Reviews tagging 'Forced institutionalization'

Kindred by Octavia E. Butler

25 reviews

kylegarvey's review against another edition

Go to review page

adventurous emotional reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

A film critic I like, Angelica Jade Bastién, said on a podcast once, as an answer to a question about time travel, that as a Black woman she obviously wouldn't be doing any. Fair enough. A film like 2020's Antebellum (so similar to this book story-wise) -- reviewed here by Bastién (https://www.vulture.com/2020/09/antebellum-movie-review-i-am-tired-of-films-like-this.html); hint: she does not like it -- may supply another reason why, apart from the obvious violence, disrespect, hate a lot of history shows Black women. It may be too sappy too, too stiff.

It was announced in Mar 2021 that FX ordered a pilot of a TV adaptation of Butler's Kindred, so these types of stories are still somewhat en vogue, no? "Horror stories. / Except that they were true" Butler writes (117). A 1976 African American woman transported to a pre-Civil War Maryland plantation? That heroine, Dana, is the subject and protagonist; but in some ways the white husband, Kevin, gets an even more problematic fate: "if he survived here, it would be because he managed to tolerate the life here. He wouldn’t have to take part in it, but he would have to keep quiet about it. Free speech and press hadn’t done too well in the ante bellum South" (120). For all the white supremacist guilt stealing, there's as much blame stealing too?

Butler's original text seems good sometimes -- she describes the doctor with a quick "Just a stupid little man who may be one step up from spells and good luck charms" (216) -- but not so good other times --  "Wait. Let me tell it all to you at once. Then you can have all the time you need to digest it and ask questions" (213) (ok, ok, may be necessary practically, but we can skip it narratively?). But other times it's excellent and powerful, like when Dana has to tragically re-reveal the central tragedy to one of its sufferers:

"How could you not know what it’s like to be a slave. You are one" (247)… 
"'I said am I a slave?' / 'Yes.' / 'She had risen half off the bench, her whole body demanding that I answer her. Now that I had, she sat down again heavily, her back and shoulders rounded, her arms crossed over her stomach hugging herself. 'But I’m supposed to be free. I was free. Born free!'" (249).

The central heroine's self-regard, even in spite of the epic brutality around her, is par for the course, one of the points of the whole story maybe: "But for drop-ins from another century, I thought we had had a remarkably easy time. And I was perverse enough to be bothered by the ease" (152); or "'You might be able to go through this whole experience as an observer,' I said. 'I can understand that because most of the time, I’m still an observer. It’s protection. It’s nineteen seventy-six shielding and cushioning eighteen nineteen for me'" (157).

Incisive as all get out still, though, too: "I had thought my feelings were complicated because he and I had such a strange relationship. But then, slavery of any kind fostered strange relationships" (365); and "my life was easier than hers. Maybe I tried to make up for that by taking her abuse. Everything had its limits, though" (375).

I trip up sometimes a little, though, on how un-PC we can be nevertheless. Weird for a 2021 white guy to bring up with a 1970s Black woman, but still: about a minor character, we hear bluntly "used to wonder whether she was a little retarded" (385).

Still, even though Kindred's wildly imperfect and Butler's never the ideal writer, it's a slim-enough book with a powerful-enough premise. Robert Crossley's critical essay about Kindred, included in my copy as an afterword, works as a nice way to enlarge that premise somewhat: Dana having to compromise feminist ideals (428) as well as Kindred as a whole being "no more rational, no more comfortably explicable than the history of slavery itself" (425).

Expand filter menu Content Warnings

kkulhannie's review against another edition

Go to review page

challenging emotional medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

4.0


Expand filter menu Content Warnings

sjanke2's review against another edition

Go to review page

challenging dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

2.0


Expand filter menu Content Warnings

booksbutmakeitgay's review against another edition

Go to review page

medium-paced

3.0


Expand filter menu Content Warnings

laurenleigh's review against another edition

Go to review page

challenging dark emotional informative tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0

I’ve been meaning to read Octavia Butler for years now (hey fellow PCC Lancer!). This was a really spectacular novel. I truly think it’s a timeless text that will be relevant forever. I admire lots about Butler’s writing, especially how true her characters ring. They are so realistic in their contradictions and depth. It would have been easier to hate Rufus and Mr. Weylin if they were one-sided evil men, but just like Dana, the reader can’t pin them down fully, always kept guessing what they might do next. Unpredictable powerful white men can do a lot of good or a whole lot of damage. Butler writes dialogue so well; all the scenes played out effortlessly in my head. Reframing a first-person narration by an enslaved person into this time travel structure allows the reader to analyze the horrors and reality of slavery in a really unique and powerful manner, especially as it plays out in complicated relationships, both between enslaved people with their enslaver and amongst the enslaved people themselves.

Expand filter menu Content Warnings
More...