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dark
mysterious
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
Content Warnings
Moderate: Body horror, Child abuse, Death, Emotional abuse, Gun violence, Self harm, Violence, Blood, Grief, Murder, Abandonment, Injury/Injury detail
Minor: Body horror, Child death, Confinement, Gore, Miscarriage, Racism, Self harm, Torture, Forced institutionalization, Police brutality, Stalking, Death of parent, Pregnancy, Fire/Fire injury
adventurous
dark
mysterious
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
No
Content Warnings
Graphic: Death
adventurous
dark
mysterious
sad
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
Content Warnings
Graphic: Death, Gore, Violence
adventurous
dark
mysterious
sad
slow-paced
Plot or Character Driven:
Plot
Strong character development:
No
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
This book was beautifully written at certain points but painfully slow. It was a struggle to read it despite the cool magic system and general concept BECAUSE of the pacing. I love the idea of children with magic/special talents that are taken to a “school” of sorts for development and protection while there’s a big bad putting the world at risk. It’s a solid premise. Add some vaguely steampunk-ish elements and ensemble cast, and I’m sold! However, I found that the plot twists were too predictable, the pacing was absolutely abysmal (even for a more epic-style story), and a lot of plot points/character portrayals were a bit… uncomfortable… to say the least. I really wanted to love it and the more I read the more I realized that this author was fantastic in the more condensed chapters and the story truly could have benefitted from condensing the narrative a bit more. If you do not mind major spoilers, my more specific critiques will be below:
Okay, so in terms of the problematic parts of the story, there is the portrayal of England as this haven of inclusivity and diversity during the Victorian period that felt a little odd. Like, Charlie Ovid is a black character that was saved from being tortured for eternity in America. This is fine and makes sense given American history, but they don’t keep the same energy for when he reaches England (which was definitely not a beacon of inclusiveness at the time either). Like Charlie is (obviously) scared of white people and he’s told something along the lines of “you’re safe, you’re not in America anymore, we’re not like that here” and nobody so much as looks at him funny, when we all know that’s some weird England apologist nonsense. Also, there’s a lot of telling us that Alice Quicke is a hardened badass without showing us nearly enough. Apart from that, I feel like some of the violence against women (especially sexual violence) was sort of added in as a way to make the story darker without any real commentary or care shown about the subject, which was a bit upsetting.
Moving onto the actual plot points:
- Jacob Marber being a morally gray character who’s not the REAL villain might have landed better if he had been written better. It was predictable but the excuses made for him seemed a bit contrived and almost like an afterthought given the scale of what he did and all the material Miro had to work with. Frankly, his character arc could’ve been resolved if he just communicated with people after the druhgr seduced him. I’m sure if he told Coulton “everyone is evil, we gotta do something about it and make sure the orsine is closed forever” the man would’ve helped him. Same with a lot of other characters. Tbh, he could’ve bided his time and done things differently and maybe it would make more sense if he actually tried to do things the “right” way but lost his way at some point. It also could have been good to see him be betrayed/framed for some things so it could be more ambiguous as to whether he’s eighth or wrong.
- Dr. Berghast being evil all along was also predictable as was his using the missing children as experiments to replace/fix the glyphic. Frankly, I was shocked he wasn’t outright sacrificing them and using their blood for something given the way the book was going, though I suppose what he did do was just as bad.
- By the time we find out who Marlowe’s mom really is, I didn’t really care and I think that’s a testament to how unnecessarily complex the author made the story and how painful it was to get through.
- Coulton becoming a litch was also very predictable given his hatred/disgust of them, the way he died, and then how his body wasn’t collected when he died. While I’m on the topic of litches, we didn’t need to constantly be reminded what they look like. We know. We got it the first two times. The needle-like teeth don’t need to be restated every scene. We got it.
- The final fight (in the last couple chapters) was incredibly convoluted. I missed Walter Laster and Jacob Marber actually dying (which I’m calling it now that Jacob isn’t dead and they’re gonna try to make him have a Zuko-style redemption arc) because it was so convoluted and awful.
- Switching POVs and time jumps started off fun but became a drag to read after a while. I love a good flashback situation but sometimes the steps back and forward were too often or the POVs switched at weird times. There was even a section around chapter 39 where they changed POVs like 6 times on the same page. I’m glad it was only a one time problem but that was really annoying and halted the flow of the story a lot.
- Some parts, for all the over explaining throughout the story, got glossed over at weird times. We still don’t know much about the weir bents or the old artifacts but we know they were integral parts of the story that characters with POV sections knew a lot about, so why over explain the way a litch looks and how Alice is totally a badass with no nurturing to her despite her being primarily a mother figure the whole book, when really we needed real plot-specific world-building explanations?
Anyways, I wanted to love this but just felt relieved it was over in the end. I don’t see myself continuing the series. I’m sure it’s a book for someone, however, that someone isn’t me. If you start reading the book and find that it’s dragging too much for your liking, just know it doesn’t get better in that regard. I think the author is great when he feels the need to be concise and brevity is what this novel lacked overall in many aspects. Also, well-written women. There weren’t a lot of those either…
Moving onto the actual plot points:
- Jacob Marber being a morally gray character who’s not the REAL villain might have landed better if he had been written better. It was predictable but the excuses made for him seemed a bit contrived and almost like an afterthought given the scale of what he did and all the material Miro had to work with. Frankly, his character arc could’ve been resolved if he just communicated with people after the druhgr seduced him. I’m sure if he told Coulton “everyone is evil, we gotta do something about it and make sure the orsine is closed forever” the man would’ve helped him. Same with a lot of other characters. Tbh, he could’ve bided his time and done things differently and maybe it would make more sense if he actually tried to do things the “right” way but lost his way at some point. It also could have been good to see him be betrayed/framed for some things so it could be more ambiguous as to whether he’s eighth or wrong.
- Dr. Berghast being evil all along was also predictable as was his using the missing children as experiments to replace/fix the glyphic. Frankly, I was shocked he wasn’t outright sacrificing them and using their blood for something given the way the book was going, though I suppose what he did do was just as bad.
- By the time we find out who Marlowe’s mom really is, I didn’t really care and I think that’s a testament to how unnecessarily complex the author made the story and how painful it was to get through.
- Coulton becoming a litch was also very predictable given his hatred/disgust of them, the way he died, and then how his body wasn’t collected when he died. While I’m on the topic of litches, we didn’t need to constantly be reminded what they look like. We know. We got it the first two times. The needle-like teeth don’t need to be restated every scene. We got it.
- The final fight (in the last couple chapters) was incredibly convoluted. I missed Walter Laster and Jacob Marber actually dying (which I’m calling it now that Jacob isn’t dead and they’re gonna try to make him have a Zuko-style redemption arc) because it was so convoluted and awful.
- Switching POVs and time jumps started off fun but became a drag to read after a while. I love a good flashback situation but sometimes the steps back and forward were too often or the POVs switched at weird times. There was even a section around chapter 39 where they changed POVs like 6 times on the same page. I’m glad it was only a one time problem but that was really annoying and halted the flow of the story a lot.
- Some parts, for all the over explaining throughout the story, got glossed over at weird times. We still don’t know much about the weir bents or the old artifacts but we know they were integral parts of the story that characters with POV sections knew a lot about, so why over explain the way a litch looks and how Alice is totally a badass with no nurturing to her despite her being primarily a mother figure the whole book, when really we needed real plot-specific world-building explanations?
Anyways, I wanted to love this but just felt relieved it was over in the end. I don’t see myself continuing the series. I’m sure it’s a book for someone, however, that someone isn’t me. If you start reading the book and find that it’s dragging too much for your liking, just know it doesn’t get better in that regard. I think the author is great when he feels the need to be concise and brevity is what this novel lacked overall in many aspects. Also, well-written women. There weren’t a lot of those either…
Content Warnings
Graphic: Death, Physical abuse, Racism, Torture, Violence
Moderate: Grief
Minor: Child death, Miscarriage, Sexual assault
Too many different plot lines introduced without sufficient cohesion and context. And if I’m not invested in any of the characters by the first 100 pages, I tend to DNF.
Content Warnings
Graphic: Racism, Violence
Moderate: Death, Gore, Torture, Murder
Minor: Confinement, Rape, Death of parent
adventurous
dark
emotional
mysterious
sad
tense
fast-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
I really loved this book. It reminded me of lots of other books but it’s its own creature. It’s got the feel of Addie LaRue and Jonathan Strange & Mr Norrell, and it’s got talented kids and a special school like X-Men.
By the end we’re following at least three storylines, all about a great evil that’s going to release the dead into our world and the forces of good that are fighting to keep that from happening. The children are unusual - one has a separate flesh giant that smells of rotting meat but the rest are more appealing - and the monsters are indeed monstrous.
I’m delighted to report that there’s a hero cat. I’d have given this five stars even if there weren’t a hero cat, but the hero cat puts this firmly in the ten-star category.
By the end we’re following at least three storylines, all about a great evil that’s going to release the dead into our world and the forces of good that are fighting to keep that from happening. The children are unusual - one has a separate flesh giant that smells of rotting meat but the rest are more appealing - and the monsters are indeed monstrous.
I’m delighted to report that there’s a hero cat. I’d have given this five stars even if there weren’t a hero cat, but the hero cat puts this firmly in the ten-star category.
Content Warnings
Graphic: Body horror, Child death, Death, Gore, Gun violence, Racial slurs, Racism, Violence, Blood, Grief, Death of parent, Fire/Fire injury, Abandonment, Injury/Injury detail
adventurous
dark
mysterious
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
Content Warnings
Graphic: Body horror, Child abuse, Death, Gun violence, Racism, Self harm, Sexism, Violence, Kidnapping, Grief, Religious bigotry, Murder, Fire/Fire injury, Injury/Injury detail
Moderate: Ableism, Child death, Torture, Forced institutionalization, Death of parent, Abandonment, Colonisation
adventurous
dark
mysterious
sad
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Content Warnings
Graphic: Death, Violence, Blood
Interesting story, but I struggled with some of the writing. One passage was especially confusing due to unclear pronoun usage - the entire meaning of the passage changed depending on which character “he” referd to. I read and reread this passage so many times and still could read it either way. Very possible that it’s just me, but I ultimately decided It wasn’t worth it to keep going and risk running into similar issues.
Content Warnings
Graphic: Death, Gore, Racism, Violence, Murder
adventurous
dark
mysterious
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
Content Warnings
Graphic: Cursing, Death, Gore, Racism, Self harm, Blood, Murder, Injury/Injury detail
Moderate: Drug use, Cannibalism