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terranstorm's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
First, the batty best friend toed the line a bit too close to irredeemably annoying. Second, the Viscount was so obviously guilty from the start that the characters lost a lot of my faith when they were casting about like “golly, but who else could it be?!” Between those issues, several times I had to put the book down or skip ahead a paragraph because I was just irritated instead of fondly amused.
And mostly? The Pacing. Was. Off. The whole second half, if I’m being honest. I kept feeling bored when a little too much tension had leaked out while waiting for the next interesting thing to happen. Our Puck-like narrator occasionally commenting on feeling bored by mortals’ silly little lives honestly didn’t help the effect? In the end it was a choppy read for me, at times delightful and more often tedious.
Oh, but Maelys’ delightfully nerdy parents were a highlight, and Mr. Caesar’s queer friend set, and everything about the lady Duke being domme-y, moody and withdrawn (“Byronic,” HA). Still a lot of really good bits in here even if it didn’t hang together for me.
Moderate: Animal death, Body horror, Death, Gore, and Terminal illness
teipu's review against another edition
3.75
Moderate: Animal death
Minor: Body horror
ladythana's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Animal death
Moderate: Blood and Classism
Minor: Body horror, Death, Racism, Sexual content, Slavery, Terminal illness, Toxic relationship, Transphobia, Death of parent, Murder, Lesbophobia, and Colonisation
purplepenning's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
3.0
Mortal Follies is narrated by Puck / Robin Goodfellow (of "A Midsummer Night's Dream" fame) with lots of nods, winks, and digs about Shakespeare and Shakespearean faerie chaos. It follows the misadventures Miss Maeylis Mitchelmore, a young society darling who has had the mysterious misfortune of being cursed by a goddess. Miss Mitchelmore, to her friends' mixed reaction of dismay and delight, turns to the alluring society outcast, Lady Georgianna Landrake (the "Duke of Annadale"), for advice, protection, and what comfort a brooding heiress who is also a possible witch and murderer may give a stricken innocent with hidden strength and spirit.
This should've all worked for me, but alas — I found the main relationship to be somewhat tedious. The pacing and character development didn't work for me and there was entirely too much brooding and badgering for my taste. But I did love the whole idea of this book, enjoyed the heck out of the narrator's perspective, and am happy that Alexis Hall just keeps writing whatever they want and I keep reading it.
Check the content notes — there are some surprisingly brutal sacrifice scenes (old gods, you know), some inner LGBTQ transphobic nonsense, and a little murder and debilitating disease.
Graphic: Animal cruelty, Animal death, and Murder
Moderate: Body horror, Cursing, Death, Gore, Physical abuse, Sexism, Sexual content, Transphobia, Violence, Blood, and Classism
Minor: Gun violence, Racism, Terminal illness, Grief, and Death of parent
meganpbell's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Animal death, Sexual content, and Murder
Minor: Ableism, Body horror, Racism, Terminal illness, Transphobia, and Medical content