Scan barcode
taylorc19's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
Pros:
- I like the premise. A comedy writer who chooses to write a sketch about the phenomenon of wildly attractive female celebrities dating (for lack of better terms) mid-tier men is a really great idea.
- The characters felt fully developed and like they could have been real people.
- The so-called "third act break-up" was based on insecurities that were totally valid for the female main character to have, and I think I would have done the exact same thing she did if I were in her situation.
- There is absolutely no warning that this is going to be a pandemic fiction novel. I don't want to read about the COVID-19 pandemic. Like, ever. Maybe in fifty years when I forget the enormous toll it took on our lives, or maybe when I want to reminisce on my high school experience and remember how I never had a senior year, I can come back to pandemic novels. But right now? No thank you.
- A subsection of this: I'm sure there are people who want to read about the pandemic and enjoy that as a setting for a novel, but for God's sake at least mention that the pandemic is a part of the book in the blurb.
- I don't think either of the main characters were supposed to be overly political, yet this book was inherently a political book. For example, when Danny Horst and his girlfriend break up he says something along the lines of "Remember in the 2016 election when we thought the worst thing would never happen and then it did?" or when talking about her friendship with Danny, Sally remarks that they bonded while sobbing in each other's arms on election night 2016. Is that really necessary in a romance book? Parts of this book felt like it was straight from a "How to Be a Social Justice Warrior in 2020 for Beginners" guide. Which maybe some people like, but again, give some indication in the blurb PLEASE.
- Another example of this is during the emails section of the book, Sally and whatever the main boy's name is (literally can't remember for the life of me) talk about masks and going to BLM protests. Sally also talks about systemic racism and racism in healthcare, which fair enough but also maybe we don't have a straight white woman protagonist preaching about it? Also I read the acknowledgements section and the author cites an article as her one source for racism in healthcare. It almost feels like she was just collecting woke Infinity Stones and sprinkling them throughout the book. Pick something you care about and develop that; otherwise, your commentary on these topics feels disingenuous and under-researched.
- Sally is supposed to be funny and she simply isn't. She's a long-term writer for an SNL-type show and is supposed to be insanely witty and funny, yet none of her pitched skits or jokes landed for me. Sorry I don't find fart jokes funny.
Graphic: Pandemic/Epidemic
Moderate: Racism and Sexism
daniofthewood's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Body shaming, Cursing, Alcoholism, Confinement, Fatphobia, Pandemic/Epidemic, Sexism, Excrement, Misogyny, and Sexual content
Moderate: Bullying, Drug use, Police brutality, Classism, Alcohol, Death of parent, Pregnancy, Eating disorder, Suicide, Death, and Racism
kyriannaj's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
1.0
Graphic: Medical content and Pandemic/Epidemic
Moderate: Misogyny and Sexism
Minor: Death, Sexual content, Drug abuse, Death of parent, Cursing, Eating disorder, Police brutality, Addiction, and Alcohol
manaledi's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Moderate: Alcoholism, Body shaming, Addiction, Sexual content, and Sexism
Minor: Cursing, Excrement, Pregnancy, Suicidal thoughts, Fatphobia, and Death of parent
emilymazzara's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The love story here was beautiful in all its messiness and flaws. I can’t help but applaud the balance Sittenfeld was able to strike between the MCs communicating like adults and miscommunicating like humans. Truly just delightful from beginning to end!
Moderate: Addiction, Eating disorder, and Pandemic/Epidemic
Minor: Death of parent and Sexism
brebooks_'s review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Pandemic/Epidemic
Moderate: Sexism and Body shaming
abidavisf's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
This story reads like a conversation. It is not filled with drama and action, but raw human emotion and interaction. I’ve never read prose like this before and I loved it. I listened to the audio book and found myself giggling at my desk at the end of Chapter 2.
I’ll now be buying the physical copy because I need to read this again and desperately need to make notes!
Two of my favourite lines:
1. “If you were a musician, you got to be viscerally magical.”
2. “When I’m talking to you, I’m a funnier and smarter version of myself because you are funny and smart.”
Minor: Alcohol, Pregnancy, Death of parent, Drug abuse, Eating disorder, Excrement, Addiction, Alcoholism, Body shaming, Medical content, Sexism, Cancer, Abandonment, and Pandemic/Epidemic
danikajoan's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.0
Graphic: Addiction, Death, Misogyny, Sexual content, Sexism, Pregnancy, Death of parent, Eating disorder, Excrement, Pandemic/Epidemic, Medical content, Grief, and Body shaming
mraddd's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Death of parent, Medical content, Pregnancy, and Body shaming
Moderate: Alcoholism, Misogyny, and Sexism
Minor: Drug abuse, Panic attacks/disorders, and Cancer
amyvl93's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Romantic Comedy follows Sally, a resolutely single woman in her late 30s who writes for the regular comedy sketch show The Night Owls (aka SNL), who meets very famous pop singer Noah Brewster when he is the host and music guest one week in 2018. They appear to connect until they don't; before reconnecting during the pandemic. But famous hot men don't date normie women...right?
The normal person/famous person couple is a trope that is hugely popular in romcoms, and one that I usually enjoy but unfortunately for this book I just didn't feel the chemistry between Noah and Sally until fairly late in the novel. This may be because we're in Sally's head, but I also didn't feel that their conversations and even emails felt that flirty and romantic. Also whilst Sally was a times irritating, she did feel like a nuanced character - Noah had no shades of grey to him, which made him a slightly uninteresting character to root for.
There's also a whole lot of inside baseball about the making of comedy sketch shows which did feel a bit too detailed for my tastes, and whilst Sittenfeld definitely captures the anxiety of Covid-19 very well, there were a lot of topical references that felt a tad on the nose, although that may be because we're still very close to these events.
What worked well for me was the supporting characters; the rest of the writers & performers at The Night Owl, Sally's stepfather and beagle, and the entirely believable celebrity universe that Sittenfeld creates that sits around the characters.
I could see this being a, ahem, romantic comedy fluffy film but it didn't work overly well for me as a novel.
Graphic: Pandemic/Epidemic
Moderate: Death of parent, Alcoholism, and Sexism