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msaari's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Moderate: Misogyny, Child death, and Death
ciaomara's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Animal death, Child death, Death, and Cancer
Moderate: Sexual assault, War, Rape, and Sexism
Minor: Death of parent
dr_aimz's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Animal death, Injury/Injury detail, Dementia, and Terminal illness
Moderate: Child death, Misogyny, Death of parent, Cancer, Medical trauma, Violence, and Death
Minor: Sexual assault, Rape, and Domestic abuse
atamano's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Death and Grief
Moderate: Animal death, Sexual content, Cancer, Death of parent, Misogyny, and Toxic relationship
Minor: Child death
apersonfromflorida's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Death, War, Chronic illness, Mental illness, Pregnancy, Terminal illness, Injury/Injury detail, and Miscarriage
Moderate: Fire/Fire injury, Child death, and Animal death
Minor: Vomit, Religious bigotry, and Rape
have_a_doris_day's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Moderate: Grief, Misogyny, Physical abuse, Child death, Confinement, Dementia, Schizophrenia/Psychosis , and Terminal illness
Minor: Child abuse, Sexual assault, Sexual violence, Fire/Fire injury, Pedophilia, War, and Rape
erica_palmisano's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Misogyny, Grief, and Death of parent
Moderate: Lesbophobia
Minor: Emotional abuse, Forced institutionalization, Pregnancy, Animal death, Child death, Confinement, Mental illness, Rape, Sexual violence, and War
xjuliaaaaaax's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
We follow Marie de France over the course of her life at an English abbey from ages 17 til her death at 72. Marie de France is a real historical figure, and is known as the first female francophone poet and writer of a series of lais that are still studied; however, her true identity is not known. Groff has chosen to interpret her identity as that of Marie Abbess of Shaftesbury and half-sister to Henry II, King of England.
In this life, Marie is born to a house of lively warrior-women with free-spirits after her mother is raped by Geoffrey of Anjou, descended from a fairy. With her fairy-blood and wild upbringing, she doesn't fit in at the English court where she is forced to find shelter after her mother's death. As an ugly, unfeminine, illegitimate daughter, she is sent to an impoverished abbey to become the prioress and prevent any risk of competing heirs to the throne.
Convinced she has been sent to a living death, Marie despairs. She's been sent here by the woman she loves, Eleanor of Aquitane, Queen of England. We continually view glimpses of Eleanor through rumors that make their way to Marie, whose love eventually turns to respect and friendship for the beautiful and radiant queen who never stops seeking power. In their relationship we see two similar women born to different fates, one beautiful and given the chance to rule the world through marriage and motherhood; the other ugly, and finding greatness through community with her sister-nuns, and motherhood of a different kind as she raises the abbey from poverty, employees and educates local women, and encourages their nascent talents for the sake of their "island of women."
Marie struggles to find faith like the nuns she leads but is blessed with visions from the Virgin Mary, the holy mother. Her political mind, network of spies and friends, and holy visions establish her power locally, freeing her from the patriarchal hierarchy of the church. She builds a labyrinth around the abbey, protecting the nuns from men who wish to steal and harm them, isolating them from external forces, and securing Marie's power over her abbey.
Through her life, you see her struggle with her pride, which threatens the abbey on more than one occasion when her hand stretches too far and risks attracting too much attention to this group of women uninfluenced by men; her blasphemous tendencies, such as believing women are equal or superior to men, able to conduct mass and take confession, and that God is a woman; and her love for women, which is explored platonically, romantically, and sexually as the thing that both connects her to her community, and threatens to destroy everything she has built if she cannot control her earthly desire.
This book paints a portrait of a complex and remarkable woman who challenged all societal norms of medieval England to create a safe haven for women on earth.
How I felt:
I don't feel particularly strongly about this book. I liked the style of writing, though there are many historical references that are subtly hinted rather than overtly named, such as Geoffrey of Anjou and Richard the Lionheart. You either need to google or have a really strong knowledge of medieval history and society. There's definitely no plot here, it's really a character study. I never truly understood the underpinnings of Eleanor and Marie's relationship. Marie adored her... because she was pretty and charismatic? When she ages I think maybe also because of her power. And then why does Eleanor send Marie away, really? It's only ever hinted at but it is confusing because Marie always seems to think there's a possibility she could win Eleanor's affections, as though she had reason to hope but we are never told what possible reason she could have. I think that was the major flaw because it's the one semblance of a plotline we're given.
If you like historical character-study with a slightly sapphic tone, I'd recommend it. It's not a sapphic love-story though so do not expect that. But considering it is set in medieval times, it's quite open and accepting of lesbian relationships. No one in the novel is "out" but it feels more like that is because they are nuns than because of any homophobia in the society.
Graphic: Child death, Death, Excrement, and Injury/Injury detail
Moderate: Dementia and Mental illness
mc860's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
2.0
Moderate: Animal death, Child death, Cancer, Death, and Death of parent
raquelbb's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Death and Child death