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nicsnovellife's review against another edition
dark
medium-paced
0.25
Content Warnings
Graphic: Adult/minor relationship, Child abuse, Confinement, Death, Drug abuse, Drug use, Pedophilia, Physical abuse, Rape, Self harm, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Torture, Violence, Trafficking, Suicide attempt, and Gaslighting
kay_jax's review
challenging
dark
emotional
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Adult/minor relationship, Drug abuse, Emotional abuse, Incest, Pedophilia, Physical abuse, Rape, Sexual assault, Sexual violence, Suicidal thoughts, Torture, Violence, and Forced institutionalization
averyarnold's review
adventurous
challenging
dark
emotional
mysterious
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
This book was a -lot- y’all.
With a title like Yes, Daddy you’d probably expect a steamy, smut filled, gay book. However, only one of those adjectives apply to this book.
I’m having a hard time deciding if I liked it and what to rate it.
Parts of the book were quick, and suspenseful, and sucked you in. But other parts were the exact opposite. It felt like I was both reading a work of fiction about the world of wealth, class, and the darkness that lies (literally) beneath those things. But also at the same time reading the journal of the author as he worked out his past and his trauma. It felt like two books in one, and only one of those were a book I should have been reading.
The scenes at the Hamptons, which was maybe 1/3 of the book?, had a nice steady descent into darkness and misery. It felt well paced, even if it was deeply uncomfortable to read, which was obviously the point. However, the way in which the MC was able to escape felt very unlikely. Not that really anything up to that point felt super realistic, but if these men were going to such lengths to keep these boys on the property….one of them would have at least followed the two to the hospital.
It was the last half of the book that…is where I’m struggling to nail down my feelings. The last half, or maybe 1/3rd of the book was dedicated to Jonah’s healing and overcoming his trauma. Which is good and necessary, obviously. And from the POV of the writer, I understand that it’s important to bring the reader back down to a somewhat neutral level after slowing building up the tension and discomfort. Plot structure and all of that, I get it.
But my problems are really with two things:
1- We took a very hard left into religion. Which I understand, as someone who grew up southern baptist, I understand the trauma of being gay in that scenario and the going back to God when times get really bad. I truly understand. And especially someone with the trauma inflicted on him by Christianity, I understand the longing to reconcile that and how, sometimes, reworking your relationship with all aspects of Christianity can help. However, I guess it was just because the book is called Yes, Daddy that I wasn’t expecting such a hard shift into religion. And then, well, the r*pe scene that ended Jonah’s new found religious healing felt very unnecessary, and then negated the entire chapter or two. The book could have been just fine without it, especially because when he starts mending his relationship with his father at the end, he also starts mending his relationship with Christianity and it could have been saved for that. But also, that moment with Matt (I think was his name) is never brought up again, at least to my memory. So it just felt like a “aha! See, Christians are bad and don’t want to help you!” sort of a thing that the author wanted to put in there.
And 2- It didn’t feel like I was reading a book. It felt, quite literally, that I was reading the inner workings of a journalists perspective of the role that social media played during the #MeToo movement. The writing just felt very different, at least to me, during the chapters involving Jonah’s new Twitter infamy. Knowing that the author was/is still a journalist/writer for media networks really added to the sense that he just needed to vent and decided to use the book as a way to do that and just forgot to make it fit into the story. Not that I think anything said during those chapters and moments wasn’t important and didn’t need to be said, the opposite, really. But it just didn’t feel like it connected to the book.
And I guess, maybe I have a third thing: I wished that the other boys that were there with Jonah were given as big of roles in the ending as Mace was. Because, those boys experienced worse pains then either Jonah or Mace (Not that trauma is a game…but they, ya know, didn’t escape and didn’t have the freedom to come and go.) I don’t remember if we were ever told how/when they got out. Nor, did the plot ever really seem to care about them after they did. The story also never seemed to care about finding out what happened to Evan. And, I get it, Jonah is working through a lot of trauma, he probably wouldn’t. I understand, but a lot of the story just -happened- to him so, it could have just been a passing headline that a body of a young man was found on the compound, or something. I wanted more closure with those boys then the author wanted to give. I understand why Mace was singled out, because of what happened at the trial and everything, so I understood that. But I just wanted Jonah to, somehow, find the emails of the other boys and reach out to them. I wanted the story to show them the same kindness and compassion Jonah and Mace were given. I know, I know: The World doesn’t always work that way. Sometimes one person is given more compassion then someone else. I know. But this is fiction. The world can be anything you want it to be. And I just wanted it to be kinder to the boys who had to endure the Hampton’s for months, and didn’t have the freedom that Mace had to come and go, or the opportunity to escape that Jonah had. I wanted them to, at least, be sent on their way somewhat happy and mended. They are in my head, so, that’s nice.
((I’m also not going to sit here and say that a lot of the ending didn’t give me major ending of Gerald’s Game vibes because…it did. Now that’s a story about sexual trauma and healing that really is 10/10 Grade A Eggland’s Best.)
And yes, some people do have a problem with the way the entire book does feel like a letter, but I didn’t mind it. In fact, I actually thought it worked well during the scenes at the Hampton’s because it added a nice level to the trauma we were reading, knowing that it was only temporary.
I know I said that the book felt very much like the author was using it to work out his feelings on certain subjects. Which is very much what I’m doing.
And while, at the end, I think we understood what the authors feelings were about certain things….this author is still very much undecided about his feelings.
Did I enjoy it? Yes.
Did it make me feel the things it wanted me to feel when it wanted me to feel them? Yes.
Did I like the characters I was supposed to like? Yes.
Did I hate the characters I was supposed to hate? Yes.
Did I like the book?
With a title like Yes, Daddy you’d probably expect a steamy, smut filled, gay book. However, only one of those adjectives apply to this book.
I’m having a hard time deciding if I liked it and what to rate it.
Parts of the book were quick, and suspenseful, and sucked you in. But other parts were the exact opposite. It felt like I was both reading a work of fiction about the world of wealth, class, and the darkness that lies (literally) beneath those things. But also at the same time reading the journal of the author as he worked out his past and his trauma. It felt like two books in one, and only one of those were a book I should have been reading.
The scenes at the Hamptons, which was maybe 1/3 of the book?, had a nice steady descent into darkness and misery. It felt well paced, even if it was deeply uncomfortable to read, which was obviously the point. However, the way in which the MC was able to escape felt very unlikely. Not that really anything up to that point felt super realistic, but if these men were going to such lengths to keep these boys on the property….one of them would have at least followed the two to the hospital.
It was the last half of the book that…is where I’m struggling to nail down my feelings. The last half, or maybe 1/3rd of the book was dedicated to Jonah’s healing and overcoming his trauma. Which is good and necessary, obviously. And from the POV of the writer, I understand that it’s important to bring the reader back down to a somewhat neutral level after slowing building up the tension and discomfort. Plot structure and all of that, I get it.
But my problems are really with two things:
1- We took a very hard left into religion. Which I understand, as someone who grew up southern baptist, I understand the trauma of being gay in that scenario and the going back to God when times get really bad. I truly understand. And especially someone with the trauma inflicted on him by Christianity, I understand the longing to reconcile that and how, sometimes, reworking your relationship with all aspects of Christianity can help. However, I guess it was just because the book is called Yes, Daddy that I wasn’t expecting such a hard shift into religion. And then, well, the r*pe scene that ended Jonah’s new found religious healing felt very unnecessary, and then negated the entire chapter or two. The book could have been just fine without it, especially because when he starts mending his relationship with his father at the end, he also starts mending his relationship with Christianity and it could have been saved for that. But also, that moment with Matt (I think was his name) is never brought up again, at least to my memory. So it just felt like a “aha! See, Christians are bad and don’t want to help you!” sort of a thing that the author wanted to put in there.
And 2- It didn’t feel like I was reading a book. It felt, quite literally, that I was reading the inner workings of a journalists perspective of the role that social media played during the #MeToo movement. The writing just felt very different, at least to me, during the chapters involving Jonah’s new Twitter infamy. Knowing that the author was/is still a journalist/writer for media networks really added to the sense that he just needed to vent and decided to use the book as a way to do that and just forgot to make it fit into the story. Not that I think anything said during those chapters and moments wasn’t important and didn’t need to be said, the opposite, really. But it just didn’t feel like it connected to the book.
And I guess, maybe I have a third thing: I wished that the other boys that were there with Jonah were given as big of roles in the ending as Mace was. Because, those boys experienced worse pains then either Jonah or Mace (Not that trauma is a game…but they, ya know, didn’t escape and didn’t have the freedom to come and go.) I don’t remember if we were ever told how/when they got out. Nor, did the plot ever really seem to care about them after they did. The story also never seemed to care about finding out what happened to Evan. And, I get it, Jonah is working through a lot of trauma, he probably wouldn’t. I understand, but a lot of the story just -happened- to him so, it could have just been a passing headline that a body of a young man was found on the compound, or something. I wanted more closure with those boys then the author wanted to give. I understand why Mace was singled out, because of what happened at the trial and everything, so I understood that. But I just wanted Jonah to, somehow, find the emails of the other boys and reach out to them. I wanted the story to show them the same kindness and compassion Jonah and Mace were given. I know, I know: The World doesn’t always work that way. Sometimes one person is given more compassion then someone else. I know. But this is fiction. The world can be anything you want it to be. And I just wanted it to be kinder to the boys who had to endure the Hampton’s for months, and didn’t have the freedom that Mace had to come and go, or the opportunity to escape that Jonah had. I wanted them to, at least, be sent on their way somewhat happy and mended. They are in my head, so, that’s nice.
((I’m also not going to sit here and say that a lot of the ending didn’t give me major ending of Gerald’s Game vibes because…it did. Now that’s a story about sexual trauma and healing that really is 10/10 Grade A Eggland’s Best.)
And yes, some people do have a problem with the way the entire book does feel like a letter, but I didn’t mind it. In fact, I actually thought it worked well during the scenes at the Hampton’s because it added a nice level to the trauma we were reading, knowing that it was only temporary.
I know I said that the book felt very much like the author was using it to work out his feelings on certain subjects. Which is very much what I’m doing.
And while, at the end, I think we understood what the authors feelings were about certain things….this author is still very much undecided about his feelings.
Did I enjoy it? Yes.
Did it make me feel the things it wanted me to feel when it wanted me to feel them? Yes.
Did I like the characters I was supposed to like? Yes.
Did I hate the characters I was supposed to hate? Yes.
Did I like the book?
Content Warnings
Graphic: Addiction, Adult/minor relationship, Alcoholism, Body shaming, Bullying, Emotional abuse, Homophobia, Mental illness, Panic attacks/disorders, Physical abuse, Rape, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Torture, Toxic relationship, Violence, Kidnapping, Grief, Religious bigotry, Gaslighting, Abandonment, Alcohol, and Sexual harassment
glamcake's review
dark
emotional
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Content Warnings
Graphic: Adult/minor relationship, Confinement, Physical abuse, Rape, and Sexual assault
danielghurst's review
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Yes, Daddy by Jonathan Parks-Ramage tells the story of Jonah, a young, gay, aspiring playwright in New York, who, like so many young artists in New York, is in a desperate financial situation. With painstaking precision, he leverages his youth and sex appeal for a shortcut to New York theatre's inner circle and gets much more than he anticipated. What starts as a dream scenario soon takes a dark turn that will have far-reaching consequences.
After a chilling prologue, Yes, Daddy takes the reader on a brooding and often brutal thrill ride. The clever narrative device and the heaviness of the language draw the reader into this world of desperation, sexual tension, and power plays. The first half of the book breezes by in a whirl of eerie events, odd characters, unabashed gayness, sexuality, and brutality, at times verging on camp.
The second half is more of a surprise. Several years later, Jonah has a more personal reckoning with what happened to him in the first half of the book, the others involved, and the childhood traumas that led him into such a dire situation. Mostly absent of thrills, the rest of the book moves more slowly and delves into societal critique around social media, mental health, religion, sexuality, and rape culture, particularly in regards to the gay community. Expect a more human story tinged with both despair and hope.
Non-exhaustive list of content warnings: rape, physical violence, underage drinking, sexual assault, kidnapping, infidelity, drug use, cruelty to animals, suicide, suicidal ideation, religious fanaticism
After a chilling prologue, Yes, Daddy takes the reader on a brooding and often brutal thrill ride. The clever narrative device and the heaviness of the language draw the reader into this world of desperation, sexual tension, and power plays. The first half of the book breezes by in a whirl of eerie events, odd characters, unabashed gayness, sexuality, and brutality, at times verging on camp.
The second half is more of a surprise. Several years later, Jonah has a more personal reckoning with what happened to him in the first half of the book, the others involved, and the childhood traumas that led him into such a dire situation. Mostly absent of thrills, the rest of the book moves more slowly and delves into societal critique around social media, mental health, religion, sexuality, and rape culture, particularly in regards to the gay community. Expect a more human story tinged with both despair and hope.
Non-exhaustive list of content warnings: rape, physical violence, underage drinking, sexual assault, kidnapping, infidelity, drug use, cruelty to animals, suicide, suicidal ideation, religious fanaticism
Content Warnings
Graphic: Adult/minor relationship, Confinement, Cursing, Death, Drug abuse, Drug use, Emotional abuse, Infidelity, Pedophilia, Physical abuse, Rape, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Torture, Toxic relationship, Violence, Blood, Kidnapping, Religious bigotry, Suicide attempt, Death of parent, Fire/Fire injury, Gaslighting, Abandonment, Alcohol, and Sexual harassment
colinjames's review
dark
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Adult/minor relationship, Rape, and Trafficking
Moderate: Emotional abuse and Physical abuse
Minor: Religious bigotry
bookmarkedbya's review
challenging
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Graphic: Adult/minor relationship, Death, Homophobia, Physical abuse, Rape, Self harm, Suicidal thoughts, Suicide, Torture, Violence, and Medical trauma
hannia222's review
challenging
dark
emotional
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
I was in no way prepared for the force of this novel. (s/o to @adancewithwords for the rec)
tw: graphic violence (physical/sexual), rape, substance abuse, homophobia
Yes, Daddy follows Jonah Keller, a young, ambitious writer scraping by in New York, who schemes a meeting with the rich and successful Richard Shriver, a playwright himself. An affair, cemented in the imbalance of power, ensues, and what follows is a twisted tale of abuse and violence.
From the very beginning, Parks-Ramage peels away the layers of Jonah's character, hereby showing his vulnerability and how lack of validation leads to his later mistakes. These aspects alone make the novel worth a read - it is a character study, both of Jonah and of #MeToo. The critical exploration of trauma allows the reader to empathise with a very flawed, often even unlikable character - something essential in our time, where victim blaming is still commonplace.
The first 60% is truly impossible to put down. Although often painful to read, it is fast-paced and able to elicit strong emotional response often, without becoming over-the-top or unrealistic. The build up of tension is spaced out in a ways that give each twist a sense of realisation rather than shock. This was brilliantly done, considering that sexual abuse stories so often hide in plain sight in reality.
The next few chapters felt a bit all over the place, but to the book as a whole they remain relevant to Jonah's journey. The effects of his experiences never leave the story (rightfully), rather manifesting themselves in any and all aspects of his life. Towards the end a good pace is achieved again, and allows the novel to be tied up in a hopeful way. I also think the book deserves to be acknowledged for the constructive way it deals with therapy, forgiveness and religion - especially in the LGBTQIA+ community.
The use of the second person allows the book to feel even more personal, though never directed at the reader. Although I wouldn't say I have any special attachment to Jonah, his turmoil resonated with me from beginning to end. I unexpectedly found tears of anger streaming down my face as I made my way through this novel, crying at the injustice but also saddened by the fact that this is a book rooted in truth. It's a powerful story, strengthened by its implications and inspiration, that will stay with me for a long time.
tw: graphic violence (physical/sexual), rape, substance abuse, homophobia
Yes, Daddy follows Jonah Keller, a young, ambitious writer scraping by in New York, who schemes a meeting with the rich and successful Richard Shriver, a playwright himself. An affair, cemented in the imbalance of power, ensues, and what follows is a twisted tale of abuse and violence.
From the very beginning, Parks-Ramage peels away the layers of Jonah's character, hereby showing his vulnerability and how lack of validation leads to his later mistakes. These aspects alone make the novel worth a read - it is a character study, both of Jonah and of #MeToo. The critical exploration of trauma allows the reader to empathise with a very flawed, often even unlikable character - something essential in our time, where victim blaming is still commonplace.
The first 60% is truly impossible to put down. Although often painful to read, it is fast-paced and able to elicit strong emotional response often, without becoming over-the-top or unrealistic. The build up of tension is spaced out in a ways that give each twist a sense of realisation rather than shock. This was brilliantly done, considering that sexual abuse stories so often hide in plain sight in reality.
The next few chapters felt a bit all over the place, but to the book as a whole they remain relevant to Jonah's journey. The effects of his experiences never leave the story (rightfully), rather manifesting themselves in any and all aspects of his life. Towards the end a good pace is achieved again, and allows the novel to be tied up in a hopeful way. I also think the book deserves to be acknowledged for the constructive way it deals with therapy, forgiveness and religion - especially in the LGBTQIA+ community.
The use of the second person allows the book to feel even more personal, though never directed at the reader. Although I wouldn't say I have any special attachment to Jonah, his turmoil resonated with me from beginning to end. I unexpectedly found tears of anger streaming down my face as I made my way through this novel, crying at the injustice but also saddened by the fact that this is a book rooted in truth. It's a powerful story, strengthened by its implications and inspiration, that will stay with me for a long time.
Content Warnings
Graphic: Adult/minor relationship, Alcoholism, Drug use, Homophobia, Panic attacks/disorders, Physical abuse, Rape, Self harm, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Violence, Trafficking, Suicide attempt, Gaslighting, and Alcohol
bostonbooksandbubbles's review
challenging
dark
emotional
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
I really struggled with this book. It felt like two separate books that hadn’t found a way to coexist. There’s the thriller, which does start out strong before descending into what felt like borderline trauma porn. There’s also the literary fiction component, wrestling with difficult family dynamics, reconciling sexuality and religion, and working through / overcoming trauma. I genuinely do not understand why this book is getting so much hype.
Content Warnings
Graphic: Addiction, Adult/minor relationship, Alcoholism, Confinement, Emotional abuse, Physical abuse, Rape, Sexism, Sexual assault, Sexual violence, Slavery, Suicide, Torture, Trafficking, Religious bigotry, and Fire/Fire injury
perfect_leaves's review
challenging
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
What the hell.
I'm too tired to write a full review right now but.... This book tried to do so much get wound up accomplishing so little.
I'm too tired to write a full review right now but.... This book tried to do so much get wound up accomplishing so little.
Content Warnings
Graphic: Addiction, Adult/minor relationship, Alcoholism, Confinement, Cursing, Physical abuse, Rape, Sexual assault, Torture, Toxic relationship, Kidnapping, and Religious bigotry
Moderate: Self harm, Sexism, Suicidal thoughts, Suicide, Blood, Vomit, Grief, Suicide attempt, and Murder
Minor: Body shaming and Fatphobia