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chrisb913's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
There were two major cons for me though. One was the rampant misogyny throughout. The "villains" were open about it but even the heroes had it shine through from time to time either in actions or inner monologuing. Also, around the 55%-75% mark the story feels like it comes to a screeching halt to slog through some muck. It does pick up and ends on a high note.
Graphic: Violence, War, and Death
Moderate: Misogyny, Suicide, Sexism, and Murder
Minor: Sexual assault, Animal death, and Rape
albernikolauras's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Violence, Grief, War, and Sexism
bluejay21's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Colonisation, War, and Injury/Injury detail
Moderate: Child abuse, Fire/Fire injury, Sexism, and Deportation
macliffe's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Graphic: Excrement, Misogyny, Torture, Infertility, Sexism, Violence, Death, Death of parent, Suicide, War, Murder, Gore, and Suicide attempt
Moderate: Sexual content and Child abuse
Minor: Animal cruelty, Blood, and Pregnancy
nquinlan's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: War, Murder, Suicide, Violence, Sexism, Injury/Injury detail, Death, and Child abuse
Moderate: Fire/Fire injury, Sexual assault, Torture, Animal death, Sexual violence, Rape, and Infidelity
Minor: Trafficking, Infertility, and Death of parent
sabrinz's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
For everyone wanting to read this, this book is best suited when you have time to read for longer periods of time. If you read it chapter by chapter with even some days between chapters, you might lose some of the connections that are woven in the different chapters and that tie the different characters together.
It's a brilliant book about friendship and how things are perceived, but also how you go about doing things.
Graphic: Slavery
Moderate: Death of parent, Sexism, Suicide, Blood, Death, Grief, Murder, War, and Violence
cerilouisereads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Blood, Death, War, Injury/Injury detail, and Murder
Moderate: Sexism, Misogyny, and Toxic friendship
griffinthief's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Moderate: Pregnancy, Murder, Kidnapping, Infidelity, Sexism, Suicide, Violence, and War
Minor: Alcohol, Animal death, Blood, Cannibalism, Death, and Death of parent
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The third person narration mostly follows Mata and Kuni, then Jia, as well as a smattering of other perspectives as is necessary for the particular scene. There are interludes where the gods are commenting on events and taking sides, I like how they made it unambiguous that the gods exist and are interested, but that the humans are the main actors. It made their small interventions feel more meaningful, while keeping unquestioned the agency of the main characters.
Mata Zyndu is the last member of the Zyndu clan. Kuni Garu woos Jia Matiza and begins trying to improve his life by having literally any job in order to impress her parents. This doesn’t work very well (he strives to do the most interesting thing and very few available steady jobs can qualify as “most interesting”). He becomes a bandit early on in the narrative, which is how he meets Mata Zyndu. Jia is a source of stability for Kuni early on but eventually figures out how to claim more of a place for herself which isn’t as dependent on him for her story.
Kuni and Mata have different approaches from the beginning of their acquaintance. Early on they’re able to coordinate their strengths to great effect, but once things start falling apart their differences make small misunderstandings large and their newly-competing political goals slowly remove pressure to reconcile. Mata has this larger-than-life physical presence and strong principles, but his rigidity starts to get in the way. Kuni is flexible but directionless, moving from one small goal to the next, checking in with his friends and confidantes.
Kuni and Jia are best described as having a series of long-distance relationships with each other. They stay consistently important in each other’s lives, but they have to figure out how to balance their relationship, Kuni’s drive to do dangerous things, and Jia’s need to have a life that’s more than hoping he’ll be able to come home. I’m very pleased with the solution they reach, it works well for the narrative and for the characters involved.
The worldbuilding is very detailed in terms of politics and political history of the region where the story is set. Early on there’s an entire chapter which details the most relevant portions of that history. I think it’s a good test for whether you’re likely to enjoy the rest of the story. It felt a bit dry, partly because it was a lot of information at once, but I enjoyed the detail of it and within a few chapters I was very grateful for that early context. Kuni and Mata become political players because war is political and they decided to fight the Empire. I like being given the context to have an idea what certain moves could implicate for other things in play before they’re spelled out in the text, and being given the political histories early on was great for that.
The ending is fitting based on the flower motif and which flower is in the name of the series (it’s not the chrysanthemum). In particular I like how it allows for narrative stability at the very end while hinting at the shape of specific trouble to come.
I read this as an audiobook and I plan to read the rest of the series that way. It was easy to follow and I like the narrator.
Graphic: Blood, Gore, Violence, Child abuse, and Death
Moderate: Sexism, Misogyny, Pregnancy, Excrement, Fire/Fire injury, Genocide, Suicide, Torture, Self harm, Animal cruelty, Cannibalism, Murder, and Child death
podanotherjessi's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Characters: 10
Plot: 7
Setting: 9
General appeal: 8
Writing style: 8
Originality 9
Ending: 8
Graphic: Violence, Death, and Sexism
Moderate: Torture and Sexual violence