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lizmart88's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The story is told not in linear fashion and it does such a good job of pivoting from person to person and across times. It felt like every scene was perfectly chosen to reveal something about the character.
Definitely recommend!
Graphic: Violence and Death of parent
nil033's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Miscarriage
Moderate: Violence and Death of parent
Minor: War and Police brutality
mharris61's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
2.5
Moderate: Grief and Death of parent
bethebluebook's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Cancer, Classism, Pregnancy, Terminal illness, Medical content, Blood, Death, Death of parent, and Grief
kappafrog's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Graphic: Blood, Miscarriage, Death, Animal death, Death of parent, Medical content, and Pregnancy
Moderate: Chronic illness, Abandonment, Excrement, Classism, Grief, Cancer, Police brutality, Toxic relationship, and Ableism
Minor: Gun violence, Infertility, Infidelity, Terminal illness, and Vomit
kaneebli's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Abandonment, Ableism, and Misogyny
Moderate: Emotional abuse, Death of parent, and Grief
Minor: Racism and Police brutality
mzynda's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Pregnancy and Death of parent
Moderate: Abandonment
koreanlinda's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
What I liked the most was how deeply flawed all the characters are. While pursuing what they want in their lives, they uncontrollably go through obsessions and delusions. Who doesn’t? Su Lan struggles to take care of her little daughter Liya as a single mother and invents games to keep her quiet at work. For example, Liya would sit still and pretend to be a rock or statue. (p.83).
I felt a bit frustrated to follow Liya, a self-centered young adult who is not thinking straight
While Liya alone moves through spaces, we get to see a lot through Zhu Wen and Yongzong, too. Meng Jin talks about social issues through Zhu Wen’s narratives: “I have never been interested in political matters. For a person like me (poor and unemployed with a disability), it does not matter who holds power—I will always remain outside the hierarchy, in that group of people everyone pities and secretly wishes did not exist because they would rather not bother with pity.” (p.115)
The level of concreteness abruptly changes in the last chapter “The Beginning.” Meng Jin even tries to make the existence of Yongzong murky: the nurse states Su Lan’s husband died when she was at the Beijing hospital but then later witnessed a man rising from death.
What keeps the whole story consistent is the ever-so-present question about time: “how to remember the future and forget the past?” Meng Jin asks. It gets hard to keep track of time and where we are as we travel through multiple characters’ points of view in different years. Without a clear lineage of time, the stories around Su Lan collapse on one another and come into our heads as a big chunk. Maybe that is how Liya felt while chasing and collecting bits of information about her past, and we get to experience it ourselves.
Circling back to the title, I find it quite alienated from the theme or idea of the novel, and here is Meng Jin's explanation in an interview with Rhianna Walton for Powell's:
Honestly, I didn't think too hard about the title and what it meant on a larger scale. It popped out to me as a phrase on the page. I liked how it came up in this almost inconsequential, side-note way. As a writer, I tend to go towards mystery. I write very much by intuition. The title just felt right to me.
Review by Linda (she/they)
Twitter @KoreanLindaPark
Letter writer at DefinitelyNotOkay.com
Graphic: Death and Death of parent
Moderate: Ableism, Mental illness, Racism, and Xenophobia
aster_isms's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
1. Entertainment
This book was really entertaining to me. Something about it, I don't know, was really captivating and made me want to keep reading. I would pick up the book and next thing I knew, I was 50 pages later. It didn't feel like parts dragged on for too long or a place was too short. The mystery of figuring out who Su Lan really was was also pretty captivating.
2. Characters
Li Yongzong: The faults of this character captivated me, although it wasn't too much to write home about. Spoilers for the book ahead:
Su Lan: What is there to say about Su Lan without saying WOW. This book was amazing, at portraying her, both in her faults and in her virtues. Spoilers ahead:
Zhang Bo: Really loved his character, although it did kind of feel like he didn't have any faults at all. 8/10
Zhu Wen: I also really liked how she was written! Even though anything outside of her interactions with Su Lan wasn't terribly important to the story, it really felt like you got to know her and her relationship with her husband, Tao Kun. As she grew more spiritual and believing in ghosts, you could also see her deteoriating mental abilities. 8/10
Liya: She is really interesting to me, but I feel like out of all the characters she was the most poorly developed, despite being the person we are mainly looking through the story with, and why we are even reading this story in the first place. I wouldn't say she is particularly likeable, but I understand her decisions. 6/10
3. Plot
4. Writing style
5. Editing
Saw basically no problems with this, chapters segmented nicely.
Graphic: Death, Death of parent, and Violence
Moderate: Xenophobia, Toxic relationship, and Grief
imaginaryempire's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Moderate: Death of parent, Grief, and Toxic relationship
Minor: Gun violence