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withlivjones's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.5
I have two main issues with the book. The first is that I didn’t really understand the character of Florence, although perhaps she’s not meant to be understood. Her powers of invisibility as explained in the book made sense to a point, but past that she seemed overpowered in a way that made everything very convenient for the other characters. The second issue is that the book just doesn’t feel seasonal enough. The “present day” portion of the story happens in October, which isn’t even in Spring! Something I really loved about Winter was that the bleakness of the writing perfectly matched the tone of the season, and the fact that the main story takes place over Christmas helps with that too, and I just didn’t get that same feeling in this book.
I still love Ali Smith’s writing, and she told a very important story in this book, but I’m hoping the rest of the series will improve from this instalment.
Graphic: Suicide attempt, Xenophobia, Deportation, and Grief
Moderate: Sexism, Death, and Racism
racbuckallew's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Moderate: Grief, Deportation, and Confinement
Minor: Sexual content, Rape, and Violence
carlytenille's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Death, Racial slurs, Cancer, Colonisation, Confinement, Cursing, Deportation, Excrement, Forced institutionalization, and Grief
kglas's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
1) It's definitely best to read the seasonal quartet in the order im which the books were published: autumn - winter - spring - summer. Even though there are new characters at the heart of each novel, it is such a delight to re-encounter some loveable ones in more than one of them. Especially, half of the fun of reading Summer at the end is recognising the characters and stories from previous seasons.
2) I read Autumn twice. I finished it and realised that for understanding more deeply I needed to read it again , and that was fully worth it. I may also re-read some of the quartet at some point and I am sure I'll keep discovering connections and passages that I haven't realised so far.
3) I regularly checked out the references to artists and other writers, looking at their work online. That made the reading experience more complete and made me get to know some exciting works of art I'd had no idea about before reading these books.
To sum up, I adore Ali Smith's masterful writing style, her wordplay, the topics she picks up (female art, migration, the Brexit, climate change, COVID 19, activism, ...) and the loving, caring characters she has created.
A must-read for anyone who loves good and sometimes complex novels.
Moderate: Death, Confinement, Xenophobia, Grief, and Suicide attempt
sketchydelusion's review against another edition
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
Graphic: Grief, Racism, and Racial slurs
Moderate: Excrement
Minor: Rape, Trafficking, Suicide attempt, Suicide, Sexual assault, War, Self harm, Torture, and Suicidal thoughts
megsotto's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Suicide attempt, Deportation, Confinement, Terminal illness, Physical abuse, Grief, and Xenophobia
Moderate: Cancer
amelreads's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Xenophobia, Forced institutionalization, Grief, Racism, and Confinement
Moderate: Trafficking, Police brutality, Violence, Sexual content, Physical abuse, Sexual violence, and Colonisation
Minor: Torture and Sexual assault
bookedbymadeline's review
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Grief, Racism, Terminal illness, Death, Suicidal thoughts, and Forced institutionalization
Moderate: Sexual content and Rape
Minor: Cancer
writtenontheflyleaves's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
🌟🌟🌟🌟
Long overdue for the #alismithreadalong but it's here!!
🌸 The plot: Richard is a filmmaker who is grieving the death of his close collaborator, Paddy. He's been asked to help adapt a book about Katherine Mansfield and Rainer Maria Rilke, but his new partner is butchering it and without Paddy's insight, Richard doesn't see the point any more. Brit is a worker at an immigration detention centre where the daily meaningless cruelty of the job is wearing away at her humanity. Brought together by chance encounters with Florence, a twelve year old girl with a remarkable gift, Richard and Brit are caught up in a story about connection and hope that is bigger than both of them.
Spring is probably my second favourite of the Seasonal Quartet, but it's the one that I find hardest to read. Its analysis of the UK government's treatment of refugees seems to get more prescient with every passing year: the routine dehumanisation of vulnerable people, the constant directive from right wing media to share nothing, close the doors and send them somewhere else, enshrining cruelty as standard procedure. The aptly-named Brit is an infuriating character, because of the ways in which she suppresses her conscience, acting out of fear and anger and surrendering responsibility for her actions. You want her better nature to win out, but she just doesn't seem ready.
Still, like all Alis, this is ultimately a hopeful book. Richard's story really blazed out at me on this reread, the way it speaks to Ali's devotion to the theme of companionship in all her work. His love for Paddy felt vivid and beautiful despite the pain of his grief, and the message the book leaves you with is that while hostility grows here, resistance and hope do too. Smith dares to suggest that deep under the surface, good things are growing, and while it's only a glimmer of hope, I'll take it.
🌸 Read it if you want to see the impact of Theresa May's hostile environment depicted alongside hope for change and resistance.
🚫 Avoid it if you're sensitive to depictions of suicidal thoughts/ suicide attempts and particularly forced incarceration.
Graphic: Suicide attempt, Xenophobia, Confinement, Forced institutionalization, Grief, and Suicidal thoughts
Moderate: Racism and Sexism
Minor: Death of parent, Self harm, War, Trafficking, Sexual violence, Torture, and Violence