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rocketiza's review
1.0
It took me three tries to get 300 pages in, and at that point I just had to give up on how this was completely unable to make me interested. Even the Stephenson's I don't like I usually still enjoy reading enough to finish because they are interesting, but this one was too much
oldenglishrose's review against another edition
3.0
When I first started this book I found it opaque and thought it had too many storylines which seemed completely unconnected with too many characters that I didn’t particularly like. I ended up setting it aside for several months and only picked it up again in order to finish it so that I could get rid of the terrible thing. However, evidently the break was exactly what I needed, as this time around I found it fascinating and everything clicked into place, and now I’m looking forward to reading the rest of the Baroque Cycle.
The book was still confusing and was by no means an easy read. It is written in several different forms: regular prose, playscript style and in letters where the real message is hidden in italics among the main body of the missive. The narrative skips about from one character to another, in between countries and passing over chunks of time, so Stephenson keeps you on your toes constantly. But this time I enjoyed the challenge rather than being frustrated by it. I think part of the reason that it feels so difficult is that it’s such a large book that it can be easy to find it overwhelming. I noticed that the novel is in fact divided into three books, and I think that when I approach The Confusion, the rather appropriately named second volume of the Baroque Cycle, I will take a break to read something palate cleansing in between the composite books so that I don’t become fatigued and disillusioned as I did with Quicksilver. This seems a far more sensible way to tackle these massive, dense books and I would recommend this approach to anyone else.
Although there were lulls in between the good bits, when Stephenson gets it right his writing is perfectly pitched, wry, deadly accurate and very quoteable. It is full of encoded stereotypes, contemporary and modern, and biting satire. He has an impressive way with words, and hopefully I’ll be able to appreciate this a bit more in future volumes now that I’ve learnt to stop fretting about the plot(s).
I’ve been a bit nervous about reading alternative history in the past, primarily because my historical knowledge of any given period isn’t sufficiently complete for me to be able to distinguish exactly what is history and what is the author’s own deliberate departure from it. In order to verify everything that went on in Quicksilver I would have to research for years, and I have a huge respect for the effort that Neal Stephenson has obviously put into crafting his slightly off-kilter seventeenth century, but at any rate the events of the book were so bizarre (I seem to recall chasing ostriches in Vienna, although that was in February’s section so I may well be wrong) that I decided to throw caution to the winds and just to go with it. I think that is the best attitude to have when reading this book, as its wonder doesn’t rest on what is accurate and what isn’t but on the world full of intrigue, real or not, that Stephenson has created.
Quicksilver is hard work to read, but ultimately I found it to be worth the effort. The story is very tangled, but cleverly so, and the rewards for the reader who is prepared to sit and unpick the knots are great.
The book was still confusing and was by no means an easy read. It is written in several different forms: regular prose, playscript style and in letters where the real message is hidden in italics among the main body of the missive. The narrative skips about from one character to another, in between countries and passing over chunks of time, so Stephenson keeps you on your toes constantly. But this time I enjoyed the challenge rather than being frustrated by it. I think part of the reason that it feels so difficult is that it’s such a large book that it can be easy to find it overwhelming. I noticed that the novel is in fact divided into three books, and I think that when I approach The Confusion, the rather appropriately named second volume of the Baroque Cycle, I will take a break to read something palate cleansing in between the composite books so that I don’t become fatigued and disillusioned as I did with Quicksilver. This seems a far more sensible way to tackle these massive, dense books and I would recommend this approach to anyone else.
Although there were lulls in between the good bits, when Stephenson gets it right his writing is perfectly pitched, wry, deadly accurate and very quoteable. It is full of encoded stereotypes, contemporary and modern, and biting satire. He has an impressive way with words, and hopefully I’ll be able to appreciate this a bit more in future volumes now that I’ve learnt to stop fretting about the plot(s).
I’ve been a bit nervous about reading alternative history in the past, primarily because my historical knowledge of any given period isn’t sufficiently complete for me to be able to distinguish exactly what is history and what is the author’s own deliberate departure from it. In order to verify everything that went on in Quicksilver I would have to research for years, and I have a huge respect for the effort that Neal Stephenson has obviously put into crafting his slightly off-kilter seventeenth century, but at any rate the events of the book were so bizarre (I seem to recall chasing ostriches in Vienna, although that was in February’s section so I may well be wrong) that I decided to throw caution to the winds and just to go with it. I think that is the best attitude to have when reading this book, as its wonder doesn’t rest on what is accurate and what isn’t but on the world full of intrigue, real or not, that Stephenson has created.
Quicksilver is hard work to read, but ultimately I found it to be worth the effort. The story is very tangled, but cleverly so, and the rewards for the reader who is prepared to sit and unpick the knots are great.
fjsteele's review against another edition
5.0
Stephenson's books always seem difficult to begin, but then become incredibly satisfying. This trilogy has some of the most beautifully drawn characters of any books I have ever read. I also learned so much about the late 17th century that I never knew.
imoskowitz's review against another edition
challenging
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
chtapodi's review against another edition
adventurous
challenging
funny
informative
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
It feels like this book is just a series of events happening, but as you progress through the series it turns out it's all just the start of the plots that continue through the books.
adamrbrooks's review against another edition
2.0
Anathem and Cryptonomicon are two of the best books I've ever read.
Quicksilver was, for the most part, an awful slog. It took me months to get through this, because I often couldn't force myself to go back to it. All this on my second attempt to read it.
Maybe I just don't have the patience for the layers of storytelling, don't know the real history enough to care about his versions of what might have been going on in the background, but the explanations were tedious, the letters and plays and diaries to describe the action distracting and dull.
And while I get that actions at those times helped shape the modern world we know now, it seems to tidy to give all the credit to just a small group of men (and one woman, who has more adventures than any other in history).
Whatever he writes next I may read, but I doubt I'll ever even touch the other two volumes in the Baroque Cycle.
Quicksilver was, for the most part, an awful slog. It took me months to get through this, because I often couldn't force myself to go back to it. All this on my second attempt to read it.
Maybe I just don't have the patience for the layers of storytelling, don't know the real history enough to care about his versions of what might have been going on in the background, but the explanations were tedious, the letters and plays and diaries to describe the action distracting and dull.
And while I get that actions at those times helped shape the modern world we know now, it seems to tidy to give all the credit to just a small group of men (and one woman, who has more adventures than any other in history).
Whatever he writes next I may read, but I doubt I'll ever even touch the other two volumes in the Baroque Cycle.
mercenator's review against another edition
1.0
I am surprised by how much I hated this. I love Neal Stephenson, but couldn't stay awake while reading this. So dull and plodding. Generally I do not have an issue with the length of his novels, but I really felt it with this one. At least that means I can knock the two other gratuitously long books In the baroque cycle off my list as well. Maybe I'll try for a reread once I'm not a new parent and I'll have more patience.
danielledg's review against another edition
Just couldn’t get into it and was too complicated to follow.