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k_aro's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
I took the longest to finish Nona the Ninth, not really out of Nona's failings or anything, I just couldn't get into the grove of having a whole bunch of narratives at once at the same time as an entire new cast of characters/new world. I also think it's the book that's easiest for me to tackle in The Locked Tomb series, both having a better grasp of the writing style/world as well as being structured a little more accessibly.
Off the bat, Nona's internal narrative is much more loving and caring than Gideon and Harrow, which is to say I spent so much more of GtN and HtN actively being confused and annoyed by the various characters, where in Nona they're a lot more understandable. NtN really does pull out to look at what the TLT-verse looks like outside of the Houses (and to a certain degree that life outside of them are in fact so fruitful and lively, which is something I just couldn't really imagine previously).
Ianthe is worse than ever, which is a compliment because I love how terrible she is. Muir really excels at the most horrifying relationships, experienced through shreds of narrative. I agree that NtN really feels like a prologue, but frankly a prologue to what I could not say; this seems to be a running TLT joke where each book is just more confusing and more disorienting than the last. Truly, I could not imagine what Alecto will do.
Off the bat, Nona's internal narrative is much more loving and caring than Gideon and Harrow, which is to say I spent so much more of GtN and HtN actively being confused and annoyed by the various characters, where in Nona they're a lot more understandable. NtN really does pull out to look at what the TLT-verse looks like outside of the Houses (and to a certain degree that life outside of them are in fact so fruitful and lively, which is something I just couldn't really imagine previously).
Ianthe is worse than ever, which is a compliment because I love how terrible she is. Muir really excels at the most horrifying relationships, experienced through shreds of narrative. I agree that NtN really feels like a prologue, but frankly a prologue to what I could not say; this seems to be a running TLT joke where each book is just more confusing and more disorienting than the last. Truly, I could not imagine what Alecto will do.
Content Warnings
Graphic: Medical content, Police brutality, Dysphoria, Genocide, Gun violence, Violence, Car accident, Death, Body horror, Colonisation, Confinement, Drug use, Grief, Panic attacks/disorders, Incest, Self harm, Toxic relationship, War, and Toxic friendship
Minor: Terminal illness
Terminal Illness:abarnakwn_ourcolourfulpages's review
adventurous
challenging
dark
emotional
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Body horror, Injury/Injury detail, War, Murder, Blood, Self harm, Death, Violence, Gore, and Medical content
Moderate: Eating disorder, Cursing, Confinement, and Xenophobia
Minor: Cannibalism, Gun violence, and Vomit
biobeetle's review against another edition
adventurous
dark
emotional
funny
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Graphic: Violence, Terminal illness, and Medical trauma
Moderate: Body horror, Mental illness, Death, Gore, and Grief
Minor: Eating disorder and Self harm
bubblyfemme's review against another edition
adventurous
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Fire/Fire injury, Body horror, Death, Violence, Self harm, Injury/Injury detail, Gun violence, War, Gore, Blood, and Medical content
booksthatburn's review against another edition
adventurous
dark
lighthearted
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
NONA THE NINTH deals with a necromantic version of plurality in a way whose groundwork was laid in GIDEON THE NINTH and HARROW THE NINTH. Much as "one flesh, one end" is undeniably queer, Camila and Palamedes display a version of plurality, which is necromantic in its origins, but familiar to me in its general shape. I’m a singlet, not a plural system, but several important people in my life are plural, and so much of how Nona interacts with Camilla and Palamedes echoes my interactions with those people in my own life. There’s a line in the second half of the book that makes it clear that at least some of the characters know about plurality, even if what’s happening with them is a specific magical version which canonically involves souls. In some ways plurality is more canonical to the text than any particular style of queerness (except perhaps for sapphic attraction), though this book (and the whole series) is undeniably and wonderfully queer.
The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once.
As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.
There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.
As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.
I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.
The worldbuilding gets more of a chance to breathe this time around. GIDEON THE NINTH was a murder mystery until other things started being much more important. HARROW THE NINTH is a fever dream of confusion which suddenly snaps into coherence at the 90% mark. NONA THE NINTH is a breath, pausing for a story which has a clear framework, a lovable protagonist, and a sense of rhythm and pattern to her days. This calm amidst the storm is ripped open by a descent into war and the deterioration of her body as the day approaches when the Locked Tomb will open. I like the interludes as John tells the story of how this started. These sections helped with pacing and framing, as well as bringing the extremely welcome event of someone actually explaining what the fuck is going on for once.
As the third book in the series, NONA THE NINTH continues Several things begun in earlier books, specifically, but not only, the fates of a great many characters such as Camila and Palamedes. There's so much in each book that it's very difficult to know which details will be picked up later and which ones have been completely handled in their first treatment, but this does eventually give some answers about things first raised in earlier books. There’s an entirely new storyline related to Nona, her relative newness, and everyone she cares about at home and the school. She’s just so happy in a way that incorporates strangeness and allows for a joking grotesquerie, effortlessly finding beauty in weirdness. It also leaves a huge thing for later, promising that the Locked Tomb will be opened, even counting down to that promised day before leaving the aftermath of its opening to be handled in the next book, ALECTO THE NINTH.
There are many fewer memes than the previous books, but the few that are in there are expertly chosen to devastating effect. There's one near the very end that I refuse to spoil which threads the needs between fantastically illustrating the meaning of the surrounding text and needing to be imperceptible to anyone not already in the know. I applaud the execution of it, even if by its nature it's frustrating that this is what the author decided to include. Masterfully done, I tip my cap.
As was the case for HARROW THE NINTH, if someone tried to read this as their introduction to the series, it would likely make sense almost all the way through... and then the ending would be strange and sideways because it relies on several things established in previous books as well as bringing many returning characters who have been more thoroughly introduced elsewhere. Also, the way that the John interludes are explaining how things came to be like this would be a bit strange without the grounding provided in GTN and HTN.
I think this is my favorite book in the whole series, and I'm looking forward to what ALECTO THE NINTH brings.
Content Warnings
Graphic: Gore, Violence, Body horror, Blood, Murder, Death, and Eating disorder
Moderate: Injury/Injury detail, Suicidal thoughts, Suicide, Gun violence, Police brutality, Confinement, Medical content, Chronic illness, Cursing, Kidnapping, Vomit, Genocide, Terminal illness, Animal death, War, Death of parent, Self harm, and Fire/Fire injury
Minor: Alcohol, Cancer, Excrement, Sexual harassment, Car accident, Infertility, Domestic abuse, Suicide attempt, Torture, Ableism, Panic attacks/disorders, and Drug use
traa's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Death, Injury/Injury detail, Suicide, Body horror, Gun violence, Animal death, Blood, Gore, Murder, Self harm, War, and Medical content
Moderate: Eating disorder, Dysphoria, Cursing, Schizophrenia/Psychosis , Sexual content, Car accident, Fire/Fire injury, Terminal illness, and Vomit
Minor: Cannibalism
micheala's review against another edition
dark
3.5
This is the second time I've attempted to read this. I read Gideon and Harrow back in February 2022 and thought I remembered most of what happened, however I was so lost picking up Nona in September 2022. Because this one the world is very different from what we've seen so far, I don't think it matters that I don't really remember most of Harrow.
Like, we now have cars thrown in like a totally normal thing that we should have assumed were always there. The first two books are very fantasy with spaceships being the only type of vehicles. Now Nona is making it feel like we are on a post-apocalyptic Earth. To be honest, the first 90% of this book felt totally disconnected from the prior two books.
Even though I haven't loved the reading experience of any of the books yet, I still just have the gut feeling that once the series is complete, each book will be way more enjoyable (aka I'll be able to follow what's happening) with the context of the ending. To be fair, if that is not the case, and even on reread knowing where it's all going/coming from I still find myself confused, I'll be dropping my ratings of each book accordingly.
I will say I liked this one the most so far (my ranking is currently Nona, Gideon, Harrow) Partly because I found the characters more likeable, and partly because while I still can't really follow what's happening, Nona as a main character also doesn't understand what's going on - so it felt less like the characters are keeping secrets from the reader and more like we are finding things out alongside the character.
Like, we now have cars thrown in like a totally normal thing that we should have assumed were always there. The first two books are very fantasy with spaceships being the only type of vehicles. Now Nona is making it feel like we are on a post-apocalyptic Earth. To be honest, the first 90% of this book felt totally disconnected from the prior two books.
Even though I haven't loved the reading experience of any of the books yet, I still just have the gut feeling that once the series is complete, each book will be way more enjoyable (aka I'll be able to follow what's happening) with the context of the ending. To be fair, if that is not the case, and even on reread knowing where it's all going/coming from I still find myself confused, I'll be dropping my ratings of each book accordingly.
I will say I liked this one the most so far (my ranking is currently Nona, Gideon, Harrow) Partly because I found the characters more likeable, and partly because while I still can't really follow what's happening, Nona as a main character also doesn't understand what's going on - so it felt less like the characters are keeping secrets from the reader and more like we are finding things out alongside the character.
Content Warnings
Graphic: Blood, Murder, Physical abuse, Suicidal thoughts, Torture, Violence, Vomit, War, Gore, Injury/Injury detail, Body horror, Death, Eating disorder, Gun violence, Self harm, and Xenophobia
erebus53's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
This audiobook is completely the wrong way to get the most out of this story. Not only does it fall into the fantasy trap of having cool names that look good on paper but that your average narrator can't pronounce well, and the same issue as the previous book in that there are occasional phrases in Māori that are familiar to a New Zealand audience, but that this narrator struggles with... it also has a sprawling cast and appendices that list these, and that you can't just flip back to in an audio context.
In an improvement(?) from the second book, this third installment does not have more medical terms than your average first year anatomy text book. It is still a little wordsy, but I didn't encounter the word nacreous even once! (despite it being applicable at one point). As per usual you are, metaphorically, chucked in the deep end and held there until you get used to it. Maybe this time around I was just too tired to take it all in, because I spent quite a bit of time just feeling lost and wondering what was happening.
Most of this book takes part in a semi-domestic dystopia. Surrounded by refugees, and with limited resources, some familiar characters look after Nona, while trying to find out how altered she has become by her own semi-Lyctoral transformation. Nona becomes a teacher aide working at a school for a ragtag gang of kids. There are factions vying for power, and people being executed, and militia on the street as enforcers.. but through the eyes of Nona we aren't privy to the machinations of the State.
I'm sticking with my original feel that this series is quite a bit like the Evangelion anime. Through a series of Nona's dreams (that really seem more real than what is going on for her in her life) we get some more back-story about John, the first necromancer and it all gets pretty trippy. The relationships developed between the characters all begin to feel irrelevant, like everything is falling into a huge pit of nihilism, as everything loses cohesion. There is a travel sequence for which Nona's part or skills seem to have had no lead-up or explanation, and as a result it did not hold tension or deliver a feeling of success at its climax. (yes that could be an analogy.. get out of the gutter :P )
Honestly I don't know if the story put me to sleep or if I am just finally having to succumb after an ongoing pattern of weather related insomnia. I have clearly not invested enough energy or legwork into understanding everything going on. I was excited about one revelation in this entire book, there was a whole lot more "huh?" and "uh, ok" than "oooh riiight!" in this leg of the trilogy, and its conclusion was seriously unsatisfying. Not quite a 3 star for me.
In an improvement(?) from the second book, this third installment does not have more medical terms than your average first year anatomy text book. It is still a little wordsy, but I didn't encounter the word nacreous even once! (despite it being applicable at one point). As per usual you are, metaphorically, chucked in the deep end and held there until you get used to it. Maybe this time around I was just too tired to take it all in, because I spent quite a bit of time just feeling lost and wondering what was happening.
Most of this book takes part in a semi-domestic dystopia. Surrounded by refugees, and with limited resources, some familiar characters look after Nona, while trying to find out how altered she has become by her own semi-Lyctoral transformation. Nona becomes a teacher aide working at a school for a ragtag gang of kids. There are factions vying for power, and people being executed, and militia on the street as enforcers.. but through the eyes of Nona we aren't privy to the machinations of the State.
I'm sticking with my original feel that this series is quite a bit like the Evangelion anime. Through a series of Nona's dreams (that really seem more real than what is going on for her in her life) we get some more back-story about John, the first necromancer and it all gets pretty trippy. The relationships developed between the characters all begin to feel irrelevant, like everything is falling into a huge pit of nihilism, as everything loses cohesion. There is a travel sequence for which Nona's part or skills seem to have had no lead-up or explanation, and as a result it did not hold tension or deliver a feeling of success at its climax. (yes that could be an analogy.. get out of the gutter :P )
Honestly I don't know if the story put me to sleep or if I am just finally having to succumb after an ongoing pattern of weather related insomnia. I have clearly not invested enough energy or legwork into understanding everything going on. I was excited about one revelation in this entire book, there was a whole lot more "huh?" and "uh, ok" than "oooh riiight!" in this leg of the trilogy, and its conclusion was seriously unsatisfying. Not quite a 3 star for me.
Content Warnings
Graphic: War, Genocide, Murder, Blood, Death, Eating disorder, Self harm, Suicidal thoughts, Toxic friendship, and Toxic relationship
kers_tin's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Graphic: Confinement, Death, War, Eating disorder, Gore, Body horror, Fire/Fire injury, Injury/Injury detail, Murder, and Violence
Moderate: Torture, Addiction, Self harm, Suicidal thoughts, Suicide, Suicide attempt, and Terminal illness
Minor: Drug use
mossgoblins's review against another edition
adventurous
challenging
funny
hopeful
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Moderate: Body horror, Vomit, Injury/Injury detail, Blood, Fire/Fire injury, Self harm, Cursing, Death, Gore, Alcohol, Gun violence, Murder, War, Grief, Kidnapping, Medical content, Violence, Abandonment, and Confinement