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rlgreen91's review against another edition
adventurous
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? N/A
4.0
My cover of this book has a quote that "You'll love Nona, and Nona loves you" or something along those lines and that is certainly true. I really enjoyed this book. I love that Muir keeps slowly expanding the world and universe containing our characters, usually in a way that just manages to make me rethink my earlier conclusions without becoming out-and-out retcons. I think I mentioned this in my review for Harrow the Ninth as well and I'm glad to see a continuing trend here.
As usual, reading Nona the Ninth has answered some questions I had earlier in the series and left me with like twice as many new questions. At this point, I think I might need to try to cobble together my best guess at a timeline for events to keep things generally straight. Actually, that would be really useful because there are so many pop culture, literary, and Biblical references throughout the series that it can be hard to tell which ones refer to actual plot points we need to be aware of vs clever references to different jokes.
One last thing: I loved the depiction of Nona, Hot Sauce, and the gang just being kids. Maybe it's because I read this over the summer, which to kid me always felt like a magical time where anything could happen. I just think Muir does a fantastic job of capturing that sensation here, of just a set of friends hanging out and getting up to anything, everything, and nothing.
Looking forward to Alecto the Ninth and maybe another short story in the meantime? I can dream right? 4 stars.
As usual, reading Nona the Ninth has answered some questions I had earlier in the series and left me with like twice as many new questions. At this point, I think I might need to try to cobble together my best guess at a timeline for events to keep things generally straight. Actually, that would be really useful because there are so many pop culture, literary, and Biblical references throughout the series that it can be hard to tell which ones refer to actual plot points we need to be aware of vs clever references to different jokes.
One last thing: I loved the depiction of Nona, Hot Sauce, and the gang just being kids. Maybe it's because I read this over the summer, which to kid me always felt like a magical time where anything could happen. I just think Muir does a fantastic job of capturing that sensation here, of just a set of friends hanging out and getting up to anything, everything, and nothing.
Looking forward to Alecto the Ninth and maybe another short story in the meantime? I can dream right? 4 stars.
Content Warnings
Graphic: Genocide, Gore, Body horror, Cursing, and Violence
Moderate: Gun violence, Injury/Injury detail, and Death
booksthatburn's review against another edition
adventurous
dark
lighthearted
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
NONA THE NINTH deals with a necromantic version of plurality in a way whose groundwork was laid in GIDEON THE NINTH and HARROW THE NINTH. Much as "one flesh, one end" is undeniably queer, Camila and Palamedes display a version of plurality, which is necromantic in its origins, but familiar to me in its general shape. I’m a singlet, not a plural system, but several important people in my life are plural, and so much of how Nona interacts with Camilla and Palamedes echoes my interactions with those people in my own life. There’s a line in the second half of the book that makes it clear that at least some of the characters know about plurality, even if what’s happening with them is a specific magical version which canonically involves souls. In some ways plurality is more canonical to the text than any particular style of queerness (except perhaps for sapphic attraction), though this book (and the whole series) is undeniably and wonderfully queer.
The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once.
As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.
There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.
As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.
I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.
The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once.
As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.
There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.
As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.
I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.
Content Warnings
Graphic: Gore, Violence, Body horror, Blood, Murder, Death, and Eating disorder
Moderate: Injury/Injury detail, Suicidal thoughts, Suicide, Gun violence, Police brutality, Confinement, Medical content, Chronic illness, Cursing, Kidnapping, Vomit, Genocide, Terminal illness, Animal death, War, Death of parent, Self harm, and Fire/Fire injury
Minor: Alcohol, Cancer, Excrement, Sexual harassment, Car accident, Infertility, Domestic abuse, Suicide attempt, Torture, Ableism, Panic attacks/disorders, and Drug use
sealbrecht's review against another edition
adventurous
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Content Warnings
Graphic: Body horror, Blood, Death, Cursing, Gun violence, Genocide, and Murder
alexijai98's review against another edition
adventurous
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Blood, Body horror, Death, Fire/Fire injury, Genocide, Gore, War, Eating disorder, Colonisation, Gun violence, Injury/Injury detail, and Violence
leanne_miron's review
adventurous
dark
lighthearted
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Gore, Injury/Injury detail, Death, Murder, and Xenophobia
Moderate: Genocide, Eating disorder, Body horror, Cannibalism, and Chronic illness
erebus53's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
This audiobook is completely the wrong way to get the most out of this story. Not only does it fall into the fantasy trap of having cool names that look good on paper but that your average narrator can't pronounce well, and the same issue as the previous book in that there are occasional phrases in Māori that are familiar to a New Zealand audience, but that this narrator struggles with... it also has a sprawling cast and appendices that list these, and that you can't just flip back to in an audio context.
In an improvement(?) from the second book, this third installment does not have more medical terms than your average first year anatomy text book. It is still a little wordsy, but I didn't encounter the word nacreous even once! (despite it being applicable at one point). As per usual you are, metaphorically, chucked in the deep end and held there until you get used to it. Maybe this time around I was just too tired to take it all in, because I spent quite a bit of time just feeling lost and wondering what was happening.
Most of this book takes part in a semi-domestic dystopia. Surrounded by refugees, and with limited resources, some familiar characters look after Nona, while trying to find out how altered she has become by her own semi-Lyctoral transformation. Nona becomes a teacher aide working at a school for a ragtag gang of kids. There are factions vying for power, and people being executed, and militia on the street as enforcers.. but through the eyes of Nona we aren't privy to the machinations of the State.
I'm sticking with my original feel that this series is quite a bit like the Evangelion anime. Through a series of Nona's dreams (that really seem more real than what is going on for her in her life) we get some more back-story about John, the first necromancer and it all gets pretty trippy. The relationships developed between the characters all begin to feel irrelevant, like everything is falling into a huge pit of nihilism, as everything loses cohesion. There is a travel sequence for which Nona's part or skills seem to have had no lead-up or explanation, and as a result it did not hold tension or deliver a feeling of success at its climax. (yes that could be an analogy.. get out of the gutter :P )
Honestly I don't know if the story put me to sleep or if I am just finally having to succumb after an ongoing pattern of weather related insomnia. I have clearly not invested enough energy or legwork into understanding everything going on. I was excited about one revelation in this entire book, there was a whole lot more "huh?" and "uh, ok" than "oooh riiight!" in this leg of the trilogy, and its conclusion was seriously unsatisfying. Not quite a 3 star for me.
In an improvement(?) from the second book, this third installment does not have more medical terms than your average first year anatomy text book. It is still a little wordsy, but I didn't encounter the word nacreous even once! (despite it being applicable at one point). As per usual you are, metaphorically, chucked in the deep end and held there until you get used to it. Maybe this time around I was just too tired to take it all in, because I spent quite a bit of time just feeling lost and wondering what was happening.
Most of this book takes part in a semi-domestic dystopia. Surrounded by refugees, and with limited resources, some familiar characters look after Nona, while trying to find out how altered she has become by her own semi-Lyctoral transformation. Nona becomes a teacher aide working at a school for a ragtag gang of kids. There are factions vying for power, and people being executed, and militia on the street as enforcers.. but through the eyes of Nona we aren't privy to the machinations of the State.
I'm sticking with my original feel that this series is quite a bit like the Evangelion anime. Through a series of Nona's dreams (that really seem more real than what is going on for her in her life) we get some more back-story about John, the first necromancer and it all gets pretty trippy. The relationships developed between the characters all begin to feel irrelevant, like everything is falling into a huge pit of nihilism, as everything loses cohesion. There is a travel sequence for which Nona's part or skills seem to have had no lead-up or explanation, and as a result it did not hold tension or deliver a feeling of success at its climax. (yes that could be an analogy.. get out of the gutter :P )
Honestly I don't know if the story put me to sleep or if I am just finally having to succumb after an ongoing pattern of weather related insomnia. I have clearly not invested enough energy or legwork into understanding everything going on. I was excited about one revelation in this entire book, there was a whole lot more "huh?" and "uh, ok" than "oooh riiight!" in this leg of the trilogy, and its conclusion was seriously unsatisfying. Not quite a 3 star for me.
Content Warnings
Graphic: War, Genocide, Murder, Blood, Death, Eating disorder, Self harm, Suicidal thoughts, Toxic friendship, and Toxic relationship
sofipitch's review against another edition
adventurous
dark
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
"You can't take loved back" 😭😭😭😭
Reread review: I can't believe some ppl don't like this one bc it barely has Harrow and Gideon but if anything it just shows that Muir is a talented writer, she can write a compelling story without hanging on you being attached to the characters already. Same with the genre, Nona is still space opera but more domestic and coming of age story wrapped in. Or at least Nona is trying SO hard to have a coming of age story and not the horror space opera. I also loved the John sections, I'm obsessed with what a mundane antagonist God is. He doesn't mean to be an antagonist he just makes a lot of shit and selfish decisions, he is so real. Also the way the world ends is a bit terrifying in it's realism
Reread review: I can't believe some ppl don't like this one bc it barely has Harrow and Gideon but if anything it just shows that Muir is a talented writer, she can write a compelling story without hanging on you being attached to the characters already. Same with the genre, Nona is still space opera but more domestic and coming of age story wrapped in. Or at least Nona is trying SO hard to have a coming of age story and not the horror space opera. I also loved the John sections, I'm obsessed with what a mundane antagonist God is. He doesn't mean to be an antagonist he just makes a lot of shit and selfish decisions, he is so real. Also the way the world ends is a bit terrifying in it's realism
Content Warnings
Graphic: Gore
Moderate: Animal death, Body horror, Fire/Fire injury, Genocide, Gun violence, Injury/Injury detail, and Suicidal thoughts
madamenovelist's review against another edition
adventurous
dark
funny
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Violence, Torture, Suicidal thoughts, Alcohol, Vomit, Self harm, Murder, Genocide, Fire/Fire injury, Cursing, Medical trauma, Injury/Injury detail, Grief, Confinement, Death, Blood, and Gore
sabrinz's review against another edition
adventurous
emotional
funny
hopeful
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Another enigmatic book in the Locked Tomb Series where you keep guessing. Don't get me wrong, that is what I love about this series. You are thrown in the deep end (but it somehow makes sense) and you get all the pieces until you reach the point where you can connect them (or most of them) and then the end leaves you with new questions.
I am very much excited for Alecto to see the stories conclusion.
Let's just say that things were revealed and some pasts were looked at more closely.
I am very much excited for Alecto to see the stories conclusion.
Let's just say that things were revealed and some pasts were looked at more closely.
Content Warnings
Moderate: Blood and Genocide
ellisdex's review
adventurous
dark
emotional
funny
mysterious
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Body horror, Genocide, Death, and Gore