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varzim05's review against another edition
4.0
Há um crime e, como é costume, a revelação de todos os detalhes é aparece que nem uma autêntica bomba nos últimos capitulos. Entretanto, ouve-s3 o tique-taque deste engenho explosivo na construção das personagens e dos eventos pelas quais passam. Una boa leitura para os fãs de policiais e crimes misteriosos.
katya_m's review against another edition
Ellery Queen, detetive galã/escritor de policiais chega a Wrightsville em busca de inspiração e depara-se com a intitulada Vivenda Calamidade. Ali, onde um jovem casal sofreu a angústia de um casamento gorado, e um homem morreu subitamente de uma apoplexia, Queen decide instalar armas e bagagens para escrever o seu próximo"romance". Todavia, o jovem casal reata a relação e, voltando para habitar a vivenda, afasta o detetive que se junta aos familiares dos ditos na casa vizinha. E tudo vai bem até que a recente noiva encontra três cartas nos livros do esposo nas quais ele planeia a sua morte...e prontos, o Sr. Queen já tem material de sobra para o próximo livro.
Ellery Queen é fruto da belíssima colaboração de Frederic Dannay e Manfred B. Lee, os mesmos autores que criaram Ellery Queen's Mystery Magazine, a mais antiga revista (publicada desde 1941) dedicada exclusivamente ao género literário de mistério e detetives ainda hoje no ativo. Juntos deram à estampa um escritor de policiais com faro para resolver crimes reais que depois usa como material de ficção. Engenhoso...
Prolíficos autores que são, a coleção em que figura Ellery Queen tem títulos para dar e vender. Todavia, há algumas inconsistências no registo evolutivo habitual deste tipo de personagem - que tende a complexificar-se com o passar do tempo -, e a sua evolução ao longo da saga não corresponde exatamente ao que se esperaria de uma personagem amadurecida pelos autores. Ainda assim, os livros que cabem no centro temporal da carreira de Mafred e Dannay são brilhantes e neles o detetive está em plena posse das faculdades mentais e emocionais.
Nestes volumes, de anos 30/40, a fórmula clássica de um bom policial está sempre presente:
•Um crime estrondoso;
•Um detetive memorável;
•Um assassino muito pouco provável;
•Várias doses de suspense bem doseadas e distribuídas ao longo dos vários capítulos;
•Uma porrada de pistas falsas que deixam o leitor de cara à banda;
E no fim, claro:
•A resolução e o motivo, tudo menos óbvios, do crime.
Por tudo isso, e só por isso, se levam 300 páginas de respiração sustida.
A capacidade inventiva dos autores é prodigiosa e a forma como tecem o enredo a completas expensas da cegueira do leitor merece-lhes o mérito de grandes autores americanos no género.
Era, salvo erro, uma metade deste duo que dizia que sempre que se lembrava de uma história tinha de ir verificar se Agatha Christie já a não tinha dado à estampa... Conhecendo um bocadinho de cada um, eu julgo que não teriam muito com que se preocupar - não há qualquer concorrência.
A presente tradução, pela mão Lino Vallandro, (que tem vasta e reconhecida obra!) obedece à variante brasileira e o o "você" atirado por todo o lado, o uso desmedido do gerúndio e opções como o tão pouco usado "originariamente" em vez de "originalmente", por exemplo, acabam por atrapalhar um bocadinho a leitura que, fora isso, é das boas do princípio ao fim.
Ellery Queen é fruto da belíssima colaboração de Frederic Dannay e Manfred B. Lee, os mesmos autores que criaram Ellery Queen's Mystery Magazine, a mais antiga revista (publicada desde 1941) dedicada exclusivamente ao género literário de mistério e detetives ainda hoje no ativo. Juntos deram à estampa um escritor de policiais com faro para resolver crimes reais que depois usa como material de ficção. Engenhoso...
Prolíficos autores que são, a coleção em que figura Ellery Queen tem títulos para dar e vender. Todavia, há algumas inconsistências no registo evolutivo habitual deste tipo de personagem - que tende a complexificar-se com o passar do tempo -, e a sua evolução ao longo da saga não corresponde exatamente ao que se esperaria de uma personagem amadurecida pelos autores. Ainda assim, os livros que cabem no centro temporal da carreira de Mafred e Dannay são brilhantes e neles o detetive está em plena posse das faculdades mentais e emocionais.
Nestes volumes, de anos 30/40, a fórmula clássica de um bom policial está sempre presente:
•Um crime estrondoso;
•Um detetive memorável;
•Um assassino muito pouco provável;
•Várias doses de suspense bem doseadas e distribuídas ao longo dos vários capítulos;
•Uma porrada de pistas falsas que deixam o leitor de cara à banda;
E no fim, claro:
•A resolução e o motivo, tudo menos óbvios, do crime.
Por tudo isso, e só por isso, se levam 300 páginas de respiração sustida.
A capacidade inventiva dos autores é prodigiosa e a forma como tecem o enredo a completas expensas da cegueira do leitor merece-lhes o mérito de grandes autores americanos no género.
Era, salvo erro, uma metade deste duo que dizia que sempre que se lembrava de uma história tinha de ir verificar se Agatha Christie já a não tinha dado à estampa... Conhecendo um bocadinho de cada um, eu julgo que não teriam muito com que se preocupar - não há qualquer concorrência.
A presente tradução, pela mão Lino Vallandro, (que tem vasta e reconhecida obra!) obedece à variante brasileira e o o "você" atirado por todo o lado, o uso desmedido do gerúndio e opções como o tão pouco usado "originariamente" em vez de "originalmente", por exemplo, acabam por atrapalhar um bocadinho a leitura que, fora isso, é das boas do princípio ao fim.
itzami's review against another edition
4.0
It is a well-written murder mystery that pretty much has everything that you would expect from the genre.
Descriptive and easy to read, you go from one page to another without noticing.
There are times, tho, where you don't really know which character is speaking since the dialogues don't have cues to it, but, other than that, entertaining.
Descriptive and easy to read, you go from one page to another without noticing.
There are times, tho, where you don't really know which character is speaking since the dialogues don't have cues to it, but, other than that, entertaining.
diogoafsimoes's review against another edition
3.0
Personagens fantásticas, bem estruturadas e apaixonantes.
Uma história que nos transporta para outro mundo, onde um final surpreendente aguarda o leitor.
Contudo, não posso deixar de notar a facilidade como que se pode perder na história pelo grande desfile de personagens e, até mesmo, pelo estilo de escrita.
Resumidamente: um bom mistério clássico
Uma história que nos transporta para outro mundo, onde um final surpreendente aguarda o leitor.
Contudo, não posso deixar de notar a facilidade como que se pode perder na história pelo grande desfile de personagens e, até mesmo, pelo estilo de escrita.
Resumidamente: um bom mistério clássico
vaniaasantos's review against another edition
3.0
No inicio, este livro começou a puxar muito por mim - o conhecer das personagens, conhecer o local onde toda a história começa e, finalmente, o início da trama em si com o surgimento das dúvidas e afins. Contudo, houve alturas em que me perdi, principalmente nos diálogos. Enquanto lia, ficava desorientada sobre quem seria a personagem de proferir as palavras, ou em que situação específica estava a acontecer o momento relatado. A história é boa, e o facto de não existirem pistas sobre como o crime aconteceu foi o que mais me prendeu na história e quer lê-la até ao fim. O livro apenas peca por conferir uma ligeira confusão (pelo menos para mim) e, por vezes, ser demasiado direto e curto em frases o que me dava a mim a impressão de ser ligeiramente abrupto. Três estrelas por esta boa história.
cmcena's review against another edition
adventurous
challenging
mysterious
medium-paced
- Plot- or character-driven? N/A
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
fictionfan's review against another edition
5.0
All in the family…
When Ellery Queen comes to the small town of Wrightsville looking for inspiration for his new novel, he settles into a house known locally as Calamity House. It was originally built for Nora Wright, one of the three daughters of John F and Hermione Wright, descendants of the town’s founder and acknowledged leaders of local society. But Nora never lived there, since she was jilted three years ago by the man she had planned to marry, Jim Haight. Now, not long after Queen moves in, Jim returns and the wedding is back on. No one but the couple themselves knew the reason for the split, but the Wright family make an effort to forgive Jim because they can see how much Nora still loves him. But then Nora is taken ill with all the symptoms of arsenic poisoning… and then another woman dies. Suddenly Queen finds himself with a real murder mystery on his hands and, with the help of Nora’s youngest sister Pat, sets out to investigate…
“Ellery Queen” is the pen name of a writing duo, Frederic Dannay and Manfred Bennington Lee. I read a few of their mysteries back in my teens but have no real recollection of them, so for all intents and purposes this was my first introduction to them, and it wasn’t at all what I was expecting! The focus is less on the crime and more on creating a picture of the Wright family and Wrightsville, and the tone is considerably slower and more literary than I anticipated. The writing is very good, especially the descriptive stuff about the town, and the depiction of how the townspeople are ready to turn on their most revered residents when scandal rears its head is perceptively and credibly done, as is the picture of the impact of the crime on the Wright family themselves. There’s some of the slickness of dialogue usually found in the “hard-boiled” school, but there’s too much warmth and affection for the major characters for it to be in any way noir-ish.
The Wrights have three daughters – Nora, vulnerable, reclusive and somewhat unstable after her jilting, but coming back into the world now that Jim has returned; Lola, who made a disastrous marriage followed by a scandalous divorce, and who is a kind of black sheep, though still loved by her family; and Pat, the youngest, beautiful, feisty, and expected to marry Carter, the town’s Prosecutor. But when Queen enters her life, Pat is more than happy to indulge in some serious flirtation with him, arousing Carter’s justifiable jealousy, and perhaps playing with fire, since it seems that Ellery and Pat are developing real feelings for one another. Pat is the central character along with Queen himself, and she’s very well portrayed – she is a bit weak and reliant on the men in her life, but that’s to be expected of the era, and she has an independent streak which makes her attractive.
The story plays out over nearly a year, and I found this rather odd. Queen seems to put his life on hold for the duration, and we hear nothing about him being in touch with family or friends outside Wrightsville. It’s as if he arrives baggage-free and with all the time in the world, but no real explanation of that is given. Of course, it’s the sixteenth novel in a long-running series, so regular readers probably didn’t need much background by this stage, but I felt he was left as a bit of an enigma – a kind of mystery in himself. What made him pick Wrightsville? Does he fall in love in every book or is Pat special? Does he have a home and, if so, where? I guess the only solution to these mysteries is to read the earlier books! However, Martin Edwards, in his [b:The Story of Classic Crime in 100 Books|34136879|The Story of Classic Crime in 100 Books|Martin Edwards|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1487224262l/34136879._SX50_.jpg|55174134], suggests this novel was a bit of a departure for the Queen duo – a stage in the evolution of their novels from ‘pure intellectual puzzle’ to a more mainstream novelistic style, in recognition of the changing tastes of mystery readers with the advent of writers such as Dorothy L Sayers and Anthony Berkeley.
The plot itself is perhaps the weakest part of the book. To be honest, I felt the solution was pretty well sign-posted from very early on and my suspicions were proved right in the end. It seemed to take Queen an inordinate length of time to spot the bloomin’ obvious and there was certainly room for some trimming in the mid-section of what is rather a long novel by vintage crime standards. But this weakness wasn’t enough to spoil my enjoyment – the depiction of the town and the characterisation of the family and townspeople is so well done that I was happy to go along for the ride. A very enjoyable introduction to this series and I look forward to getting to know Ellery Queen the writing duo and Ellery Queen the character better.
www.fictionfanblog.wordpress.com
When Ellery Queen comes to the small town of Wrightsville looking for inspiration for his new novel, he settles into a house known locally as Calamity House. It was originally built for Nora Wright, one of the three daughters of John F and Hermione Wright, descendants of the town’s founder and acknowledged leaders of local society. But Nora never lived there, since she was jilted three years ago by the man she had planned to marry, Jim Haight. Now, not long after Queen moves in, Jim returns and the wedding is back on. No one but the couple themselves knew the reason for the split, but the Wright family make an effort to forgive Jim because they can see how much Nora still loves him. But then Nora is taken ill with all the symptoms of arsenic poisoning… and then another woman dies. Suddenly Queen finds himself with a real murder mystery on his hands and, with the help of Nora’s youngest sister Pat, sets out to investigate…
“Ellery Queen” is the pen name of a writing duo, Frederic Dannay and Manfred Bennington Lee. I read a few of their mysteries back in my teens but have no real recollection of them, so for all intents and purposes this was my first introduction to them, and it wasn’t at all what I was expecting! The focus is less on the crime and more on creating a picture of the Wright family and Wrightsville, and the tone is considerably slower and more literary than I anticipated. The writing is very good, especially the descriptive stuff about the town, and the depiction of how the townspeople are ready to turn on their most revered residents when scandal rears its head is perceptively and credibly done, as is the picture of the impact of the crime on the Wright family themselves. There’s some of the slickness of dialogue usually found in the “hard-boiled” school, but there’s too much warmth and affection for the major characters for it to be in any way noir-ish.
The Wrights have three daughters – Nora, vulnerable, reclusive and somewhat unstable after her jilting, but coming back into the world now that Jim has returned; Lola, who made a disastrous marriage followed by a scandalous divorce, and who is a kind of black sheep, though still loved by her family; and Pat, the youngest, beautiful, feisty, and expected to marry Carter, the town’s Prosecutor. But when Queen enters her life, Pat is more than happy to indulge in some serious flirtation with him, arousing Carter’s justifiable jealousy, and perhaps playing with fire, since it seems that Ellery and Pat are developing real feelings for one another. Pat is the central character along with Queen himself, and she’s very well portrayed – she is a bit weak and reliant on the men in her life, but that’s to be expected of the era, and she has an independent streak which makes her attractive.
The story plays out over nearly a year, and I found this rather odd. Queen seems to put his life on hold for the duration, and we hear nothing about him being in touch with family or friends outside Wrightsville. It’s as if he arrives baggage-free and with all the time in the world, but no real explanation of that is given. Of course, it’s the sixteenth novel in a long-running series, so regular readers probably didn’t need much background by this stage, but I felt he was left as a bit of an enigma – a kind of mystery in himself. What made him pick Wrightsville? Does he fall in love in every book or is Pat special? Does he have a home and, if so, where? I guess the only solution to these mysteries is to read the earlier books! However, Martin Edwards, in his [b:The Story of Classic Crime in 100 Books|34136879|The Story of Classic Crime in 100 Books|Martin Edwards|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1487224262l/34136879._SX50_.jpg|55174134], suggests this novel was a bit of a departure for the Queen duo – a stage in the evolution of their novels from ‘pure intellectual puzzle’ to a more mainstream novelistic style, in recognition of the changing tastes of mystery readers with the advent of writers such as Dorothy L Sayers and Anthony Berkeley.
The plot itself is perhaps the weakest part of the book. To be honest, I felt the solution was pretty well sign-posted from very early on and my suspicions were proved right in the end. It seemed to take Queen an inordinate length of time to spot the bloomin’ obvious and there was certainly room for some trimming in the mid-section of what is rather a long novel by vintage crime standards. But this weakness wasn’t enough to spoil my enjoyment – the depiction of the town and the characterisation of the family and townspeople is so well done that I was happy to go along for the ride. A very enjoyable introduction to this series and I look forward to getting to know Ellery Queen the writing duo and Ellery Queen the character better.
www.fictionfanblog.wordpress.com
robinwalter's review
dark
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
A bright first half, the first Queen I was actually enjoying. Then the interminable trial and Queen lying under oath killed my interest in the story.
smessmores's review against another edition
3.0
It was alright. I'd figured out most of the "twists" involved. It was my first Ellery Queen book, and I was just surprised at how much he was willing to keep from authorities. He didn't seem to have the same commitment I've come to expect from my detectives.