Reviews tagging 'Panic attacks/disorders'

Nona the Ninth by Tamsyn Muir

18 reviews

k_aro's review against another edition

adventurous mysterious medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes

4.5

I took the longest to finish Nona the Ninth, not really out of Nona's failings or anything, I just couldn't get into the grove of having a whole bunch of narratives at once at the same time as an entire new cast of characters/new world. I also think it's the book that's easiest for me to tackle in The Locked Tomb series, both having a better grasp of the writing style/world as well as being structured a little more accessibly.

Off the bat, Nona's internal narrative is much more loving and caring than Gideon and Harrow, which is to say I spent so much more of GtN and HtN actively being confused and annoyed by the various characters, where in Nona they're a lot more understandable. NtN really does pull out to look at what the TLT-verse looks like outside of the Houses (and to a certain degree that life outside of them are in fact so fruitful and lively, which is something I just couldn't really imagine previously).

Ianthe is worse than ever, which is a compliment because I love how terrible she is. Muir really excels at the most horrifying relationships, experienced through shreds of narrative. I agree that NtN really feels like a prologue, but frankly a prologue to what I could not say; this seems to be a running TLT joke where each book is just more confusing and more disorienting than the last. Truly, I could not imagine what Alecto will do.

---

Content Warnings

Graphic: Medical content, Police brutality, Dysphoria, Genocide, Gun violence, Violence, Car accident, Death, Body horror, Colonisation, Confinement, Drug use, Grief, Panic attacks/disorders, Incest, Self harm, Toxic relationship, War, and Toxic friendship

Minor: Terminal illness

Terminal Illness:

Well, whether Nona's illness is terminal per se is up for interpretation, I guess.

shottel's review against another edition

challenging dark emotional funny lighthearted sad tense fast-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.5

Muir loves switching up her genres. While Gideon was moderately mystery-focused and Harrow was definitely a mystery novel, the mystery of Nona takes a back seat to how goddamn precious Nona is. Unfortunately, that fact makes an already sad series even sadder. It’s fortunate that Muir’s writing style is hilarious, because otherwise the entire plot of Nona the Ninth would’ve been pretty depressing.

Still, I would say it’s better than Gideon and a mark worse than Harrow - which is to say, it’s very good. I had a harder time following the plot than before, and while Muir makes great strides with diversity in this book, it sometimes comes off a tad awkward (like in the repeated misgendering of a character with they/them pronouns, just for them to correct themselves). But those are pretty small problems compared to the rest of this deeply dark and funny novel. If you liked Gideon and Harrow, I highly recommend it.

---

Content Warnings

Graphic: Blood, Violence, Addiction, Body horror, Mental illness, Gore, Injury/Injury detail, Gun violence, Death, Toxic friendship, and Fire/Fire injury

Moderate: Bullying, Alcohol, Eating disorder, Panic attacks/disorders, Suicide, Body shaming, Medical content, and Transphobia

Minor: Drug use, Vomit, Trafficking, and Sexual violence

bluestjuice's review against another edition

dark emotional hopeful mysterious medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

4.0

Oh my goodness. Sometimes a book just crawls inside your consciousness in the best way, you know? This is like that - this isn't the book I was expecting, and I had no idea what was going on through the first third and even less idea through the second third - but godsdamn, I was unquestioningly committed and on board for the entire ride. 

Nona is so, incredibly, real. This is one of Muir's great talents - despite writing a series that is utterly over-the-top space melodrama with gothic elements and skeletons and necromantic flourishes all over everything, they nevertheless create people that feel and act utterly peopley. Many authors can't convincingly write youthful characters even in ordinary circumstances; Muir portrays Nona's uncomprehending childishness in a way that is genuine and feels both true to the experience of the young without being the least bit saccharine. I loved Nona, entirely, and her protagonism resonated with me vigorously despite the twisty, adult, machination-y web of deceit and plotting that surrounded her nearly every step of the way. 

This is the third book in the series, which I have waited for a long time, and which I should clearly have bothered to do a re-read of previous to this because the lore here is deep and the references are layered in as thickly as Griddle's skull makeup back in <i>Gideon the Ninth</i>. On the other hand, having now skidded out the other side (I'm not kidding: I read the last 100 pages in a rare frenzy of <i><b>you don't understand I cannot put this down until I know what happens</b></i>), I have a burning desire to go re-read everything through again, to line up pieces and notice all the many things I'm sure I missed or didn't realize the significance of at the moment they were deployed.

Anyway, I don't even feel qualified to review this really because my emotions are leaking out all over the place and I don't know what to say to explain how enjoyable I find this series and this installment. In all its infuriating circuitous mystery. I can't believe I have to keep waiting to find out what happens next.

---

Content Warnings

Graphic: Chronic illness, Body horror, Gun violence, Cursing, Gaslighting, Injury/Injury detail, Murder, Blood, Death, and Genocide

Moderate: Grief, Violence, Mental illness, Dysphoria, War, Panic attacks/disorders, and Colonisation

Minor: Religious bigotry, Eating disorder, Cannibalism, Toxic friendship, and Child death

krystaldelusion's review against another edition

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

4.75

---

Content Warnings

Moderate: Panic attacks/disorders and Schizophrenia/Psychosis

nittiotvaan's review against another edition

dark emotional funny mysterious medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

---

Content Warnings

Graphic: Body horror, Gore, and Blood

Moderate: Injury/Injury detail, Eating disorder, Gun violence, Death, Medical content, and War

Minor: Panic attacks/disorders, Suicidal thoughts, and Vomit

booksthatburn's review against another edition

adventurous dark lighthearted mysterious medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.5

NONA THE NINTH deals with a necromantic version of plurality in a way whose groundwork was laid in GIDEON THE NINTH and HARROW THE NINTH. Much as "one flesh, one end" is undeniably queer, Camila and Palamedes display a version of plurality, which is necromantic in its origins, but familiar to me in its general shape.  I’m a singlet, not a plural system, but several important people in my life are plural, and so much of how Nona interacts with Camilla and Palamedes echoes my interactions with those people in my own life. There’s a line in the second half of the book that makes it clear that at least some of the characters know about plurality, even if what’s happening with them is a specific magical version which canonically involves souls. In some ways plurality is more canonical to the text than any particular style of queerness (except perhaps for sapphic attraction), though this book (and the whole series) is undeniably and wonderfully queer.

The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once. 

As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.

There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.

As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.

I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.

---

Content Warnings

Graphic: Gore, Violence, Body horror, Blood, Murder, Death, and Eating disorder

Moderate: Injury/Injury detail, Suicidal thoughts, Suicide, Gun violence, Police brutality, Confinement, Medical content, Chronic illness, Cursing, Kidnapping, Vomit, Genocide, Terminal illness, Animal death, War, Death of parent, Self harm, and Fire/Fire injury

Minor: Alcohol, Cancer, Excrement, Sexual harassment, Car accident, Infertility, Domestic abuse, Suicide attempt, Torture, Ableism, Panic attacks/disorders, and Drug use

rmperezpadilla's review against another edition

emotional funny slow-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? It's complicated

4.75

---

Content Warnings

Graphic: Schizophrenia/Psychosis , Injury/Injury detail, Mental illness, Death, Violence, Panic attacks/disorders, Gun violence, War, and Murder

Moderate: Self harm, Ableism, Terminal illness, Suicidal thoughts, and Eating disorder

solarel's review against another edition

adventurous dark emotional funny hopeful mysterious sad tense medium-paced

• Plot- or character-driven? A mix
• Strong character development? Yes
• Loveable characters? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

I can’t stop thinking about it. As usual the last quarter of the book is so intense I couldn’t put it down. The world building is so amazing and well written. 10/10

---

Content Warnings

Graphic: Gun violence, Grief, Alcohol, Body horror, Xenophobia, Toxic relationship, Self harm, Kidnapping, Panic attacks/disorders, Injury/Injury detail, Blood, Violence, Eating disorder, Death, Suicidal thoughts, and Gore

vogelobre's review against another edition

dark emotional funny hopeful lighthearted mysterious medium-paced

• Plot- or character-driven? A mix
• Loveable characters? Yes

4.5

I really liked this book!! I read it back to back with Harrow the Ninth, and while I really enjoyed how tense and twisty and confusing that one was, it was nice to read something a bit more lighthearted and joyful. I fell completely in love with Nona and her little family, and it was very interesting to read about the backstory of the Nine Houses. Despite the lighter tone, this book has a lot of dark themes and emotional moments. It works very well as a continuation and exploration of the series' themes, and I can't wait to reread all three books before the fourth one comes out!!

---

Content Warnings

Graphic: Body horror, Death, Injury/Injury detail, and Gun violence

Moderate: War, Blood, Panic attacks/disorders, Violence, Terminal illness, Medical content, Gore, and Colonisation

Minor: Alcohol, Addiction, Cursing, and Bullying

theirgracegrace's review against another edition

funny reflective tense medium-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? Yes
• Diverse cast of characters? It's complicated
• Flaws of characters a main focus? It's complicated

4.75

Nona the Ninth, Tamsyn Muir's third book of four in the Locked Tomb series, is a sudden but welcome shift from the previous two books. Nona is just a nineteen year old relearning how to interact with society with the help of her three parental figures. But it is later discovered that

the three parents are necromancers from the Nine Houses and that Nona herself is piloting the body of someone named Harrowhark Nonagesimus, and the Nine Houses want them back

. An astounding dual point-of-view familiar to readers of Harrow the Ninth and a cast of loveable characters familiar of the same. The explosive ending leaves me wanting more!

---

Content Warnings

Graphic: Injury/Injury detail, Kidnapping, Medical content, Toxic relationship, Xenophobia, Grief, Fire/Fire injury, Gaslighting, Religious bigotry, Schizophrenia/Psychosis , Self harm, Abandonment, Child abuse, Genocide, Gore, Physical abuse, Emotional abuse, Vomit, Blood, Body horror, Bullying, Confinement, Stalking, Toxic friendship, Cursing, Death, Death of parent, Eating disorder, Mental illness, Murder, Torture, Violence, and War

Moderate: Addiction, Alcohol, Alcoholism, Excrement, Gun violence, Panic attacks/disorders, Police brutality, Sexual content, Drug use, Drug abuse, Pregnancy, and Sexual harassment

Minor: Animal cruelty, Colonisation, Misogyny, and Terminal illness

The Blood of Eden's attack on necromancers comes with a lot of slur-like terms and bigotry that is reminiscent of (but not a direct copy of) religious bigotry in real life.