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spookynerd's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
The pacing got to me a little bit once again. It feels very much like you're slowly trodding through a day by day story, slooooowly unraveling little bits and hints until suddenly everything implodes. Explodes? Both?
By now I'm getting used to Muir's characters and way of weaving all these intricacies (and that's a happy, familiar "used to," not a bored one). You start the book with, "This is a weird little creature with weird relationship dynamics" and end with an ache in your chest and questions about souls and love.
And I'm so very intrigued and satisfied with the further depth of history we receive in this book.
I have a hard time describing it without spoilers and ruining the ride and/or feeling like I'm incoherently rambling, but this series really is something different. Can't wait for Alecto!
Graphic: Body horror, Violence, and Gore
Moderate: Chronic illness, Gun violence, Fire/Fire injury, and Medical content
bluestjuice's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Nona is so, incredibly, real. This is one of Muir's great talents - despite writing a series that is utterly over-the-top space melodrama with gothic elements and skeletons and necromantic flourishes all over everything, they nevertheless create people that feel and act utterly peopley. Many authors can't convincingly write youthful characters even in ordinary circumstances; Muir portrays Nona's uncomprehending childishness in a way that is genuine and feels both true to the experience of the young without being the least bit saccharine. I loved Nona, entirely, and her protagonism resonated with me vigorously despite the twisty, adult, machination-y web of deceit and plotting that surrounded her nearly every step of the way.
This is the third book in the series, which I have waited for a long time, and which I should clearly have bothered to do a re-read of previous to this because the lore here is deep and the references are layered in as thickly as Griddle's skull makeup back in <i>Gideon the Ninth</i>. On the other hand, having now skidded out the other side (I'm not kidding: I read the last 100 pages in a rare frenzy of <i><b>you don't understand I cannot put this down until I know what happens</b></i>), I have a burning desire to go re-read everything through again, to line up pieces and notice all the many things I'm sure I missed or didn't realize the significance of at the moment they were deployed.
Anyway, I don't even feel qualified to review this really because my emotions are leaking out all over the place and I don't know what to say to explain how enjoyable I find this series and this installment. In all its infuriating circuitous mystery. I can't believe I have to keep waiting to find out what happens next.
Graphic: Chronic illness, Body horror, Gun violence, Cursing, Gaslighting, Injury/Injury detail, Murder, Blood, Death, and Genocide
Moderate: Grief, Violence, Mental illness, Dysphoria, War, Panic attacks/disorders, and Colonisation
Minor: Religious bigotry, Eating disorder, Cannibalism, Toxic friendship, and Child death
smileypers0n's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Murder, Gun violence, War, Injury/Injury detail, Blood, and Gore
Moderate: Cursing
Minor: Alcoholism, Cancer, and Chronic illness
iane_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Chronic illness, Gun violence, Kidnapping, Gore, Grief, Hate crime, Medical content, Terminal illness, Suicide, Confinement, Blood, Violence, Xenophobia, Schizophrenia/Psychosis , Death, Religious bigotry, Gaslighting, Mental illness, Murder, Toxic relationship, Racial slurs, Racism, Death of parent, Injury/Injury detail, Body horror, Cursing, Dysphoria, Eating disorder, Emotional abuse, Mass/school shootings, Suicidal thoughts, and Toxic friendship
Moderate: Car accident, Forced institutionalization, Abandonment, Genocide, Vomit, Trafficking, and Addiction
Minor: Cannibalism, Alcohol, Sexual content, Suicide attempt, Animal cruelty, and War
erynelle's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Gun violence, Injury/Injury detail, Medical content, War, Death, Animal death, Violence, Blood, Body horror, Fire/Fire injury, Gore, and Chronic illness
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once.
As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.
There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.
As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.
I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.
Graphic: Gore, Violence, Body horror, Blood, Murder, Death, and Eating disorder
Moderate: Injury/Injury detail, Suicidal thoughts, Suicide, Gun violence, Police brutality, Confinement, Medical content, Chronic illness, Cursing, Kidnapping, Vomit, Genocide, Terminal illness, Animal death, War, Death of parent, Self harm, and Fire/Fire injury
Minor: Alcohol, Cancer, Excrement, Sexual harassment, Car accident, Infertility, Domestic abuse, Suicide attempt, Torture, Ableism, Panic attacks/disorders, and Drug use
mothie_girlie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Chronic illness and Death
beandream's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Gore
Moderate: Body horror, Death, Chronic illness, and Blood
Minor: Fire/Fire injury, Grief, and Violence
leanne_miron's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Gore, Injury/Injury detail, Death, Murder, and Xenophobia
Moderate: Genocide, Eating disorder, Body horror, Cannibalism, and Chronic illness
black_cat_iiix's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Eating disorder and Dysphoria
Moderate: Fire/Fire injury, Body horror, Blood, Terminal illness, Religious bigotry, Grief, and Gore
Minor: Medical content, Vomit, Suicidal thoughts, Injury/Injury detail, Colonisation, and Chronic illness