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k_aro's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
Off the bat, Nona's internal narrative is much more loving and caring than Gideon and Harrow, which is to say I spent so much more of GtN and HtN actively being confused and annoyed by the various characters, where in Nona they're a lot more understandable. NtN really does pull out to look at what the TLT-verse looks like outside of the Houses (and to a certain degree that life outside of them are in fact so fruitful and lively, which is something I just couldn't really imagine previously).
Ianthe is worse than ever, which is a compliment because I love how terrible she is. Muir really excels at the most horrifying relationships, experienced through shreds of narrative. I agree that NtN really feels like a prologue, but frankly a prologue to what I could not say; this seems to be a running TLT joke where each book is just more confusing and more disorienting than the last. Truly, I could not imagine what Alecto will do.
Graphic: Medical content, Police brutality, Dysphoria, Genocide, Gun violence, Violence, Car accident, Death, Body horror, Colonisation, Confinement, Drug use, Grief, Panic attacks/disorders, Incest, Self harm, Toxic relationship, War, and Toxic friendship
Minor: Terminal illness
Terminal Illness:persephonefoxx's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Life is too short and love is too long.
I need this series directly injected into my bloodstream.
Five stars are not enough, I need to rate this series a whole galaxy worth of constellations.
Graphic: Death, Gore, and Body horror
Moderate: Gun violence, War, and Animal death
jengoertz's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Eating disorder, Gun violence, and War
boywonder's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Violence and Blood
Moderate: Gun violence, War, Mental illness, and Death
bebidocrimes's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Grief, Cursing, Colonisation, Suicide, Violence, Kidnapping, Murder, Blood, Gun violence, Death, Gore, Injury/Injury detail, and War
Minor: Alcohol and Fire/Fire injury
shottel's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Still, I would say it’s better than Gideon and a mark worse than Harrow - which is to say, it’s very good. I had a harder time following the plot than before, and while Muir makes great strides with diversity in this book, it sometimes comes off a tad awkward (like in the repeated misgendering of a character with they/them pronouns, just for them to correct themselves). But those are pretty small problems compared to the rest of this deeply dark and funny novel. If you liked Gideon and Harrow, I highly recommend it.
Graphic: Blood, Violence, Addiction, Body horror, Mental illness, Gore, Injury/Injury detail, Gun violence, Death, Toxic friendship, and Fire/Fire injury
Moderate: Bullying, Alcohol, Eating disorder, Panic attacks/disorders, Suicide, Body shaming, Medical content, and Transphobia
Minor: Drug use, Vomit, Trafficking, and Sexual violence
spookynerd's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
The pacing got to me a little bit once again. It feels very much like you're slowly trodding through a day by day story, slooooowly unraveling little bits and hints until suddenly everything implodes. Explodes? Both?
By now I'm getting used to Muir's characters and way of weaving all these intricacies (and that's a happy, familiar "used to," not a bored one). You start the book with, "This is a weird little creature with weird relationship dynamics" and end with an ache in your chest and questions about souls and love.
And I'm so very intrigued and satisfied with the further depth of history we receive in this book.
I have a hard time describing it without spoilers and ruining the ride and/or feeling like I'm incoherently rambling, but this series really is something different. Can't wait for Alecto!
Graphic: Body horror, Violence, and Gore
Moderate: Chronic illness, Gun violence, Fire/Fire injury, and Medical content
itkit's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Death
Moderate: Gun violence and Eating disorder
ngrace's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Violence, Gore, Body horror, Injury/Injury detail, and Blood
Moderate: Terminal illness, Death, and Grief
Minor: Murder, Gun violence, War, Xenophobia, Vomit, and Cursing
bluestjuice's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Nona is so, incredibly, real. This is one of Muir's great talents - despite writing a series that is utterly over-the-top space melodrama with gothic elements and skeletons and necromantic flourishes all over everything, they nevertheless create people that feel and act utterly peopley. Many authors can't convincingly write youthful characters even in ordinary circumstances; Muir portrays Nona's uncomprehending childishness in a way that is genuine and feels both true to the experience of the young without being the least bit saccharine. I loved Nona, entirely, and her protagonism resonated with me vigorously despite the twisty, adult, machination-y web of deceit and plotting that surrounded her nearly every step of the way.
This is the third book in the series, which I have waited for a long time, and which I should clearly have bothered to do a re-read of previous to this because the lore here is deep and the references are layered in as thickly as Griddle's skull makeup back in <i>Gideon the Ninth</i>. On the other hand, having now skidded out the other side (I'm not kidding: I read the last 100 pages in a rare frenzy of <i><b>you don't understand I cannot put this down until I know what happens</b></i>), I have a burning desire to go re-read everything through again, to line up pieces and notice all the many things I'm sure I missed or didn't realize the significance of at the moment they were deployed.
Anyway, I don't even feel qualified to review this really because my emotions are leaking out all over the place and I don't know what to say to explain how enjoyable I find this series and this installment. In all its infuriating circuitous mystery. I can't believe I have to keep waiting to find out what happens next.
Graphic: Chronic illness, Body horror, Gun violence, Cursing, Gaslighting, Injury/Injury detail, Murder, Blood, Death, and Genocide
Moderate: Grief, Violence, Mental illness, Dysphoria, War, Panic attacks/disorders, and Colonisation
Minor: Religious bigotry, Eating disorder, Cannibalism, Toxic friendship, and Child death