Reviews tagging 'Domestic abuse'

The Ministry of Utmost Happiness by Arundhati Roy

7 reviews

challenging dark emotional informative slow-paced
Loveable characters: Complicated

We get it, Arundhati Roy. You are a brilliant writer. You like to play with language. You like world building. India is a mess; Kashmir is a violent, horrifying mess. People are horrible to one another in myriad horrible and disgusting ways. 
This book needed editing. 
Do NOT listen to it. I kept speeding it up. 1.10, 1.15, 1.2. I finally got up to 1.3 and made it through the end. 
It was SO hard to figure out who the characters were and how they were connected. It felt like reading a wikipedia page with clickable links that I couldn't click while listening. 
I honestly kind of hated it. I only finished it for Seattle Book Bingo. 

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anoushka05's review

5.0
challenging dark emotional informative reflective sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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nehaanna's review

3.0
challenging dark tense slow-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: No

This book, while written with flowery prose and great world building for non-Indian readers - is a disappointment. This is nothing more than a gussied up political commentary on the Partition of India and the Kashmiri struggle against the Indian state. The author’s own political bias is rampant in this book and is the undercurrent of the meager plot of this nearly 500 page book - if it can be called that. As someone with Indian heritage, and neutral to the Hindu-Muslim conflict that has gripped two generations of Indians, I find this book walking (and not very well might I add) the fine line between gripping expose and political propaganda. Western readers unfamiliar with the bloody conflicts of India and Pakistan and India and Kashmir have no clue about the undercurrent this book has, which I suppose is its meager substitution for an actual plot. 

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zippz's review

4.5
challenging emotional hopeful reflective slow-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Beautiful, layeted reflection on violence, grief, and love.

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challenging dark informative mysterious reflective sad medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Wow, this book was a lot. A lot of good, a lot-ish of bad. But surely a lot.
The first few chapters were great – the gentleness and simplicity with which Roy touched themes usually considered taboo or niche made for a comforting read. 
The story read like an ensemble of fables, and as such its characters are only briefly focused on, barely skimming the surface of their essence, touching only those traits of theirs that are relevant to the narrative. At the end of the second chapter, I grew fond of Anjum, but the narrator keeps such a distance that she feels in a way out of reach, visible only through binoculars that follow her as she moves her residence from place to place.
After a hundred pages focusing on her character and the people and places that make up her world, I really couldn't care less about the others at they came into frame quite abruptly. This could easily have been a two novels installments, as, though surely strictly interlinked, the two main stories fail to be seamlessly bound together. It felt like she couldn't decide which story to tell, which battle to fight in, so instead of making a collection of shorter stories, she tried very hard to fit everything into a single box, full to the brim, so that the reader ends up struggling to find anything at all. It was as if Roy was trying to fit as many of her opinions as she could into these pages, and then some more.
The men's voices fell particularly flat, like heroines' in a 1800s male novelist's work.
Both The Landlord chapters' first person narration split the novel in two, and Garson Hobart felt like an intruder in someone else's story. Perhaps both things were intentional, with Roy you can hardly ever know.

But all in all, I'm glad I read it – it's a heavily politicized book, with even heavier themes, so definitely not a light leisure read, but offers an important perspective nonetheless.

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fuckcarsridebikes's review

5.0
dark emotional hopeful reflective sad fast-paced
Plot or Character Driven: Plot
Diverse cast of characters: Yes

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aditi_agarwal's review

3.0
challenging dark emotional informative slow-paced

Arundhati Roy has a beautiful way with words, and that undoubtedly can be seen throughout the book, however, to me it seemed that she went a little overboard this time with long, tiring descriptions that almost seemed unnecessary. That is also what made this book a very difficult one to read.

Other than that, the book beautifully intertwines the struggles that the various minorities in India- gender minorities, religious minorities, caste minorities etc. have faced throughout the history of India and continue to face even today.

The parrelism between the various struggles of India, and the various struggles of the Indians often ignored and overlooked will almost well up your eyes at times, fill you with rage, with a longing for justice- but oftentimes the overly flamboyant descriptions suck the intensity out of those moments. 

I am glad I picked this book up because it is informative and stirs your emotions, but i will also be honest, i almost gave up on this book many times. 

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