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pacifickat's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I like stories that drop you into the middle of a believable world and don’t demand neat endings. I also love the way short fiction has to employ an economy of language and storytelling that packs a lot into a small footprint. What it doesn’t accomplish in terms of intricately detailed plotlines and worldbuilding, it makes up for in immediate emotional connections with characters we didn’t know a moment ago but feel invested in anyway. How High We Go In The Dark is a deeply empathetic book, allowing readers to bear witness to the pain, sacrifice, heartache, character flaws, triumphs, failures, and hopes in others, and feel a shared sense that perhaps we as humans aren’t so alone in this mess of existence. It also hints at how we are all connected, even when we don’t realize it, in this uncanny thing we call existence within the uncanny universe we call home.
Here is a sampling of my thoughts on the various stories Nagamatsu wove together in this book:
1. Mundane moments taken for granted – the value of everyday human connection:
The Used-to-Be-Party
“As you know, I never showed up to anything back then. I was never one to connect. I’ve been that way my entire life. I went to work, kept my head down, and came home. I let old friendships fizzle. I orbited my family and all of you like a distant planet, there and yet nearly impossible to reach. I know I can’t survive alone. Maybe this will get lost in a stack of your unopened mail. Maybe you’ll read it and throw it away and say it’s too late. Or, maybe you’ll peak out your window and wonder about coming over and saying, ‘Hey, me, too. I’m hallow and cracked and imploding.’”
It seems that terrible things can both pull us together and break us apart, sometimes all at once.
2. The distance carved between generations after widespread catastrophe – the struggle to hold space of each other:
Grave Friends
“I don’t think anyone in the neighborhood was good at having important conversations with the younger generation. The elders had come to an understanding while recovering from a global pandemic that erected funerary towers into our skies. Nobody asked us what we wanted. Nobody questioned the new tradition.”
The author does a stellar job of describing the sense of disorienting disconnect that can be felt by a ‘lost generation’ in the wake of some great tragedies. What worked for the old generation may not help the new one to adapt, cope, and move forward. The world has changed, and embracing change is hard all around. Some experience varying levels of success, while others cannot move on at all and seem adrift and without an anchor in life. All the measures of happiness and success of the past have shifted or crumbled away, and the task of redefining such things can be full of grief and loneliness in a world that struggles to hold space for such feelings of doubt and frustration.
3. The intersection between technology and human experience yields mixed and nuanced results:
VR, robotics, advanced medical treatments, cryogenics, euthanasia machines, light speed space travel… Nagamatsu spends a great deal of time weaving a variety of technologies into his storylines. He seems to be pulling at the threads of a discussion around how technology can both help and hinder in the attempt to connect, grieve, find hope, and move on in life after trauma or tragedy. Sometimes they provide merciful comforts or open up new possibilities, and sometimes they inhibit the process of letting go or building connections with the living. Are characters being distracted, or receiving welcome relief from trauma and despair?
Several stories deal with the difficulty of coming to terms with the reality of one’s situation, of coping in the “real world” when so much has been lost and so many standard parameters have changed. Technology seems to waffle between keeping people stuck and giving them a means of connecting and finding hope. Whether an opiate of the masses, a thinly-veiled tool of capitalist opportunism, a merciful coping or exit strategy, a stabilizing force, or a means of survival, it is left up to the reader to consider each individual story as humans interact with the various technologies interwoven into their lives.
4. Sometimes we grieve what could have been as much as what actually was:
This could be a parent losing a child - the person they were and the bright future that will never be. Or, the complicated feelings of an adult child losing parents one by one who didn’t know how to deal with a child who didn't conform to their expectations. It could also include lost dreams and possibilities that will never again be within reach.
Several stories show how strained community or familial relationships, in the end, can mean either everything or simply yield a longing for what could or should have been. And sometimes we’re not entirely sure which one it is in retrospect, as memories and longings blur together.
5. How do we as humans interpret large-scale disaster?
Is there larger meaning to horrible events that yield widespread destruction? Through most of the book, the question of the origin of the strange pandemic, as well as perhaps some shadowy intended purpose it might serve, lingers in the background.
Perhaps the truth is relative, or perhaps it’s some weird mixture of all of these options. The book gives few clear answers on this scale, favoring exploring microcosms of individual human experiences of such events at various distinct points in time before, during, and after the worst of the plague. However, the book does hint at a few larger themes, zoomed out to scales of time and space beyond individual lifespans. This is where literary fiction meets speculative fiction, and I’m here for it.
6. So much hope – grieving, letting go, and grasping something new:
A Gallery a Century, A Cry a Millennium
“Dear Yumi, I can’t wait to show you how far we’ve come. We could’ve done better, certainly – your mother, us, the world. For a long time, I felt like I failed you. I wished you could’ve had a full life with all the heartbreak and college drama and shitty jobs we took for granted.But over the past few centuries, I realized I don’t want that for you anymore. Sure, I want you to understand what the world was, but you’re young enough to make this new world your life – a start without regrets and mistakes, a start that will be better because you know how much we used to hurt. Looking at you through your chamber glass, I can see your mother and grandfather in you, and you’ll be bringing the best of them on your journey – their drive and curiosity and quest to unlock the mysteries, to do what’s right. You’ll cry and be uncertain at first, that’s ok. But there’s a whole universe waiting for you. I’ve helped you this far, little one. We helped each other get here. But now, now is your time. It’s time to lead me into the red grass and tell me the story of how we get to be. It’s time to wake up.”
7. In spite of great horror and pain, stories of connection, hope, longing, self-sacrifice, and deep empathy endure:
A talking pig can break your whole heart.
Graphic: Grief, Pandemic/Epidemic, Suicide, Animal death, Death, Animal cruelty, Child death, and Death of parent
Moderate: Alcohol and Medical content
Minor: Physical abuse, Miscarriage, Violence, and Racism
Euthanasiaplantybooklover's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Pandemic/Epidemic
Moderate: Cancer, Racism, Animal cruelty, Death, Medical trauma, and Medical content
papercrw's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Moderate: Animal cruelty and Animal death
torismazarine's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Chronic illness, Death of parent, Cancer, Confinement, Death, Pregnancy, Child death, Grief, Pandemic/Epidemic, and Medical content
Moderate: Confinement, Animal cruelty, Animal death, and Dementia
Minor: Abandonment, Pregnancy, Classism, and Murder
arlaubscher's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Grief, Blood, Cancer, Child death, Death, Pregnancy, Terminal illness, Pandemic/Epidemic, Animal death, Chronic illness, Death of parent, Body horror, Medical content, and Suicide
Moderate: Animal cruelty, Classism, Alcohol, Alcoholism, Cursing, Medical trauma, Miscarriage, Dementia, Confinement, Mental illness, Gore, and Infertility
lpdx's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Graphic: Child death, Death of parent, Grief, Mental illness, Classism, Confinement, Death, Fire/Fire injury, Suicidal thoughts, Chronic illness, Suicide, Medical content, Medical trauma, Pandemic/Epidemic, and Terminal illness
Moderate: Animal cruelty and Forced institutionalization
Minor: Abandonment, Colonisation, Excrement, Pregnancy, and Vomit
atamano's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Medical content, Death of parent, Grief, Animal death, Domestic abuse, Child death, and Death
Moderate: Animal cruelty, Blood, and Cancer
Minor: Abandonment
lottiegasp's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
The book was well-written and captured various emotions and experiences about loss, feeling inadequate, and complicated relationships.
I generally prefer a story with enduring characters over slice of life vignettes, so I was not able to completely engage with the book. However, the ending did end up tying things together in quite an interesting and satisfying way.
Graphic: Death, Terminal illness, and Pandemic/Epidemic
Moderate: Child death, Medical content, Suicide, Chronic illness, Grief, Animal death, Animal cruelty, Cancer, and Death of parent
anni_swanilda's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Graphic: Terminal illness, Animal cruelty, Toxic relationship, Vomit, Child death, Chronic illness, Grief, Death of parent, Death, Pandemic/Epidemic, and Suicidal thoughts
Moderate: Medical content, Mental illness, Suicide, and Animal death
Minor: Cancer and Sexual content
emmonsannae's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Terminal illness, Animal death, Body horror, Cancer, Child death, Death of parent, Medical content, Chronic illness, Death, Grief, Abandonment, and Animal cruelty
Moderate: Drug use, Alcohol, Blood, Mental illness, Infidelity, Suicidal thoughts, Toxic relationship, and Vomit