Reviews with content warning for Homophobia - Mortal Follies

Reviews tagging 'Homophobia'

rabblearouser's review

adventurous emotional funny mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

Our world has been in dire need of a spritely, swoon-worthy sapphic romance– Alexis Hall has answered the call.

This journey into the fae-core romance space is an underrated, ambitious undertaking outfitted with a thoughtful and whimsical mosaic of fae & queer lore alike. As always, every character is intentionally crafted and delightful. Our love interests are a brooding Duke (f) who’s rumored to have wielded dark magic to commit grave crimes and a precious, flower-child damsel with terrible luck… or something like it. If you’re an ACOTAR stan who swooned at Azriel & Elain’s stolen moments but are impatient for Elain’s actual character development or perhaps just craving more of who she becomes when Azriel lends her some teeth (not to mention some queer characters who actually kiss), I might have a recommendation. Alexis Hall can’t help being charming and hilarious so there’s plenty of that, of course.

I imagine what puts people off is the unconventional narration. The point of view is not one of the main characters but, instead, a mischievous mythical creature who many of us first encountered when reading Midsummer Night’s Dream back in high school. Once you get past the initial novelty, this choice brings new life to some tired tropes and settings by filtering them through the scrutiny of an unimpressed and often peeved otherworldly perspective. I know it sounds odd but it works and, frankly, the book is all the better for it. Truly, what will always make a sapphic romance even more queer is an impish narrator rolling their eyes at lesbian nonsense, and perhaps, caring more than they’d care to admit by the end.

In a romance space where it can feel like we’re reading the same stories again and again, Mortal Follies is an eclectic and thoroughly queer love story that I’m proud to have on my shelf. Thank you to Alexis Hall for writing this and gifting it to the world.

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megj23's review

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funny lighthearted medium-paced

Plot- or character-driven? A mix
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.0

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ramakn22's review against another edition

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adventurous challenging dark emotional funny lighthearted mysterious sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

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bookcheshirecat's review

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emotional funny mysterious medium-paced

Diverse cast of characters? Yes

4.0

“But fleeing the law is rather easier if you do it before the law knows it is being fled from.”

➽ Mortal Follies is another trademark fun, romantic story by Alexis Hall! It's set in 1814 and follows Miss Maelys Mitchelmore who has been cursed and is trying to desperately avoid a scandal when a ton of bad luck befalls her. It begins with some harmless, but embarrassing incidents, but quickly turns more dangerous. Maelys seeks help from Lady Georgianna Landrake, who has a questionable reputation herself, but might be the only person who can help her! I loved their interactions and her friendship with Lizzie! She was especially funny and entertaining, I'd love to have her as a friend!

➽ The story is told from the POV of Robin, a hobgoblin who loves following along with mortal stories. I loved the unique narrator and Robin's witty commentary on Maelys' story. They are always keen to follow an interesting, dramatic story and are invested in Maelys' personal scandals! I do think that the story felt very drawn out and longer than it had to be. There were quite a few subplots that I felt went nowhere! Robin as a narrator was fun, but I got a bit tired of their detached, omniscient perspective at times!

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readthesparrow's review against another edition

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adventurous funny lighthearted mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? No

2.0

REVIEW

Before we begin, I must invoke the Muses–I call upon Thalia, and Erato, and, of course, my girl Calliope. I beg you, sing; grant me the patience (and the caffeine) to get through writing this review without being too much of a joyless critic.

Let’s begin with the positives.

The setting is fun, if a bit sparse on the worldbuilding. It’s a very modernized (though in a self-aware way), romanticized version of 1812 Bath/London, where the gods of yore and faeries in tales are very much real, though largely not too much of a deal. The primary inspirations for Mortal Follies seem to stem from Shakespeare plays and Roman myth, with the two primary mythological figures being a Puck-ish narrator and a minor goddess local to Bath.

Prose-wise, the style is lighthearted and a bit flowery in a lively, frolicking way. The story is told in the first person from the point of view of a fae narrator, who primarily follows Miss Mitchelmore, with the occasional diversion to trail Lady Landrake or a side character.

The characters are good, primarily because they have snappy, witty dialogue and personalities that play well off one another. My favorite, likely surprising no one, is an extremely niche side trans character who gets two-ish scenes and is the coolest character in the whole novel. Tabitha (human Tabitha, not muse Tabitha) rules and it’s a crime she didn’t get more page time.

With that, we must unfortunately pivot into the more negative of my thoughts.

Setting was too modern at times. There’s a whole conversation about ‘tinging,’ a term coined by Miss Mitchelmore’s best friend, Miss Bickle, which is defined as her desire to see two characters–or two people–end up together. What's in a name? That which we call shipping by any other name would still be completely anachronistic in a Regency era setting, even if we call it something different. I believe it was supposed to be amusing, but it was not. It was eye-roll inducing.

There’s also the issue of swear words. I’m a great proponent of the word ‘fuck;’ it’s fun, but felt out of place in Mortal Follies, especially as it got to be used so liberally. (Yes, I’m well aware the word has been around for ages–this is a Tiffany Problem sort of issue.)

'Fuck' also just feels a bit… uninspired, in this context. I’d much prefer some more interesting, funny, or clever ways of swearing or referring to intercourse than just using ‘fuck.’ Like, come on! The narrative is drawing, at least partially, from Shakespeare. Have at least a little fun with it.

Now for my biggest issue: the narrator. In the prologue, Mortal Follies is framed as a novel written by a now-mortal fae, Robin, (who, within the lore, is actually also Alexis Hall, and maybe also Puck?). Due to a quarrel with Oberon, they have to make a living by writing books.

Robin is obnoxious. While their humor is, I admit, sometimes clever, it often isn’t. Their humor--and thus, the novel's--relies too much on the whole quirky “wow being a human is sucks, what do you mean you have to pay rent, you can’t turn into mist? that’s soooo silly” gimmick. I cannot stand it.

They also constantly insert themself into the narrative in a way that wore out my welcome as soon as it came through the door. I'm fairly certain this is to set up later books, as I believe this is going to be a series.

While Robin does follow the characters to whom the most interesting things are happening, they do not, in my opinion, follow the most interesting characters. Outside of her misfortune, Miss Mitchelmore is, quite frankly, boring, and so is Lady Georgiana Landrake (if to a slightly lesser extent). The side characters--such as Mr. Caesar, a gay man of color, and Tabitha, a trans woman and priestess--are so much more interesting. My favorite moments in the book were Mr. Caesar's visit to Serena's, a sort of gay gentlemen's club/salon/coffee house, and his subsequent visit to Tabitha, because those scenes explored what it meant to be queer in the novel's world in a really interesting, nuanced, genuine way, something completely lacking from the rest of the book, which overall came off as quite saccharine and shallow in comparison.

Anyway. Speaking of queerness and our leading ladies: their romance may be slow, but it does not burn. It barely sparked. I couldn’t give two hoots about their relationship and, quite frankly, do not ‘ting’ them. Especially since I'm not much of a fan of the age gap; Mitchelmore is 19, while Landrake is 24. Not the biggest age gap there is (especially in the context of a Regency era romance rather than a contemporary romance), but it's enough of a difference for me to get a little icked out. Probably couldn’t identify much of a real personality trait for either of them. There’s lots of dialogue between them that’s good but is also clearly designed to be ‘shippable,’ if that makes sense, rather than creating any real, deep, or interesting bond between them. They barely know each other, and I barely know them, either. Quite frankly, I don't really care to.

I had a fun enough time with the first half

(which focused on solving the mystery of Miss Mitchelmore’s curse).

The second half

(which sort of? focused on the romance and on Lady Landrake's backstory, which ended up being, in my opinion, boring)

felt disconnected, dragged in pace, and fell flat. An astounding accomplishment, considering it contains

an Orpheus-and-Eurydice mini-retelling.

FINAL THOUGHTS

The folklore/mythological elements and side characters, though far more interesting, were not the focus and thus did not compensate for the irritating, intrusive narrator and unengaging romance. While I’m sure others would like the humor, I don’t go for the type of quirky fandom-y humor often used. The second half dragged. And, in my humble opinion, the book had no business being over 400 pages in the first place.

Ultimately, this book just didn’t click with me. Maybe you’ll like Mortal Follies if you love Regency era romances and are itching for a sapphic one, but I’m not chomping at the bit to recommend it.

I’m not usually a romance reader, though, so it may be a matter of taste.

Thank you to Del Rey for providing a digital ARC via Netgalley. If you are interested in Mortal Follies, you can find more information from the publishers. If possible, support indie bookshops by purchasing the novel from your local brick and mortar or from Bookshop.org.

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hailstorm3812's review against another edition

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adventurous funny hopeful medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

4.75

This is such a weird romance but it suits me so perfectly. I really enjoyed the story itself and the blending of regency and fantasy, but honestly my favorite part was Puck. It's such a fun device that adds a lot of comedy and also watching them actually grow to care about them when they are supposed to be objective was really fun. I think without it some of the characters could be thin but since it's coming from a third person POV that doesn't really get humans it works. I had a lot of fun and would love to see more of this.

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turtledonut's review

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adventurous funny lighthearted fast-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.75

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yourbookishbff's review

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adventurous dark funny lighthearted mysterious slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

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onthesamepage's review against another edition

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mysterious slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

3.5

ARC provided by the publisher through NetGalley in exchange for an honest review.

Steam level: 🌶

This book set out to do too much, and I think it suffered for it.

Rather than being told in first person POV from the main characters, the first person narrator is Puck (although he is referred to by different names) from Shakespeare's A Midsummer Night's Dream. The way he tells the story is amusing—at first. After a while, I found that the things he inserted felt like repetitions, and it added nothing new to the story. In fact, it made me feel even more removed from the main characters, which is an interesting choice in a romance, because it led to me not being emotionally invested.

I also think the romance was more of a subplot than the actual focus, and the least interesting part of the book. Instead, the plot surrounding Maelys's curse is much more compelling. I was expecting the focus to be on the romance once that part of the story was resolved, but what happened instead is that the second half dealt with Georgiana's backstory. An interesting plot in its own right, but the book ended up doing too much by including it. I also think it led to a feeling of "same old" in the way it was executed.

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