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natfoster's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Sexual content, Misogyny, Colonisation, Grief, Racism, and Racial slurs
Minor: War and Fatphobia
rafacolog's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
3.0
Moderate: Colonisation, Sexual content, Sexism, and War
julesadventurezone's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Another reviewer said that this book has strong consent so I feel compelled to point out
Graphic: Misogyny, Sexual content, and Sexism
Moderate: Xenophobia, Sexual violence, War, Colonisation, and Violence
Minor: Body shaming and Alcohol
angelofthetardis's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
I bought this (and the others in the Rokesby series) on a whim, purely because they are described as prequels to Bridgerton. After reading that series, I had middling expectations; I just hoped for a gentle, happy, easy read in that familiar style. And actually, my expectations have been far surpassed; this is certainly my favourite Julia Quinn book to date. It doesn't take itself too seriously, the characters and relationships launch themselves off of the page and it's probably the most relatable. In some respects, I feel like it's the closest match in tone to the Bridgerton TV series; all of the Georgian grandeur you'd expect, brought right up to date to give a 21st Century audience the ability to understand their 18th/19th Century counterparts.
The constant back and forth between the three principal characters; Billie, George and Andrew, is an absolute joy to read. It's pitched perfectly; part banter, part good natured teasing, part flirtation, and the energy sparks from it with no effort from the reader whatsoever. And best of all it doesn't tail off - the bounce it brings to the prose is sustained and effective from beginning to end.
Similarly, the romance element is there all the way through, but it's kept quite subtle until fairly late on in the story. Now, it doesn't take a genuis to work out what happens partnership-wise, but it's quite a nice gradual realisation and development, rather than the 'thunderbolt' that quite often annoys me. As for the spice, it's fairly minimal and I'd say less detailed than a lot of the Bridgerton novels.
I loved the examination of Billie's character and the fact that she isn't a typical debutante. I'd say that Eloise in the TV series pulls quite a lot of characterisation from Billie (although not the breeches, at least not yet!) as that independent streak is definitely a shared trait. While I'm not entirely convinced that there were many aristocratic families that would have countenanced a daughter or wife acting as Billie does, I did enjoy the fact that it seems giving your children a long leash to discover themselves appears to be a Bridgerton family tradition rather than a reaction from Edmund (and Violet) to a restricted childhood of their own.
I was planning to put this in the local book swap when I finished, but have 100% changed my mind and it'll be going on my bookshelf as soon as I can make some space!
Moderate: Sexual content and Injury/Injury detail
Minor: Pregnancy, Death, War, Alcohol, and Miscarriage
georgiaisreading's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Sexual content
itsgnat's review
- Diverse cast of characters? No
3.75
Graphic: Sexual content
kbpfaulkner's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Sexual content
marionlundqvist's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Sexual content
madsmcw_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
This story is centered on Billie Bridgerton and George Rokesbys in a childhood friends/adversaries to lovers story. I absolutely LOVED the banter between the two of them, it was fun and fiery and frequently kept you on your toes. The romance is a slow burn as they begin to realize their love for one another but is SO worth the wait, and there's enough chemistry between them to carry you through the story. I also really enjoyed how Billie didn't care how she didn't fit into the mold of how a lady during the time should act and that she didn't feel shame because of it.
I listened to this on audio and the narrator is fantastic, so if you're going to read in highly suggest going that route!
Moderate: Misogyny and Sexual content
Minor: Injury/Injury detail
meghanm404's review
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Sexual content
Minor: War, Fire/Fire injury, and Kidnapping