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grace_b_3's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Animal death and Death
Moderate: Slavery
meshuganush's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I really recommend reading The Cooking Gene: A Journey Through African American Culinary History in the Old South by Michael Twitty, it is a spectacular nonfiction book where the author takes us through his journey to uncover the roots of southern cuisine as well as his roots as an African American whos ancestors were enslaved in the united states. It lends some beautiful context to the themes of homeland and ancestral history.
Graphic: Death and Death of parent
Moderate: War
bucketsjen's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Has themes of cultural, generational, and personal trauma, the pain of being the only one who Knows and Understands, and processing/healing to move forward. It's REALLY well done. While the subject matter is heavy, it's managed deftly and the book is surprisingly healing to read.
I really recommend the audiobook for this one. Daveed Diggs does an incredible job, and the work's musical history really lends it to auditory retelling. There's an Afterward by Diggs which was an awesome addition to the story (he's funny and insightful).
Graphic: Slavery and Grief
Moderate: Animal death, Child death, Death, Self harm, Suicidal thoughts, Violence, and Suicide attempt
Animal death, Attempted suicide, Grief, Hallucinations, Slavery (past), Self-harm, Trauma (personal, generational, cultural), violence, references to familial death.numerous_bees's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Ableism, Animal death, Death, Panic attacks/disorders, Suicidal thoughts, Suicide, Violence, Grief, Suicide attempt, and Abandonment
Moderate: Animal death, Child death, Death, Genocide, Slavery, Blood, Pregnancy, and Colonisation
Minor: Racism, Sexual content, and Fire/Fire injury
anaheeta's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I seem to be very very fortunate lately as I keep reading books that make me want to start from the beginning right as I finish them.
This was so so so beautiful and heartbreaking in a good way. And also the creation of the story and the multiple steps it took for this book to come to be (read the editor’s words) was fascinating. It was based on a horribly tragic historical genocide, one of pregnant/in labor African women thrown off of slave ships.
Without giving away any more of the story, it’s sci-fi fantasy about life, love, and generational trauma. The book delves into the traumas of an underwater civilization and how the traumas are handled. How individuality and community interact. How change and progress works.
It was just a beautiful beautiful work of fiction and I have become a fan of Rivers Solomon, can’t wait to read more of their work!
Trigger warnings: slavery, racism, blood, death, misogyny, grief, generational trauma,
Graphic: Death, Genocide, Hate crime, Racism, Slavery, Violence, Pregnancy, and Colonisation
Minor: Animal death and Blood
biobeetle's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Body horror, Panic attacks/disorders, Suicidal thoughts, Blood, Grief, and Colonisation
Moderate: Death, Racism, Violence, Medical content, Suicide attempt, Pregnancy, and War
Minor: Child death
agnela's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Moderate: Death, Racism, Suicidal thoughts, and Suicide attempt
ginalucia's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Slavery, and Grief
Moderate: Pregnancy
tessamd's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Moderate: Child death, Death, Racism, Slavery, Suicidal thoughts, and Pregnancy
pacifickat's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
However, there was a section toward the middle where
Ultimately this is a story about finding balance, between a traumatic past and a hopeful future, between individual and communal identity, between colonizing forces and indigenous cultures, and between the land and sea itself. It is also about remembering.
"Remember. […] That was all remembering was, prodding them lest they try to move on from things that should not be moved on from. Forgetting is not the same as healing.” - Yetu
"One can only go so long without asking, ‘Who am I? Where do I come from? What does all this mean? What is being? What came before me, and what might come after?’ Without answers there is only a hole, a whole where a history should be that takes the shape of an endless longing. We are cavities.” - Amamba
Yetu bears all of her people’s generational trauma, that is her role as ‘memory keeper’ in a society where long-term memory has largely been erased to give her people the freedom to thrive in the present unhindered by a painful past. She is their matriarch, but she is ill-suited for the role.
"She couldn’t determine which was worse, the pain of the ancestors or the pain of the living. Both fed off her.”
"She learned how to make an inch for herself.”
"She touched each one of them, figuring out how each Wajinru was outside of the oneness the remembrance brought. That mattered. Who each of them was mattered as much as who all of them were together.”
"They could bear it all together.”
It is also a story about the function of memory in culture-making and identity.
In the afterward, The Deep is described as “a game of cumulative telephone.” The concept began as a song and was adapted over time by different musical groups until this novelization was produced.
“Each new telling of The Deep has been productive rather than destructive, and each new iteration has been carried out with admiration for the previous, […] happily taking on adaptations of each new interpreter into the future.”
This is a wonderful description of culture-making, the turning of ‘I’ into ‘we’, of carrying our stories, traumas, and longings together, erasing loneliness in the context of a communal tribe. It is forming collective memory, adapting a shared history into a cohesive perspective, a meaningful and unifying mythology.
"The living put their own mark on the dead.”
Graphic: Death, Self harm, Sexual content, Slavery, Suicidal thoughts, Toxic relationship, Violence, Blood, Trafficking, Kidnapping, Grief, Suicide attempt, Murder, Pregnancy, Colonisation, War, and Injury/Injury detail
Moderate: Ableism, Animal death, and Fire/Fire injury
drowning, shark attacks, birth, biting, neurodivergence, generational trauma, collective trauma