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chelly_reads's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Animal death, Blood, Pregnancy, Violence, Gaslighting, Death, Infidelity, War, Emotional abuse, Body horror, Death of parent, Grief, and Gore
shottel's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
This mandate to procreate establishes this book as far more clearly feminist (the idea that women have issues, interests, and stories worth hearing as much as men do) than its sequel. The need for nobility to sustain itself through childbirth is a recurring, central issue of the book, among other issues which concern women more than they do men, which also make frequent appearances.
In some ways, this book feels like it was written to an audience that might be into medieval court drama or epic adventures, but aren't too fond of the biases that pervade those genres. It is a grand epic, fantastically wrote, including women, LGBT+ characters, and people of color as equals to men, cishet, and white characters.
There are only a few places where it falters. The biggest problem I had is that the action scenes are confusing. I found myself frequently struggling to imagine the scene, re-reading portions over and over again. At first I thought it was a me issue, but after a half-dozen or so times, I figured it's probably not a me problem.
Additionally, I flagged two more minor concerns. First, with the presence of so many LGBT+ characters, the lack of transfeminine characters stands out oddly. Perhaps one or both of the nonbinary characters in the book are intended to be transfeminine, but there is no way to know this from the text. I don't make any guesses as to why; it just sits weirdly. Secondly, while *Priory* is a truly self-contained work, *Fallen Night* hints at an intention to write another book set between the two. This is the only change which I find to be a step backwards from *Priory*.
When layered inside an over 800 page grand adventure, these issues are minor, thus my score of 4.75/5. I strongly recommend this book to anyone who is interested in grand adventures, feminist fiction, fantasy, or fiction with LGBT+ main characters.
Graphic: Alcohol, Pregnancy, Fire/Fire injury, Religious bigotry, Murder, Injury/Injury detail, Animal death, Sexism, Blood, Death, Violence, Grief, War, Terminal illness, Misogyny, and Pandemic/Epidemic
Moderate: Kidnapping, Child death, Infertility, Body horror, Gore, Emotional abuse, Torture, Miscarriage, and Adult/minor relationship
Minor: Cannibalism, Abortion, and Animal cruelty
hannahpings's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
i also loved priory––i think it was fantastic––but for me, there's been a marked improvement in samantha shannon's writing between the two. a day of fallen night gives itself time to breathe, has pitch-perfect pacing, and doesn't fall prey to the same "and then all this happened btw and now we're here" telling-not-showing issue that priory does.
this book made me feel a way i haven't felt in 20 years at least. i truly cannot wait to read all 868 pages again
Graphic: Death of parent, Death, Emotional abuse, Medical trauma, Child death, Religious bigotry, War, Gaslighting, Genocide, Gore, Grief, Injury/Injury detail, Animal death, Blood, Fire/Fire injury, Pregnancy, Sexual content, Pandemic/Epidemic, Medical content, Toxic friendship, and Violence
Moderate: Cancer, Suicide, Vomit, and Adult/minor relationship
beautifulpaxielreads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
The worldbuilding is intricate down to the tiniest detail, and the care that Samantha Shannon took is evident on every single page. I can't imagine what the research process was like for this, but, as with The Priory of the Orange Tree, I can say that it must have been exhaustive (and no doubt exhausting too). I am in awe of the scale of it. Belief, politics, geography, history - it's all here and all believable.
The plotting is also immaculate. The way Shannon has created her POV characters and how she has crafted every twist and turn of the plot to bring them together and apart is masterful. I will say that at times the characters felt more like pieces in the elaborate chess match that was Shannon's plot, rather than fully fleshed-out human beings.
There are four characters - dubbed "storytellers" in Shannon's extensive notes and glossaries - whose points of view we see. Tunuva, a middle-aged sister at the Priory of the Orange Tree, Glorian, the adolescent heir to a fabled queendom, Wulf, a young man sworn to a Northern King, and Dumai, a twenty-seven-year-old apostle at an ancient mountain temple.
Of all of them, the ones I liked best were probably Tunuva, Glorian and Wulf. Dumai I couldn't really warm to, although she was very interesting as a character.
Speaking of characters, this novel has a huge cast - I appreciated the index at the back, which I found an excellent way of keeping track of the characters and their relationships with one another and their worlds. I did feel that some of the smaller characters got lost in the bigness of it all. Of the secondary characters, I probably appreciated Nikeya most. And Canthe (
Aside from feminine agency and power (similarly dominant in Priory), the themes of environmentalism, religion, and belief also come through very strongly. The overarching plot point of the novel is analogous to world events of the last few years (
LGBTQIA+ representation is done well throughout. There are trans and non-binary folk in the large cast of characters, and a range of different sexualities among minor and major characters also. Within the world Shannon has created, this gender and sexual diversity is normalised, which is refreshing to read about. Although this is an imagined world in terms of ethnicity there is still a range of skin tones from white to dark-skinned, which I know many will appreciate.
Although it has its flaws, this was overall a satisfying and highly enjoyable read.
Graphic: Medical trauma, Death of parent, Colonisation, Body horror, Emotional abuse, Death, Fire/Fire injury, Grief, Infidelity, Pregnancy, Pandemic/Epidemic, Injury/Injury detail, Blood, Violence, and War
Moderate: Sexual content, Gore, and Alcohol
Minor: Vomit
Strong scenes depicting supernaturally inflicted violence (iedragongirl271's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Injury/Injury detail and Death
Moderate: Animal death, Death of parent, Animal cruelty, and Child death
Minor: Emotional abuse, Domestic abuse, Miscarriage, Cancer, and Cannibalism
aseel_reads's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Blood, Confinement, Gore, War, Grief, Death of parent, Animal death, Child abuse, Cursing, Death, Emotional abuse, Injury/Injury detail, Pregnancy, and Violence
donatio's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
The characters and the world were well-fleshed-out, I came to care about them deeply. There were no plot holes and it set up Priory nicely.
The writing was beautiful, I only found that it was quite slow for me but towards the end it got better.
Representation of everyone (gender-equality, POC, LGBTQ, etc.) was there, just like it ought to be.
I loved the themes, motherhood, religion and duty, and how they were explored.
Graphic: Gore, Blood, Death, Medical content, Medical trauma, War, Emotional abuse, Pregnancy, Death of parent, Domestic abuse, Fire/Fire injury, and Sexual content
Moderate: Animal death and Adult/minor relationship
Minor: Cancer, Alcohol, Drug use, Kidnapping, and Miscarriage
alexalily's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death of parent, Pregnancy, Blood, Death, and Fire/Fire injury
Moderate: Toxic friendship, Toxic relationship, Grief, Religious bigotry, Confinement, War, Abandonment, Emotional abuse, Gore, Violence, Injury/Injury detail, Murder, Terminal illness, Animal death, Child death, Body horror, Classism, Medical content, and Sexual content
Minor: Alcohol, Cancer, Chronic illness, Vomit, Suicide, Cannibalism, Infidelity, and Kidnapping
librariangeorgia's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Cancer, Misogyny, Violence, Adult/minor relationship, Death, Emotional abuse, Sexism, and War
heartbrekker's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: War, Pregnancy, Mental illness, Violence, and Death
Moderate: Sexism, Religious bigotry, Misogyny, Murder, Grief, Fire/Fire injury, and Emotional abuse
Minor: Vomit, Kidnapping, Adult/minor relationship, Death of parent, and Cancer