Reviews tagging 'Racism'

Mortal Follies by Alexis Hall

21 reviews

emmy_award's review

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adventurous medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.25

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ladythana's review against another edition

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adventurous mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

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readthesparrow's review against another edition

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adventurous funny lighthearted mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

2.0

REVIEW

Before we begin, I must invoke the Muses–I call upon Thalia, and Erato, and, of course, my girl Calliope. I beg you, sing; grant me the patience (and the caffeine) to get through writing this review without being too much of a joyless critic.

Let’s begin with the positives. 

The setting is fun, if a bit sparse on the worldbuilding. It’s a very modernized (though in a self-aware way), romanticized version of 1812 Bath/London, where the gods of yore and faeries in tales are very much real, though largely not too much of a deal. The primary inspirations for Mortal Follies seem to stem from Shakespeare plays and Roman myth, with the two primary mythological figures being a Puck-ish narrator and a minor goddess local to Bath.

Prose-wise, the style is lighthearted and a bit flowery in a lively, frolicking way. The story is told in the first person from the point of view of a fae narrator, who primarily follows Miss Mitchelmore, with the occasional diversion to trail Lady Landrake or a side character. 

The characters are good, primarily because they have snappy, witty dialogue and personalities that play well off one another. My favorite, likely surprising no one, is an extremely niche side trans character who gets two-ish scenes and is the coolest character in the whole novel. Tabitha (human Tabitha, not muse Tabitha) rules and it’s a crime she didn’t get more page time.

With that, we must unfortunately pivot into the more negative of my thoughts. 

Setting was too modern at times. There’s a whole conversation about ‘tinging,’ a term coined by Miss Mitchelmore’s best friend, Miss Bickle, which is defined as her desire to see two characters–or two people–end up together. What's in a name? That which we call shipping by any other name would still be completely anachronistic in a Regency era setting, even if we call it something different. I believe it was supposed to be amusing, but it was not. It was eye-roll inducing.

There’s also the issue of swear words. I’m a great proponent of the word ‘fuck;’ it’s fun, but felt out of place in Mortal Follies, especially as it got to be used so liberally. (Yes, I’m well aware the word has been around for ages–this is a Tiffany Problem sort of issue.)

'Fuck' also just feels a bit… uninspired, in this context. I’d much prefer some more interesting, funny, or clever ways of swearing or referring to intercourse than just using ‘fuck.’ Like, come on! The narrative is drawing, at least partially, from Shakespeare. Have at least a little fun with it.

Now for my biggest issue: the narrator. In the prologue, Mortal Follies is framed as a novel written by a now-mortal fae, Robin, (who, within the lore, is actually also Alexis Hall, and maybe also Puck?). Due to a quarrel with Oberon, they have to make a living by writing books.

Robin is obnoxious. While their humor is, I admit, sometimes clever, it often isn’t. Their humor--and thus, the novel's--relies too much on the whole quirky “wow being a human is sucks, what do you mean you have to pay rent, you can’t turn into mist? that’s soooo silly” gimmick. I cannot stand it. 

They also constantly insert themself into the narrative in a way that wore out my welcome as soon as it came through the door. I'm fairly certain this is to set up later books, as I believe this is going to be a series.

While Robin does follow the characters to whom the most interesting things are happening, they do not, in my opinion, follow the most interesting characters. Outside of her misfortune, Miss Mitchelmore is, quite frankly, boring, and so is Lady Georgiana Landrake (if to a slightly lesser extent). The side characters--such as Mr. Caesar, a gay man of color, and Tabitha, a trans woman and priestess--are so much more interesting. My favorite moments in the book were Mr. Caesar's visit to Serena's, a sort of gay gentlemen's club/salon/coffee house, and his subsequent visit to Tabitha, because those scenes explored what it meant to be queer in the novel's world in a really interesting, nuanced, genuine way, something completely lacking from the rest of the book, which overall came off as quite saccharine and shallow in comparison. 

Anyway. Speaking of queerness and our leading ladies: their romance may be slow, but it does not burn. It barely sparked. I couldn’t give two hoots about their relationship and, quite frankly, do not ‘ting’ them. Especially since I'm not much of a fan of the age gap; Mitchelmore is 19, while Landrake is 24. Not the biggest age gap there is (especially in the context of a Regency era romance rather than a contemporary romance), but it's enough of a difference for me to get a little icked out. Probably couldn’t identify much of a real personality trait for either of them. There’s lots of dialogue between them that’s good but is also clearly designed to be ‘shippable,’ if that makes sense, rather than creating any real, deep, or interesting bond between them. They barely know each other, and I barely know them, either. Quite frankly, I don't really care to.

I had a fun enough time with the first half
(which focused on solving the mystery of Miss Mitchelmore’s curse).
The second half
(which sort of? focused on the romance and on Lady Landrake's backstory, which ended up being, in my opinion, boring)
felt disconnected, dragged in pace, and fell flat. An astounding accomplishment, considering it contains
an Orpheus-and-Eurydice mini-retelling.

FINAL THOUGHTS

The folklore/mythological elements and side characters, though far more interesting, were not the focus and thus did not compensate for the irritating, intrusive narrator and unengaging romance. While I’m sure others would like the humor, I don’t go for the type of quirky fandom-y humor often used. The second half dragged. And, in my humble opinion, the book had no business being over 400 pages in the first place.

Ultimately, this book just didn’t click with me. Maybe you’ll like Mortal Follies if you love Regency era romances and are itching for a sapphic one, but I’m not chomping at the bit to recommend it.

I’m not usually a romance reader, though, so it may be a matter of taste.

Thank you to Del Rey for providing a digital ARC via Netgalley. If you are interested in Mortal Follies, you can find more information from the publishers. If possible, support indie bookshops by purchasing the novel from your local brick and mortar or from Bookshop.org.

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hrtlss_grl's review against another edition

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adventurous emotional funny inspiring mysterious medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.75

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turtledonut's review

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adventurous funny lighthearted fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.75

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aileron's review against another edition

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adventurous funny lighthearted medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.0

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brontesauruses's review

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adventurous funny lighthearted mysterious medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Thank you to the publisher and Edelweiss+ for letting me get at this one early in exchange for an honest review!

Ok, so before I start the actual review: please take a minute to look at the cover. It's so pink, I love it. 💕
Did you look at it? Ok good.

As for the book itself, it's so much fun. It's queer and silly and told in a way that I ended up really enjoying. Our omniscient narrator is a character in their own right: Puck (aka Robin Goodfellow aka Stanley Tucci* in A Midsummer Night's Dream (1999)), who has been kicked out by Oberon, and now has to find a way to, you know, pay for food. The tone is very chatty. At times it felt like the chattiness was at the expense of pushing the story along, and it took me a couple chapters to get into it (it might even have been worse towards the beginning), but in the end I don't think I would have enjoyed it as much if it had been told differently.
If Puck Hall wants to write more books like this, I want to read them.

Idk that I have any readalikes per se, but I do think that if you like Emily Wilde you might like this one (and vice versa). Very different flavors of Faerie Nonsense, but yeah. Divine Rivals also maybe.

One quick bit of content warning: the Old Gods are still there causing problems, so there are three whole animal sacrifices in this one, each one more...well-described than the last. Lots of blood.
Also, there was a bit of virulent transphobia that was immediately challenged by the narrative and one of the main characters. OOF, though. Very jarring.

*I'm sure the audiobook narrator is very good, but as I was reading, I couldn't help wishing that they'd gotten my man Stanley in on this.
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analenegrace's review against another edition

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adventurous funny slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

This was a fun addition to Alexis Hall's many, many books, but not my favorite of his, unfortunately. It was also an addition to his many historical books where homophobia simply doesn't exist (although misogyny and racism still do, which at the end of the day doesn't make logical sense when considering social theory, but I digress...)

I liked many things about this book: the narrator, the world-building, and Miss Bickle, but it felt like it dragged at many points and could have been a bit shorter. I also felt that Georgiana was a bit flat, so I could not always understand why Maesly was so obsessed with her; it felt very much like she fell for the first other lesbian she met, and I don't particularly like that type of trope; it feels very princess in the tower. 

As a note, this had the least sexual content of any of Hall's books, and I wonder if that was due to it being sapphic or being so plot-heavy.

I look forward to more in this series (I assume there will be due to the epilogue and because Hall rarely does solo books) as I love the narrator, and I want to know more about him ASAP!
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savvyrosereads's review against another edition

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adventurous funny lighthearted slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0

Out now [Thank you so much the publisher for providing me with an eARC in exchange for an honest review!]

Rating: 4/5 stars

Narrated by the hobgoblin Robin (better known for Shakespeare fans as Puck from A Midsummer Night’s Dream), Mortal Follies is the 1814-set story of a young woman cursed by a goddess and the suspected murderess who may be her best ally or her greatest downfall.

I’m obsessed with the narration and framing of this one, which is slightly bizarre (in the best way) and takes a bit to fully get into—but once it clicks it is, to my mind, absolutely brilliant. I also loved all the characters—especially the headstrong Miss Mitchelmore, the brooding and Byronic Lady Georgiana, the delightfully hilarious and deceptively ingenuous Miss Bickle, and Miss Mitchelmore’s loving-if-slightly-oblivious parents.

I did find the plot a bit predictable and slightly thin—I expected more of a mystery element from the synopsis and ultimately didn’t find it particularly mysterious. But, read as an almost-Shakespearean period comedy with fantastical and dramatic elements? Top notch. If you’re up for a book that’s slightly weird but totally captivating, go pick this one up.

Recommended to anyone, but especially if you like: historical fantasy; A Midsummer Night’s Dream; sapphic romance

CW: Injury/violence/mentions of death; mentions of sexual assault; homophobia and transphobia
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purplepenning's review

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adventurous funny lighthearted slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes

3.0

Fans of India Holton's Dangerous Damsels series should definitely check this out — it's a sapphic regency romance adventure set in an England where the fae, the old gods, and the new gods all exist in active form. Principal action takes place in Bath and features Sulis Minerva, the Celtic-Roman goddess of the sacred springs that feed Bath's, well, baths. (This is, oddly, the second recently published book I've read to feature Minerva; the other is Garth Nix's The Sinister Booksellers of Bath.)

Mortal Follies is narrated by Puck / Robin Goodfellow (of "A Midsummer Night's Dream" fame) with lots of nods, winks, and digs about Shakespeare and Shakespearean faerie chaos. It follows the misadventures Miss Maeylis Mitchelmore, a young society darling who has had the mysterious misfortune of being cursed by a goddess. Miss Mitchelmore, to her friends' mixed reaction of dismay and delight, turns to the alluring society outcast, Lady Georgianna Landrake (the "Duke of Annadale"), for advice, protection, and what comfort a brooding heiress who is also a possible witch and murderer may give a stricken innocent with hidden strength and spirit.

This should've all worked for me, but alas — I found the main relationship to be somewhat tedious. The  pacing and character development didn't work for me and there was entirely too much brooding and badgering for my taste. But I did love the whole idea of this book, enjoyed the heck out of the narrator's perspective, and am happy that Alexis Hall just keeps writing whatever they want and I keep reading it.

Check the content notes — there are some surprisingly brutal sacrifice scenes (old gods, you know), some inner LGBTQ transphobic nonsense, and a little murder and debilitating disease. 
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