and make the story fun and it feels a bit like going to actual Chinatown.
For what I didn’t love — I do feel some of the prose around her grief got repetitive, the language of tiny crystals came up a lot and while that may have been a magical realism thing, I do wish there was just a bit more variety I guess? It just felt like I’d read it before in this book not too long before it came up again. I don’t think that the storyline with Daniel, her romantic interest, was unnecessary but the end did feel a bit fast — I would have liked it to be an opening or beginning of something rather than how it seemed to end but it wasn’t a huge bother. I do appreciate honestly that the love story was NOT a major focus because I think her story with her mother and grandmother and neighbours is far more compelling. I loved the backstory about her parents and that reveal felt sweet and well done!
I really enjoyed this story and want more Roselle Lim books! I would definitely give this one a chance and just let yourself be swept up in the story. And then check out Vanessa Yu & Sophie Go’s respective stories also by Roselle Lim!
Content Warnings
Moderate: Fire/Fire injury
Minor: Death and Death of parent
moniipeters's review against another edition
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Death, Panic attacks/disorders, Death of parent, Grief, Mental illness, Car accident, and Fire/Fire injury
talonsontypewriters's review against another edition
hopeful
lighthearted
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
1.5
A strong premise that is done little to no justice in execution. The writing itself is not that good -- from certain descriptions, Lim clearly knows how to show rather than tell, but frequently refuses to do so, stating things (often through unrealistic, stilted blocks of dialogue) and then repeating them ad nauseam. It especially shows in the last few chapters, where descriptions and sentiments are repeated within sentences of each other. It's as if there's no faith in the reader to draw conclusions and remember character/plot details on their own, which is a very frustrating tone to read. Even the more interesting passages, mostly those relating to food and the magical elements, end up as equally grating purple prose before long.
What the novel lacks in style, it doesn't quite make up for in substance. With the dull way the plot is conveyed, the conflicts and characters all feel, if you'll excuse the pun, underbaked. Moments that should be powerful and emotional instead come across as melodramatic and dry. I couldn't sympathize or connect to Natalie at all, and found her mother and grandmother much more compelling despite their merely posthumous presence. The dynamics between characters were, like many other elements, only really intriguing in theory, with their actual writing fairly shallow and any interpersonal conflict resolved in an awkward, rushed manner.
The romance is particularly unconvincing. Daniel is even less well-developed than Natalie; I felt no chemistry between them, even when it's insisted out of absolutely nowhere that they're soulmates. It being a subplot at all feels a bit... odd -- maybe I skimmed past some timeline details, but making romance a priority presumably less than a month after your (estranged, but still) mother dies is just strange to me. Though it's not the main focus of the novel, it does take attention away from other plotlines, since a significant number of conversations with other characters after Daniel is introduced regard his and Natalie's relationship. Ultimately, I feel like excising -- or at least even more significantly downplaying -- romance would have been in the narrative's favor.
I truly wish I had more positive things to say, but I find myself at a loss -- in addition to the above grievances, the setting feels inauthentic; a white audience seems to have been intended for how heavy-handed some notes on Chinese culture are (unfamiliar readers can just look up what an erhu is, I promise!); the light tone is inconsistent with themes that have potential to be so much better explored; many fabulistic elements serve no real purpose; and the progression of the plot is choppy and unsatisfying. I did conceptually like certain revelations and events, but their actual handling leaves a lot to be desired. In the end, while the recipes within may be filling, Natalie Tan's Book of Luck and Fortune is decidedly less so.
What the novel lacks in style, it doesn't quite make up for in substance. With the dull way the plot is conveyed, the conflicts and characters all feel, if you'll excuse the pun, underbaked. Moments that should be powerful and emotional instead come across as melodramatic and dry. I couldn't sympathize or connect to Natalie at all, and found her mother and grandmother much more compelling despite their merely posthumous presence. The dynamics between characters were, like many other elements, only really intriguing in theory, with their actual writing fairly shallow and any interpersonal conflict resolved in an awkward, rushed manner.
The romance is particularly unconvincing. Daniel is even less well-developed than Natalie; I felt no chemistry between them, even when it's insisted out of absolutely nowhere that they're soulmates. It being a subplot at all feels a bit... odd -- maybe I skimmed past some timeline details, but making romance a priority presumably less than a month after your (estranged, but still) mother dies is just strange to me. Though it's not the main focus of the novel, it does take attention away from other plotlines, since a significant number of conversations with other characters after Daniel is introduced regard his and Natalie's relationship. Ultimately, I feel like excising -- or at least even more significantly downplaying -- romance would have been in the narrative's favor.
I truly wish I had more positive things to say, but I find myself at a loss -- in addition to the above grievances, the setting feels inauthentic; a white audience seems to have been intended for how heavy-handed some notes on Chinese culture are (unfamiliar readers can just look up what an erhu is, I promise!); the light tone is inconsistent with themes that have potential to be so much better explored; many fabulistic elements serve no real purpose; and the progression of the plot is choppy and unsatisfying. I did conceptually like certain revelations and events, but their actual handling leaves a lot to be desired. In the end, while the recipes within may be filling, Natalie Tan's Book of Luck and Fortune is decidedly less so.
Content Warnings
Graphic: Fire/Fire injury, Grief, Death of parent, and Mental illness
Moderate: Death and Abandonment
Minor: Classism, Sexual content, Car accident, Ableism, and Violence
Gentrification. Agoraphobia and depression.calamitywindpetal's review
emotional
inspiring
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Moderate: Death of parent, Fire/Fire injury, and Death
mandkips's review
emotional
lighthearted
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Content Warnings
Graphic: Death of parent and Mental illness
Moderate: Grief, Panic attacks/disorders, and Fire/Fire injury
Minor: Car accident
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