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hazel_oat's review
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Graphic: Terminal illness, Animal death, Medical content, Kidnapping, Violence, Abandonment, Death, and Murder
Moderate: Body shaming, Toxic relationship, Death of parent, Homophobia, Sexism, and Sexual content
Minor: Racism, Transphobia, Lesbophobia, and Slavery
artstitute's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Violence, Cursing, Injury/Injury detail, Sexual content, Deadnaming, Murder, Animal death, Terminal illness, and Blood
Minor: Rape, Death of parent, Transphobia, Sexual assault, and Slavery
ladythana's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Animal death
Moderate: Classism and Blood
Minor: Racism, Murder, Death of parent, Death, Transphobia, Terminal illness, Toxic relationship, Colonisation, Lesbophobia, Sexual content, Slavery, and Body horror
jencolumb0's review
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Animal death, Death, Blood, Terminal illness, and Chronic illness
Moderate: Death of parent and Stalking
Minor: Colonisation, Transphobia, Slavery, Excrement, and Classism
Given that this book is about confronting a lack of agency and aggressively claiming space and happiness that the patriarchy denies, a number of these difficult topics are challenged. There’s also a bit about food turning to maggots in someone’s mouth that is not for the squeamish.foxwish's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I initially found Mr. Caesar and Miss Bickle quite irritating, Mr. Caesar is solely there to mistrust the Duke of Annadale and Miss Bickle was mostly very naive, however by the end of the book I cared more for Miss Bickle than Miss Mitchelmore.
The pacing was off, the main plotline is solved halfway through the book and the plot meanders around a bit and we don't get to see enough of the main relationship blossoming or even learn enough about their personalities to get invested in them. I enjoyed how Miss Bickle is so key to solving the final puzzle of the story because of her unique way of thinking, it really endeared me to her character. However the ending of the book does fall flat.
I also got the impression that we were exploring an alternate regency England because of clothing made by fairies and humans openly discussing fairy-made clothes, open worship of pagan gods, naiads, the overt presence of a Goddess, witches and magic. The world was too obviously magical for me to accept this story takes place in regency England.
I will also note, as others have, that Medusa became a monster by Athena's hand and not Apollo's. You'd really think the author, editor or publisher would pick up on something so easy to fact check.
Graphic: Animal death, Terminal illness, and Murder
Moderate: Death and Sexual content
Minor: Death of parent
displacedcactus's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
In the case of Mortal Follies, my issues with the book can be summed up in three points:
1. It's incredibly slow-paced and repetitive, and could have been tightened up by about 20-30%.
2. It wants to be light-hearted but also involves sacrificing animals to old gods.
3. Having Robin Goodfellow narrate the story from a distance would be GREAT in a short story or novella! He's an entertaining narrator! But having him narrate a full-length (slightly over-long) romance novel was a poor choice, IMHO, because he puts a real distance between the reader and the main characters. We never truly know what they are thinking or feeling, which makes it hard to buy the romance.
Btw, this distance also extends to the love scenes. Very low spice level here.
It does get points for depicting the fae folk in a way more in line with traditional lore than with the current genre tropes of smexy faeries.
Moderate: Blood, Animal death, Sexual content, and Terminal illness
alyxinthestars's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Moderate: Death, Terminal illness, and Murder
aileron's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Graphic: Death, Kidnapping, Murder, Animal death, and Blood
Moderate: Death of parent, Grief, Gore, and Medical content
Minor: Slavery, Terminal illness, Classism, and Racism
bibliomania_express's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Animal death, Violence, Animal cruelty, Murder, and Blood
Moderate: Sexual harassment, Sexual violence, Stalking, Transphobia, Terminal illness, Classism, Misogyny, and Gaslighting
Minor: Slavery and Colonisation
purplepenning's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.0
Mortal Follies is narrated by Puck / Robin Goodfellow (of "A Midsummer Night's Dream" fame) with lots of nods, winks, and digs about Shakespeare and Shakespearean faerie chaos. It follows the misadventures Miss Maeylis Mitchelmore, a young society darling who has had the mysterious misfortune of being cursed by a goddess. Miss Mitchelmore, to her friends' mixed reaction of dismay and delight, turns to the alluring society outcast, Lady Georgianna Landrake (the "Duke of Annadale"), for advice, protection, and what comfort a brooding heiress who is also a possible witch and murderer may give a stricken innocent with hidden strength and spirit.
This should've all worked for me, but alas — I found the main relationship to be somewhat tedious. The pacing and character development didn't work for me and there was entirely too much brooding and badgering for my taste. But I did love the whole idea of this book, enjoyed the heck out of the narrator's perspective, and am happy that Alexis Hall just keeps writing whatever they want and I keep reading it.
Check the content notes — there are some surprisingly brutal sacrifice scenes (old gods, you know), some inner LGBTQ transphobic nonsense, and a little murder and debilitating disease.
Graphic: Murder, Animal cruelty, and Animal death
Moderate: Cursing, Physical abuse, Gore, Blood, Sexism, Transphobia, Body horror, Death, Sexual content, Violence, and Classism
Minor: Grief, Racism, Gun violence, Death of parent, and Terminal illness